Enfilade

Press release from the Art Gallery of South Australia:

A Beautiful Line: Italian Prints from Mantegna to Piranesi
Art Gallery of South Australia, Adelaide, 20 August — 31 October 2010

Curated by Maria Zagala, Associate Curator of Prints, Drawings, and Photographs

Tiepolo, "Punchinello Talking to Two Magicians" from the series "Scherzi di Fantasia," ca.1743–57, published 1775, Venice, etching on paper 23.3 x 18.3 cm (plate & sheet) A.R. Ragless Bequest Fund 1975, Art Gallery of South Australia

Some of the masterpieces of Italian printmaking go on rare display in the Art Gallery of South Australia’s new exhibition, A Beautiful Line, which includes 135 prints dating from the mid-fifteenth to the eighteenth centuries by masters such as Andrea Mantegna, Titian, Tiepolo, Canaletto, and Piranesi. There are around 2000 Italian prints in the Art Gallery of South Australia’s collection but due to their fragility and sensitivity to light, they can be displayed only rarely. A Beautiful Line presents a once-in-a-generation opportunity to see the most outstanding works from this collection including many new acquisitions, showcased together for the first time, to tell the story of Italian printmaking from the Renaissance to the Rococo.

The exhibition offers an insight into the rich visual culture of Italy during this time by showcasing etchings, engravings and woodcut prints which emerged from the major printmaking centres of Venice and Rome, as well as Florence, Verona and Bologna. Among the highlights, at almost three metres long, is Stefano Della Bella’s commanding sixpart work, The Entrance of the Polish Ambassador into Rome, 1633. This important new acquisition is revealed publicly for the first time in this exhibition and is believed to be the only one of its kind in Australia. Other attractions include Andrea Mantegna’s Renaissance masterpiece The Entombment, woodcuts by Titian and his contemporaries, and G.B. Piranesi’s dark and evocative prints of imaginary prisons from the eighteenth century. Subjects range from scenes of the commedia dell’arte, Biblical stories, Roman Emperors, gods and goddesses, to views of cities and architectural landmarks, such as Rome’s Colosseum.

The Art Gallery of South Australia’s Italian print collection began over a century ago when Scottish-born Adelaide businessman and art collector David Murray bequeathed 3000 European old master prints to the Gallery, which later purchased a further 1600 prints from his estate. The collection has since grown using funds from the bequests of Sir Samuel Way, A.R. Ragless and others. More recently, key works for this exhibition have been purchased
using the V.B.F. Young Bequest Fund and with donations through the Art Gallery Foundation.

A Beautiful Line is curated by Maria Zagala, the Gallery’s Associate Curator of Prints, Drawings and Photographs. She will be one of four speakers at a symposium on the exhibition’s opening weekend which will explore the development of Italian printmaking. Other speakers and their subjects include: Dr Lisa Mansfield (University of Adelaide) on the reproduction and reception of Michelangelo’s Sistine Ceiling and Last Judgment; Dr Justin Clements (University of Melbourne), on image and text as agents of The Reformation; and Dr David Marshall (University of Melbourne), on the eighteenth century imagination: capriccio, fantasy and prisons in Piranesi, Tiepolo and Canaletto.