Enfilade

The French Porcelain Society’s Online Symposium, 2020

Posted in conferences (to attend), online learning by Editor on October 27, 2020

The programme includes some eighteenth-century offerings; from The French Porcelain Society:

The French Porcelain Society’s Online Symposium
Celebrating John Mallet’s 90th Birthday
7–8 November 2020

J. V. G. Mallet’s achievements in the field of ceramics are many as proved by his copious bibliography. It is however, John’s ground-breaking work in the field of istoriato maiolica of the 16th century and particularly his focus on the most important Renaissance maiolica-painters of the period, which has to be acknowledged as a major factor behind the resurgence of interest in this fascinating type of painting on pottery.

Our international online symposium, over two afternoons, will focus on John’s main area of research, istoriato maiolica or ‘narrative ware’. This extraordinary pictorial language flourished in the lands of the Dukes of Urbino, whose humanist court inspired Baldassar Castiglione’s The Book of the Courtier and which was Raphael birthplace. The imagery created in Raphael’s workshop was such a powerful influence on istoriato, that it was once believed that Raphael and his pupils actually painted the wares, leading it to be called ‘Raphael ware’.

Most notable are John’s magisterial articles on Urbino istoriato. Applying the same method that art historians use for painting, he has been able to group stylistically many different istoriato painters, and give names to otherwise unknown important maiolica masters, including: The ‘In Castel Durante Painter’, ‘The Master of the Apollo Basin’, ‘The Milan Marsyas Painter’, and ‘The Painter of the Coal Mine Dishes’. John also has written extensively on the painters active in the workshop of Guido Durantino, around the art of the great Nicola da Urbino, on Francesco ‘Urbini’, on Maestro Giorgio of Gubbio, and on Xanto—one of the most intriguing personalities in the world of ceramics, on whom John organised a ground-breaking monographic exhibition at the Wallace Collection in 2007. His catalogue of the maiolica in the Hockemeyer Collection in Bremen is a landmark of scholarship.

The symposium will give particular emphasis to the relationship between istoriato and graphic sources originating in and around Raphael’s workshop, 500 years after the death of the Urbino master in 1520. Reflecting John’s wide-ranging knowledge and interests in many other fields of ceramics, the symposium will also feature lectures on European pottery and porcelain.

The event is free and open to all, but donations are always appreciated. For more information and registration details, please contact the organiser Dr Elisa Paola Sani at FPSenquiries@gmail.com.

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Maiolica in the Shadow of Raphael
Saturday, 7 November 2020, 16.00–19.00 UK GMT

Welcome: Dame Rosalind Savill, DBE (President, The French Porcelain Society, London)
Introduction: Timothy Wilson (Honorary Keeper, Ashmolean Museum of Art, Oxford)

• Claudio Paolinelli (Co-curator of Raphael Ware, Urbino), Virtual Tour of Raphael Ware, the Maiolica Show in Urbino Ducal Palace
• David Ekserdjian (University of Leicester), Xanto and Raphael
• Suzanne Higgott (Curator, The Wallace Collection), The Wallace Collection Bathing Nymphs
• Carmen Ravanelli Guidotti (former Keeper, M.I.C., Faenza), Raphaelesque Taste: An Istoriato from an Ancient Italian Collection
• Marino Marini (Keeper, Museo del Bargello, Florence), Un’iconografia raffaellesca su una coppa faentina al Bargello
• Karine Tsoumis (Curator, Gardiner Museum of Ceramic Art, Toronto), Portable Worlds: Maiolica in the Serenissima
• Justin Raccanello (Author and Lecturer, London), Raphaelism and Raffaelleschi
• Michael J. Brody (Jefferson University, Philadelphia), A Mythological Dish by Sforza di Marcantonio Dated 1548
• Elisa Paola Sani (Research Fellow, The Courtauld Gallery, London), In the Shadow of Nicola da Urbino

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A Celebration of John Mallet
Sunday, 8 November 2020, 16.00–19.00 UK GMT

Chair: Timothy Wilson (Honorary Keeper, Ashmolean Museum of Art, Oxford)

• Valentina Mazzotti (Keeper of M.I.C., Faenza), John Mallet, Fundamental Contributions in ‘Faenza’
• Errol Manners, FSA (Author and Lecturer, London), Antoine-Salomon Taunay and Louis, Duc d’Orleans, the Travels of a Chemist
• Francoise Barbe (Conservateur en chef, Département des Objets d’art, Louvre, Paris), French Lead Glazes at the Time of Palissy
• Camille Leprince (Author and Lecturer, Paris), Collecting and Reproducing Raphael Ware in 17th-Century France
• Cristina Maritano (Curator of ceramics, Palazzo Madama, Turin), Raphael on the Pharmacy Shelf: An 18th-Century Ligurian Set
• Roger Massey (Author and Lecturer, London), A Bristol Porcelain Figure in the Schreiber Collection at the V&A
• Raffaella Ausenda (Author and Lecturer, Urbino), Maiolica in the Bossi Collection at the Castello Sforzesco, Milan
• Sir Timothy Clifford (former Director, National Gallery of Scotland), Few Thoughts for John
• Giulio Busti (Honorary Curator, Museo delle Ceramiche, Deruta), Un saluto a John
• John Mallet (Former Keeper of the Ceramics Department, Victoria and Albert Museum, London), Collecting for the V&A

Online Conference | Palaces in Eighteenth-Century Madrid

Posted in conferences (to attend), online learning by Editor on October 20, 2020

From the conference programme:

Palaces for Rent: Real Estate in Madrid in the Eighteenth Century / Palacios en alquiler: Patrimonio inmobiliario en el Madrid del siglo XVIII
Online, Universidad Nacional de Educación a Distancia (UNED), Madrid, 12 November 2020

Lugar de celebración
Sala virtual de conferencias
https://zoom.us/j/97638995759?pwd=b1l3Qko3WkFpNzVkdjc1eExPQ20wZz09
Acceso libre hasta completar el aforo de sala. Las sesiones estarán posteriormente disponibles en el portal de Canal UNED.

Destinatarios
Estudiantes de Máster y Doctorado en las áreas de historia, historia del arte, historia de la arquitectura, estudios urbanos, estudios sobre la nobleza, historia de la vida cotidiana, estudios de cultura visual y material, etc.
Se facilitará certificado de asistencia a los estudiantes interesados previa petición por correo.

Más información
palacesforrent@gmail.com

Dirección científica
Dra. Pilar Diez del Corral Corredoira, UNED.
Dr. Álvaro Molina Martín, UNED.
Dra. Miriam Cera Brea, Universidad Autónoma de Madrid.

Comité científico
Dra. Natalia González Heras, Universidad Complutense de Madrid.
Dra. Giada Lepri, La Sapienza, Roma.
Dr. Carlos Sambricio, Universidad Politécnica de Madrid.
Dra. Mercedes Simal, Universidad de Jaén.
Dr. José Antonio Vigara Zafra, UNED.

P R O G R A M A

9:30  BIENVENIDA Y PRESENTACIÓN
Consuelo Gómez López (Directora del Departamento de Historia del Arte, UNED)
Pilar Diez del Corral Corredoira y Álvaro Molina Martín (UNED), Miriam Cera Brea (UAM)

10:00  RESIDIR Y ALOJARSE EN MADRID: MÁS ALLÁ DE LA VILLA Y CORTE
Modera: Álvaro Molina Martín
• Natalia González Heras (Universidad Complutense de Madrid), El alquiler yRegalía de Aposento: Tipologías de ocupación residencial en la Corte del siglo XVIII
• José Antonio Vigara Zafra (UNED), La problemática entre el centro y la periferia en las residencias palaciegas de las élites nobiliarias españolas del siglo XVIII
• Magdalena Merlos Romero (Archivo Municipal de Aranjuez), Palacios y alojamientos del siglo XVIII en un real sitio: previsión urbana de Aranjuez para días de primavera

12:00  DESCANSO

12:15  PENSAR Y DISEÑAR EL PALACIO: LA CONFORMACIÓN DE UNA CULTURA ARQUITECTÓNICA
Modera: Miriam Cera Brea
• Juan Luis Blanco Mozo (Universidad Autónoma de Madrid), La maqueta de Filippo Juvarra para el palacio real nuevo de Madrid. Historia en su contexto
• Adrián Fernández Almoguera (Sorbonne-Université – École française de Rome), Jorge Durán y el palacio del conde de Tepa: ¿un caso de “italomanía” en el Madrid de finales de la Ilustración?
• José Riello (Universidad Autónoma de Madrid), Cárceles doradas del arte: cultura de la ostentación en el Museo de Antonio Palomino

14:15  DESCANSO

16:00  VESTIR EL PALACIO: USOS, PRÁCTICAS Y SÍMBOLOS EN TORNO AL ADORNO DOMÉSTICO
Modera: Pilar Diez del Corral Corredoira
• Álvaro Molina (UNED), Hacia una cartografía del adorno en las residencias palaciegas de la corte de Carlos IV
• Milton Pacheco (Universidade Nova de Lisboa), Cenários de Himeneu: A residência madrilena do embaixador extraordinário português, o IIImarquês de Louriçal, por ocasião das festividades dos duplos matrimónios reais celebradas em 1785
• Mirella Romero Recio (Universidad Carlos III), Pompeya y la Antigüedad en las decoraciones pictóricas de los palacios de Godoy en Madrid
• Sandra Antúnez López (Universidad Autónoma de Madrid), El Real Guardarropa y las nuevas modas en la corte de Carlos IV y María Luisa de Parma (1789–1808)

18:30  CLAUSURA

Online Panel | Race and the Boundaries of the Book

Posted in conferences (to attend), online learning by Editor on October 17, 2020

I’m especially excited about the prerecorded videos (most 6–8 minutes); it’s an interesting way to maximize the potential of this RBS online session and also extend the value of the event well beyond the confines of the original session. CH

Race and the Boundaries of the Book: Seven Early American Perspectives
Rare Book School Online, 20 October 2020, 5–6pm (ET)

A 45-minute panel discussion followed by 15 minutes of Q&A scheduled for Tuesday, 20 October 2020, 5–6pm ET, via Zoom. Owing to Zoom’s restrictions, this event is limited to the first 300 people who register. The event will be recorded and made available for viewing on the RBS YouTube channel.

Through video presentations of individual case studies, seven early Americanists zoom in on a range of bookish artifacts and employ critical bibliography to recover overlooked narratives about race from the historical record. Specifically, they examine how racialized and marginalized early American subjects speak through bibliographical concepts and formats. What can the materialities of textual artifacts tell us about the elaboration of racial identities? How does specific attention to African American and Indigenous readers and writers in early American literature and culture—a field that has traditionally privileged white subjects—gain traction by looking at formats, bindings, and paper surfaces on which writing and printing occur? Formats, the panelists argue, are everything but neutral containers. Following a chronological order, the video presentations examine the boundaries of “the book” and the complex richness of small and overlooked forms for recovering dismissed and erased readers, writers, and print artisans.

Rather than a traditional academic conference panel, the participants intend to create an engaging conversation by incorporating an innovative blend of pre-recorded video, focused analysis of specific material texts, and a live-streamed panel discussion of how their work engages with larger questions raised by the fields of early American literature and book history.

The panelists are Tara A. Bynum (University of Iowa), Alan Corbiere (York University), Michael Galban (Seneca Art & Cultural Center, Ganondagan State Historic Site), John H. Pollack (University of Pennsylvania), Phillip Round (University of Iowa), Michaël Roy (Université Paris Nanterre), and Derrick Spires (Cornell University). Steffi Dippold (Kansas State University) and John J. Garcia (Florida State University) are moderating the session.

The panelists have pre-recorded BiblioVideos in preparation for the panel discussion, which can be accessed here or by clicking on the titles below. They plan to summarize the argument during the panel, but the audience should watch the BiblioVideos in advance to prepare for their discussion. The videos are listed in the recommended viewing order below:

Everyone is welcome to attend. To ensure the security of the event, advance registration is required; to register, click here. Registration closes at 8am ET the day of the event. Your registration will be automatically accepted. You will receive an email reminder the day before the event. The day of the event, we will send you the Zoom URL and password. Please direct any questions to RBS Programs at rbs-events@virginia.edu.

Follow the conversation on social media using hashtags #RBSOnline and #RBSEarlyAmBookHistory.

Conference | Collectionner: acteurs, lieux et valeur(s),

Posted in conferences (to attend) by Editor on October 16, 2020

From ArtHist.net:

Collectionner: Acteurs, Lieux et Valeur(s), 1750–1815
Online, 26–27 October 2020

Le colloque aura lieu sur Zoom. Veillez à vous inscrire au préalable, afin de recevoir les informations nécessaire, aux adresses suivants : collection.seminaire@gmail.com / asso.grham@gmail.com.

2 6  O C T O B R E  2 0 2 0

9.00  Accueil — Introduction

9.15  Ouverture
• O. Bonfait (Université de Bourgogne), La culture de la collection au XVIIIe siècle. État de la question

10.00  Session 1: L’objet privé
Présidence: Patrick Michel
• L. Jouvet (Université de Bourgogne), Les médailles de Jean Warin (1604–1672) et leur réception au XVIIIe siècle
• N. Shoory (Durham University), (Re)considering the ‘Gender’ of Collecting, Collections, and Consumption in Eighteenth-Century France
• A. Ottazzi (Université de Turin/HiCSA Paris 1), Le recueil de collection comme outil pour l’étude de la réception
• C. Pietrabissa (IUAV Université de Venise), Collecting landscape drawings in eighteenth-century Paris : delectare and docere
• M. Vandewalle (École du Louvre), Antiques et culture d’un amateur et financier parisien de la seconde moitié du XVIIIe siècle : le salon et la bibliothèque d’Haranc de Presle (1710–1802)

12.45  Pause déjeuner

14.30  Session 2: L’objet entre privé et public
Présidence: Olivier Bonfait
• B. Lopez (École du Louvre), La peinture caravagesque à Aix-en-Provence, des collections particulières à la constitution d’un musée municipal
• M. Napolitani (ENS Paris), « Né avec le goût des sciences et des arts » : les pratiques de la collection du minéralogiste B.G. Sage (1740–1824), entre cabinet privé et musée au tournant révolutionnaire
• L. Zicavo (Université de Paris), Une collection anglaise perdue du Conservatoire des arts et métiers

16.00  Pause

16.15  Keynote
• P. Michel (Université de Lille), Présenter, ordonner, classer : les espaces de la collection et le mobilier de collectionneur au XVIIIe siècle

2 7  O C T O B R E  2 0 2 0

9.00  Accueil

9.15  Session 3: Identités collectives
Présidence: Charlotte Guichard
• E. Kong (chercheur indépendant), La pratique de la collection chez le financier de la seconde moitié du XVIIIe siècle
• C. Godfroy-Gallardo (chercheur indépendant), La restitution des biens étrangers sous le Consulat : politique et finance relatives à deux tableaux de Claude Lorrain
• D. Davis (chercheur indépendant), Le Goût des Anglais pour le Mobilier Français : Collectors, Dealers and the Market, 1785–1815

10.45  Pause

11.00  Session 4: Stratégies individuelles
Présidence: Natacha Coquery
• L. Davy (École Nationale des Chartes), Redécouverte d’une collection particulière parisienne du XVIIIe siècle : le cabinet de Louis Petit de Bachaumont
• C. Rousset (Université de Lille), Le collectionneur numismate du siècle des Lumières : entre érudition, prestige et sociabilité savante
• O. Boubakeur (École du Louvre), Perfide Albion ! Douce Angleterre ? Approche franco-anglaise du collectionnisme en temps de rivalité napoléonienne à travers l’exemple croisé de Lord Elgin et du comte de Choiseul-Gouffier

Online Conference | Ecologies of Paper

Posted in conferences (to attend), online learning by Editor on October 8, 2020

From The Huntington:

Ecologies of Paper in the Early Modern World
Online, 5-6 November 2020

Registration due by 30 October 2020

Presented by The Huntington Library, Art Museum, and Botanical Gardens, Ecologies of Paper in the Early Modern World will explore the transmutation, preservation, and loss of paper as a cycle of archiving and forgetting that defined early modern artistic practice, economic transaction, and political statecraft. Speakers will map paper’s various guises, its ability to retain meanings associated with its material origins, as well as its desire to conceal its former states or to encourage belief in a value beyond its material reality. Charting the journeys of early modern paper in drawing, print, and document, this program will not only restructure our understanding of paper’s importance in early modern artistic practice and political life but also reconstruct the governing roles of environment, place, and origin in modes of making and address. If you would like to receive a copy of the speakers’ papers for this event, please register here by October 30. All times are Pacific Standard Time (PST).

T H U R S D A Y ,  5  N O V E M B E R  2 0 2 0

9:00  Welcome and Introduction
• Steve Hindle (The Huntington), Shira Brisman (University of Pennsylvania), and Caroline Fowler (Clark Art Institute)

9:15  Session 1: Documents and Foundations
• Asheesh Kapur Siddique (University of Massachusetts-Amherst), Documenting the Body of State: Paper, Early Modernity, and the Matter of the U.S. Constitution
• Cheryl Finley (Cornell University and the Atlanta University Center Collective for the Study of Art History & Curatorial Studies), Paper, Print, and Activism
• John Gagné (University of Sydney), Toward a History of the Conservation of the Premodern Documentary Heritage

10:30  Break

10:45  Session 2: Backgrounds and Foregrounds
• Jennifer Chuong (Harvard University), Overmarbling and Paper’s Disorderly Metamorphoses
• Iris Brahms (Freie Universität Berlin), Blue Paper as Metaphor and Efficient Solution
• Caroline Fowler (Clark Art Institute), The Matrix and The Mould: Counter-Histories of Reproduction
• Heather Wolfe (Folger Shakespeare Library), Interpreting the Materiality of Paper through Digital Images

12:15  Discussion, led by Shira Brisman (University of Pennsylvania)

F R I D A Y ,  6  N O V E M B E R  2 0 2 0

9:15  Session 3: Scarcity
• Joshua Calhoun (University of Wisconsin-Madison), The Transformation of a Plant; or, Rags Do Not Make Paper
• Shira Brisman (University of Pennsylvania), Contriving Scarcity in Early Modern Art and Law

10:15  Break

10:30  Session 4: The Paper Age
• Esther Chadwick (The Courtauld Institute of Art), Material Sinews of the Paper Age
• Nina Dubin (University of Illinois-Chicago), Rags to Riches: Paper Culture in the Age of Bubbles
• Richard Taws (University College London), Laissez-passer: Afterimages of Revolutionary France

11:45  Break

12:30  Discussion, led by Caroline Fowler (Clark Art Institute)

Online Symposium | George IV and His Furniture, 1820 to 2020

Posted in conferences (to attend) by Editor on September 10, 2020

From Eventbrite:

The 44th Annual Symposium of the Furniture History Society
George IV 1820 to 2020: Fresh Perspectives on the King’s Furniture
Online Webinar, 3–4 October 2020

S A T U R D A Y ,  3  O C T O B E R — S E S S I O N  O N E

16.30  Welcome by Christopher Rowell, Chairman of the FHS

16.35  Introduction by Sir Jonathan Marsden (Chair)

16.40  David Oakey, ‘Painting it and Putting Handsome Furniture Where Necessary’: George Prince of Wales’s Early Furnishing of Carlton House

17.10  Rufus Bird (Surveyor of The Queen’s Works of Art), Tatham & Co. at Carlton House

17.40  Cristina Alfonsín Barreiro (Collections Manager at Waddesdon Manor), The Vulliamys: From Clockmakers to Merchants of Luxury

18.10  Diana Davis, ‘Quite éblouissant’: George IV and the Anglo-Gallic Interior

18.40  Q&A

19.00  Summing Up by Sir Jonathan Marsden

S U N D A Y ,  4  O C T O B E R — S E S S I O N  T W O

16.30  Welcome by Christopher Rowell, Chairman of the FHS

16.35  Introduction by Sir Jonathan Marsden (Chair)

16.40  Kathryn Jones (Senior Curator at Royal Collection Trust), ‘Of the Utmost Beauty and Newest Fashion’: George IV and Modern Manufacturing

17.10  Alexandra Loske (Art Historian, Curator, and Editor), The Interior Decoration and Colouring of Brighton Pavilion

17.40  Helen Jacobsen (Senior Curator and Curator of 18th-Century French Decorative Arts, The Wallace Collection), Shared Tastes: George IV and the 3rd Marquess of Hertford

18.10  Michael Hall (Curator at Exbury House), George IV’s Legacy and the English Rothschilds

18.40  Q&A

19.00  Summing Up by Sir Jonathan Marsden

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Ticket prices (covering both days): £12 members, £5 members under 35 years, £20 non-members. Please use the this link for registration and payment. Attendees will be admitted from the waiting room into this Zoom Video Webinar from 16.00. Please make sure you are muted and your cameras are turned off. Each session will be followed by a round of Q&A. Please use the chat message box at the bottom of your zoom window to submit questions, and send messages to others. If you are using Zoom software, Zoom have increased their security and you may be required to install an update.

Image: Adam Weisweiler, Commode 1785–90; oak, ebony, hardstones, tortoiseshell, brass, pewter, mahogany, boxwood, purplewood, gilt bronze, brocatello marble; 100 × 150 × 48 cm (Royal Collection Trust, 2593; © Her Majesty Queen Elizabeth II 2020).

ASECS 2020, St. Louis

Posted in conferences (to attend) by Editor on March 23, 2020

Although this year’s ASECS conference was cancelled, I want to acknowledge the many interesting panels and talks that were planned for this past weekend. I was looking forward to it. And what a stunning cover for the program! CH

2020 American Society for Eighteenth-Century Studies Conference
Hyatt Regency at the Arch, St. Louis, 19–21 March 2020

The 51st annual meeting of the American Society for Eighteenth-Century Studies was scheduled to take place at the Hyatt Regency at the Arch in St. Louis, before it was cancelled in response to the Coronavirus pandemic. HECAA was to be represented by the Anne Schroder New Scholars’ Session, chaired by Susanna Caviglia and scheduled for Friday morning. The annual business meeting was to take place Friday evening at 5:00. A selection of 29 additional panels is included here (of the 188 sessions scheduled, many others would, of course, have interested HECAA members). For the full slate of offerings, see the program.

W E D N E S D A Y ,  1 8  M A R C H  2 0 2 0

Introduction to the St. Louis Art Museum Eighteenth-Century Collections
Wednesday, 1:00–5:00
Organizers: Amy TORBERT, Saint Louis Art Museum and Brittany LUBERDA, Baltimore Museum of Art
The pre-conference workshop will consist of dialogues among curators, field experts, and attendees on topics including global encounter, intermateriality, politics of empire, social histories, production processes, and curating the eighteenth century. These conversations will be held in the galleries in front of highlights such as colonial silver, European porcelain, Chinese bronzes and exportware, Peruvian textiles, and paintings including John Greenwood’s Sea Captains Carousing in Surinam (c.1752–58) and François-André Vincent’s Arria and Paetus (1784). The event will include the opportunity to study works from storage rarely on view and to visit the Print Study Room.
Participants must have pre-registered and must arrange their own transportation. The Museum is a 30-minute drive from the airport and a 20-minute drive from the hotel.

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T H U R S D A Y ,  1 9  M A R C H  2 0 2 0

Burneys and Stuff: Material Culture and the Visual Arts (The Burney Society)
Thursday, 8:00–9:30am
Chair: Alicia KERFOOT, SUNY Brockport
1. Teri DOERKSEN, Mansfield University of Pennsylvania, ‘Soles to be saved; Soles not to be saved’: Humanizing the Material and Objectifying the Human in Edward Francis Burney’s Satirical Regency Watercolors
2. Cynthia KLEKAR-CUNNINGHAM, Western Michigan University, Objects and Absence: The Immaterial in Burney’s Fiction
3. Kristin M. DISTEL, Ohio University, ‘Tis some exquisite performer’: Juliet’s Harp and the Shame of Visibility in Burney’s The Wanderer

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The Particularity of Experience and the Art of Judgment
Thursday, 8:00–9:30am
Chair: Neil SACCAMANO, Cornell University
1. Vivasvan SONI, Northwestern University, Experience with(out) Judgment: Senses of Experience in Locke’s Essay, Sterne’s Tristram Shandy and Blake’s Songs
2. Johannes WANKHAMMER, Princeton University, The Senses Do Judge: A. G. Baumgarten’s Theory of Judgment and the Claims of Aesthetics
3. Karen VALIHORA, York University, Adam Smith’s Sublime and Beautiful
4. Patrick COLEMAN, UCLA, ‘Est-il bon, est-il méchant?’: Judgment, Action, and Aesthetics in Diderot

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Amateur or Professional? Reconsidering the Language of Artistic Status
Thursday, 8:00–9:30am
Chairs: Paris SPIES-GANS, Harvard Society of Fellows and Laurel PETERSON, The Morgan Library & Museum
1. Laura ENGEL, Duquesne University, Fashioning Fairies: Lady Diana Beauclerk’s Watercolors
2. Luke FREEMAN, University of Minnesota, Engraving Authority: Bernard Picart’s Status and the ‘Leading Hands of Europe’
3. Maura GLEESON, University of Florida, Picturing La Créatrice: Image, Imagination, and Artistic Practice in Napoleonic France
4. Cynthia ROMAN, The Lewis Walpole Library, Yale University, ‘Not Artists’: Horace Walpole’s Hyperbolic Praise of Prints by Persons of Rank and Quality

◊  ◊  ◊  ◊  ◊

Roundtable: How to Publish in an Eighteenth-Century Studies Journal
Thursday, 9:45–11:15am
Chair: Adam SCHOENE, Eighteenth-Century Studies
1. J. T. SCANLAN, The Age of Johnson
2. Eugenia ZUROSKI, Eighteenth-Century Fiction
3. Cedric D. REVERAND, Eighteenth-Century Life
4. Sean MOORE, Eighteenth-Century Studies
5. Jennifer THORN, Eighteenth-Century Studies
6. David A. BREWER, Studies in Eighteenth-Century Culture

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Mineralogy and Artful Metamorphosis
Thursday, 11:30–1:00
Chairs: Tara ZANARDI, Hunter College, CUNY and Christina LINDEMAN, University of South Alabama
1. Elisabeth C. RIVARD, Independent Scholar, The Handheld ‘Wunderkammer’: Mineralogical Snuffboxes in the Enlightenment
2. Jennifer GERMANN, Ithaca College, Peaches and Pearls: Materializing Metaphors of Race in Eighteenth-Century British Art
3. Eleanore NEUMANN, University of Virginia, Drifted Rocks: Gender and Geologic Time in the Early-Nineteenth-Century Landscapes of John Linnell, J.M.W. Turner, and Maria Graham

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Rethinking Turquerie: New Definitions and Approaches
Thursday, 11:30–1:00
Chair: Ashley BRUCKBAUER, Independent Scholar
1. Jonathan HADDAD, University of Georgia, Cooking the Books: The Marquis de Caumont’s Turkish Cauldrons and the Ottoman Incunabula
2. Katherine ARPEN, Auburn University, The ‘Hammam’ as a Model for Public Bathing in Late Eighteenth-Century France

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From ‘Tabula Rasa’ to ‘Terra Incognita’: Landscape and Identity in the Enlightenment
Thursday, 11:30–1:00
Chair: Shirley TUNG, Kansas State University
1. Michael BROWN, University of Aberdeen, Locating Britain: The English Geographies of Daniel Defoe
2. John DAVENPORT, Missouri Southern State University, Topographical Dialogues and Competing Claims to Selfhood in Eighteenth-Century Travel Writing
3. Kasie ALT, Georgia Southern University, Negotiating the Self through Landscape Design and Representation: Thomas Anson’s Estate at Shugborough
4. Julia SIENKEWICZ, Roanoke College, Landscape and Alterity: Encounters with Virginia and South Africa

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Roundtable: Surveying Social Media and Eighteenth-Century Studies
Thursday, 11:30–1:00
Chair: Crystal LAKE, Wright State University
1. Jenny DAVIDSON, Columbia University
2. Aaron HANLON, Colby College
3. Marguerite HAPPE, UCLA
4. Sarah Tindal KAREEM, UCLA and The Rambling

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‘Too political, too big, no good’: Picturing Politics
Thursday, 2:30–4:00
Chair: Jessica L. FRIPP, Texas Christian University
1. Alexandra CARDON, The Graduate Center, CUNY, Engaging the Public: The Rejection of Mythology in Royal Almanac Prints 1695–1715
2. J. Patrick MULLINS, Marquette University, Thomas Hollis’s ‘Liberty Prints’ and the Transatlantic Cult of Tyrannicide
3. Thomas BUSCIGLIO-RITTER, University of Delaware, Denis Volozan’s Portrait of George Washington in an Atlantic Context
4. Marina KLIGER, Institute of Fine Arts, New York University, From ‘Great Men’ to ‘Women’s Influence’: Retelling the Story of Louis Ducis’s Tasso and Eleonora d’Este from the Empire to the Restoration

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Roundtable: Engaging the Ottoman Empire
Chair: Ashley COHEN, University of South California
Thursday, Thursday, 4:15–5:45
1. Douglas FORDHAM, University of Virginia
2. Lynn FESTA, Rutgers University
3. Katherine CALVIN, University of North Carolina, Chapel Hill
4. Angelina DEL BALZO, Bilkent University
5. Humberto GARCIA, University of California, Merced
6. Charlotte SUSSMAN, Duke University
7. Gerald MACLEAN, University of Exeter
Respondent: Daniel O’QUINN, University of Guelph

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Colonial Matter in the Eighteenth-Century World
Thursday, Thursday, 4:15–5:45
Chairs: Danielle EZOR, Southern Methodist University and Kaitlin GRIMES, University of Missouri-Columbia
1. Amelia RAUSER, Franklin & Marshall College, Madras Cloth: Currency, Costume, and Enslavement
2. Kelly FLEMING, University of Virginia, Empire, Satire, and the Regency Cap in The Adventures of an Ostrich Feather of Quality (1812)
3. Yiyun HUANG, University of Tennessee, Knoxville, ‘Nothing but large potions of tea could extinguish it’: Chinese Knowledge and Discourse of Tea in Colonial America

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The Enlightened Mind: Education in the Long Eighteenth Century
Thursday, Thursday, 4:15–5:45
Chairs: Karissa BUSHMAN, Quinnipiac University and Amanda STRASIK, Eastern Kentucky University
1. Franny BROCK, University of North Carolina, Chapel Hill, Madame de Genlis’ ‘New Method’ and Teaching Drawing to Children in Eighteenth-Century France
2. Dorothy JOHNSON, University of Iowa, Bodies of Knowledge? Teaching Anatomy to Artists in Enlightenment France
3. Madeline SUTHERLAND-MEIER, University of Texas, Austin, Raising and Educating Children in Eighteenth-Century Spain: Padre Sarmiento’s Discurso sobre el método que debia guardarse en la primera educación de la juventud
4. Brigitte WELTMAN-ARON, University of Florida, The Pitfalls of Education: Madame de Genlis on Spoiled Children

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The Visual Gothic in the Long Eighteenth Century
Thursday, Thursday, 4:15–5:45
Chair: Kristin O’ROURKE, Dartmouth College
1. Aurélien DAVRIUS, Paris-Malaquais ENSA, Jacques-François Blondel, an Admirer of French Religious Architecture
2. Katherine HILLIARD, Princeton University, Behind the Veil: Gothic Secrecy and Epistemology in The Mysteries of Udolpho
3. Elizabeth HORNBECK, University of Missouri, Vetusta Monumenta and the Eighteenth-Century Remediation of Gothic Architecture

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F R I D A Y ,  2 0  M A R C H  2 0 2 0

Anne Schroder New Scholars Session (HECAA)
Friday, 8:00–9:30am
Chair: Susanna CAVIGLIA, Duke University
1. Isabel BALDRICH, School of Art and Art History, University of Iowa, Black Skin, White Hands: Ambivalence in Girodet’s Portrait of Belley
2. Alicia CATICHA, University of Virginia, Sculpting Whiteness: Marble, Porcelain, and Sugar in Eighteenth-Century Paris
3. Philippe HALBERT, Yale University, Surface Encounters, Mirror Images, and Creole Body Politics in French Louisiana
4. Xena FITZGERALD, Southern Methodist University, Between Frame and Stage: Viewing a Historical Marriage in Eighteenth-Century Peru

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The Rise of the House Museum: Domestic Curatorial Practices
Friday, 9:45–11:15am
Chair: Teri FICKLING, University of Texas, Austin
1. Jane CELESTE, Rice University, Farnley Hall and Fairfaxiana: Collecting History, Displaying Politics
2. Kirsten HALL, University of Texas, Austin, Specters and Spectators: Charlotte Addison and the Making of an Archive at Bilton Hall
3. Fiona BRIDEOAKE, American University, Curation and Creation at A la Ronde
4. Lisa BRUNE, Washington University in St. Louis, ‘So artfully planted’: Women’s Utopian Curation in Sarah Scott’s Millenium Hall

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Visualizing Empire in the French Eighteenth Century
Friday, 9:45–11:15am
Chair: Philippe HALBERT, Yale University
1. Izabel GASS, Yale University, The Classical Body as ‘Dispositif’ in the French New World
2. Harry ADAMS, Tsinghua University, Kader Attia’s Cosmopolitan Enlightenment
3. Thomas BEACHDEL, Hostos Community College, The Sublime Future in Ruins

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Roundtable: The Global Eighteenth Century (Western Society for Eighteenth-Century Studies)
Friday, 9:45–11:15am
Chair: Sören HAMMERSCHMIDT, GateWay Community College
1. Samara CAHILL, Blinn College, The Propagation of Infidels
2. Norbert SCHÜRER, California State University, Long Beach, Found in Translation
3. James MULHOLLAND, North Carolina State University, Middle Reading
4. David MAZELLA, University of Houston, Wilkes, Whitefield, Woolman: The Global Attention Economy of the Eighteenth Century
5. Emily CASEY, Saint Mary’s College of Maryland, Decolonizing Colonial American Art Histories
6. Rebekah MITSEIN, Boston College, The Matter of Akan Metaphysics in Eighteenth-Century Thought
Respondent: Stephanie DEGOOYER, Willamette University

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Do-Overs: Repetition and Revision in the Long Eighteenth Century
Friday, 11:30–12:45
Chair: Elizabeth MANSFIELD, Pennsylvania State University
1. Servanne WOODWARD, University of Western Ontario, Transitions from Rococo to Neo-Classical Illustration with Moreau le jeune
2. Amy FREUND, Southern Methodist University, Jean-Baptiste Oudry and Canine Repetition
3. Daniella BERMAN, Institute of Fine Arts, New York University, ‘d’après David’: Variations on Portraiture
4. Wendy BELLION, University of Delaware, The Eighteenth Brumaire of King George III

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Presidential Session: Innovating the Next Fifty Years of ASECS
Friday, 4:30–6:00
Chair: Jeffrey RAVEL, MIT
1. Lisa FREEMAN, University of Illinois at Chicago, Trends in the Academic Job Market: What Can ASECS Do?
2. Emily FRIEDMAN, Auburn University, Digital Humanities and the Future of ASECS
3. Melissa J. GANZ, Marquette University and Peter ERICKSON, Colorado State University, Innovating ASECS: New Conference Formats
4. April FULLER, University of Maryland and Dylan LEWIS, University of Maryland, Humanities Beyond the Academy

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Workshop: Bringing Historical Maps into GIS
Friday, 4:30–6:00
Chairs: Erica HAYES, Villanova University and Kacie WILLS, Illinois College
This workshop will provide participants with the technical skills to align geographic coordinates to a digitized historical map in the eighteenth-century in order to create a georeferenced historical map. Participants will learn how to use simple tools like Map Warper, an open source image georeferencer tool, in order to overlay the digitized historical map on top of a GIS modern basemap for compar- ison and use in an interactive web mapping application. This workshop is ideal for scholars working with historical maps or interested in learning digital humanities GIS skills. Workshop participants need to bring their own laptops. No prior GIS or mapping experience is required. Contact the ASECS Business Office if you are interested in signing up for this workshop. Walk-ins are welcome if space permits but are encouraged to arrive early if they wish to participate in the hands-on activities of the workshop. Interested observers are also welcome if space permits.

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Roundtable: Scholarly Tourism: Traveling to Research the Eighteenth Century
Friday, 4:30–6:00
Chair: Ula Lukszo KLEIN, Kennesaw State University
1. Claudia SCHUMANN, Texas Tech University, In the Shadows — Researching Underrepresented Women Writers
2. Meg KOBZA, Newcastle University, Places of Privilege: Price and Practice in Private Archives
3. Caroline GONDA, University of Cambridge, Strawberry Hill and Shibden Hall: Anne Damer and Anne Lister
4. Fiona RITCHIE, McGill University, Mentoring Student Researchers in the Archives
5. Laura ENGEL, Duquesne University, The Archival Tourist
6. Leigh-Michil GEORGE, UCLA, ‘The Corruption of Mrs. Woodward’: A Story of Love and Betrayal, Lost and Found in the Kent Archives
7. Yvonne FUENTES, University of West Georgia, Eighteenth-Century Gossip and News: The Archives of Spanish Parish Churches, Cathedrals, and Basilicas

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Roundtable: Teaching Eighteenth-Century Health Humanities
Friday, 4:30–6:00
Chair: Rebecca MESSBARGER, University of Washington in St. Louis
1. Kate GUSTAFSON, Indiana University Northwest, Teaching Empathy Practices through Eighteenth-Century Text
2. Brittany PLADEK, Marquette University, Teaching Eighteenth-Century Medical Ethics in the Literature Classroom
3. Abigail ZITIN, Rutgers University, New Brunswick, Topics in Eighteenth-Century Literature and Culture: Fiction/Addiction
4. Andrew GRACIANO, University of South Carolina, Art, Anatomy, and Medicine, 1700–Present
5. C. C. WHARRAM, Eastern Illinois University, Introduction to the Health & Medical Humanities: Contagion

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Built Form
Friday, 4:30–6:00
Chair: Janet R. WHITE, University of Nevada, Las Vegas
1. Luis J. GORDO PELAEZ, California State University, Grain Architecture in Bourbon New Spain
2. Paul HOLMQUIST, Louisiana State University, Une autre nature: Aristotelian Strains in Ledoux’s Theory of Architecture as Legislation
3. Dylan Wayne SPIVEY, University of Virginia, Building from a Book: James Gibb’s Book of Architecture and the Commodification of Architectural Style
4. Miguel VALERIO, Washington University, Architecture of Devotions: The Churches Afro-Brazilian Religious Brotherhoods Built in the Eighteenth Century

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Experiencing the Past: Bringing Collections to Life through Experiment and Reconstruction
Friday, 4:30–6:00
Chair: Al COPPOLA, John Jay College, CUNY
1. Emily BECK, Wangensteen Historical Library of Biology and Medicine, Bentley GILLMAN and Jon KRIEDLER, Tattersall Distilling, Nicole LABOUFF, Minneapolis Institute of Art, Alcohol’s Empire: Distilled Spirits in the 1700s Atlantic World
2. Christine GRIFFITHS, Bard Graduate Center, Distilling Gardens and (Re)Materializing Eighteenth-Century Perfumes
3. Anna CHEN and Marguerite HAPPE, William Andrews Clark Memorial Library, UCLA, ‘Bad Taste’: A Pedagogy of Public-Facing Recipe Revival
Note: Room capacity is limited, so interested attendees may wish to arrive early. Attendees will be invited to sample scents and beverages but will not be involuntarily exposed to potential irritants/allergens.

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S A T U R D A Y ,  2 1  M A R C H  2 0 2 0

Art Professions
Saturday, 8:00–9:30am
Chair: Carole PAUL, University of California, Santa Barbara
1. Heidi A. STROBEL, University of Evansville, Terminology and its Limitations
2. Anne NELLIS RICHTER, Independent Scholar, ‘Yr Obedient, Grateful, and Dutiful Servant’: Hierarchies of Work in a Private Art Gallery
3. Rachel HARMEYER, Rice University, Emulating Angelica: Decorative and Amateur Art after Kauffman
4. Kristin O’ROURKE, Dartmouth College, From Connoisseur to Professional: The Metamorphosis of Art Criticism

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Collecting, Antiquities, and Eighteenth-Century Art
Saturday, 9:45–11:15am
Chairs: Katherine A. P. ISELIN, University of Missouri-Columbia and Lauren DISALVO, Dixie State University
1. Nick STAGLIANO, Cooper Hewitt/Parsons School of Design, The New School, Expressions of Antiquity in Eighteenth-Century European Porcelain
2. Freya GOWRLEY, University of Derby, Classical Specimens and Fragmentary Histories: The Specimen Table as Part and Whole
3. Callum REID, University of Melbourne, Antiquities in Peter Leopold’s Uffizi Gallery
4. Josh HAINY, Truman State University, For Their Mutual Benefit: John Flaxman’s Recreation of the Belvedere Torso for Thomas Hope

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Herbarium: Illustration, Classification, Exchange
Saturday, 9:45–11:15am
Chair: Sarah BENHARRECH, University of Maryland
1. Maura FLANNERY, St. John’s University, New York, Erasures and Additions: The Herbarium as a Changing Document
2. J. Cabelle AHN, Harvard University, ‘Le cadavre desséché de plantes’: Herbaria and the Formation of the Muséum national d’Histoire naturelle in Paris
3. Nicole LABOUFF, Minneapolis Institute of Art, Fair-Sexing the Herbarium: Making Women Horticulturalists Visible in Late Eighteenth-Century Britain
4. Katie SAGAL, Cornell College, Naming is Not Knowing: Charlotte Smith’s ‘Flora’ and Vegetal Proliferation

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The 37th James L. Clifford Memorial Lecture
Saturday, 11:30–12:30
Anne LAFONT, École des hautes études en sciences sociales de Paris (EHESS), Winckelmann Congo: Blackness in the Age of White Marble
Presiding: Melissa HYDE, University of Florida
This lecture will address the rise of African Art History— in the broadest sense— during the long eighteenth-century. During this period, notions of African art and its history were entangled with the idea of diasporic Africa or Blackness, as conceptualized by a diverse ensemble of European textual sources, most of them not concerned with art. The line of argument to be pursued here is that many of these early modern texts, ought, nonetheless, to be understood as a historical discourse on art— whether they describe African geography, natural history or commerce; narrate African history or catalogue its objects in Cabinets de Curiosités. Of course, these narratives, which are more or less connected with African material culture and ritual performances, eventually would be articulated in art theoretical publications properly speaking, as eighteenth-century authors such as abbé du Bos or Winckelmann began to include Africa in their ambition to write a comprehensive, comparative art history grounded on a climatic explanation of style. This approach to art history understood artistic style, form and content as products of the natural climate and atmosphere in which art was created. Recent scholarship has demonstrated the centrality of Whiteness to archeology’s emergence in the mid-eighteenth century. Adding to our understanding of the racial implications of whiteness and color in art history, this lecture will show, how, at the very same historical moment, Blackness was being constructed, both as a counterpart to Whiteness but also, more generally as a means of inscribing African rites and objects into the domain of European Fine Arts.

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Roundtable: Global Enlightenment, Digital Humanities, and Collaborative Scholarship: Reflections on The Eighteenth Centuries: Global Networks of Enlightenment (2018), Edited by David Gies and Cynthia Wall
Saturday, 2:00–3:30
Chair: Elizabeth Franklin LEWIS, University of Mary Washington
1. Jeanne BRITTON, University of South Carolina, Using Global Networks of Enlightenment: Giovanni Piranesi and the Digital Eighteenth Centuries
2. Valentina TIKOFF, DePaul University, Using Global Networks of Enlightenment: How Interdisciplinary Perspectives, Multiple Geographies, and Linguistic Perspectives Help Us Navigate and Teach the Age of Enlightenment
3. Carol GUARNIERI, University of Virginia, Creating a Digital Companion to Global Networks of Enlightenment: The Digital Eighteenth Centuries on mapscholar.org
4. Cynthia WALL, University of Virginia, Editing Global Networks of Enlightenment
5. David GIES, University of Virginia, Editing Global Networks of Enlightenment

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Bio-Ethics
Saturday, 3:45–5:15
Chair: Rachel CARNELL, Cleveland State University
1. Alex SOLOMON, Ashoka University, Springs, Effluvia, and Action at a Distance
2. Andrew GRACIANO, University of South Carolina, Bioethics (and the Lack Thereof) in Art and Anatomy
3. Erin DREW, University of Mississippi, Usufruct: Towards an Eighteenth-Century Bio-Ethic

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The Triumph of Love
A comedy of intrigue, gender confusion, and love by Pierre Marivaux, translated by James Magruder
Friday and Saturday, 20 and 21 March at 8pm; Sunday, 22 March at 2pm.
.Zack Theatre, 3224 Locust Street, St. Louis
Tickets available at the door; $20
A co-production of Washington University in St. Louis and ASECS

 

Workshop | Nobility without Limits? Prussian Identities, 1525 –1795

Posted in conferences (to attend) by Editor on March 7, 2020

Johann Hennenberger: Stemmata genealogica praecipuarum in Prussia Familiarum Nobilium, Ende 16. Jh., Seite der Familie Dohna (Detail), public domain: http://kpbc.umk.pl/dlibra/doccontent?id=3096 

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From the posting at ArtHist.net, which includes the Polish:

Adel ohne Grenzen? Identitäten und Repräsentation zwischen Königlichem Preußen und Herzogtum Preußen //
Szlachta bez granic? Tożsamości i reprezentacje w Prusach Królewskich i Książęcych
Deutsches Historisches Institut, Warsaw, 26–27 March 2020

Organized by Sabine Jagodzinski and Rahul Kulka

In dem Workshop werden vor allem kunsthistorische Fragen zum Adel in den beiden Teilen Preußens und dessen künstlerischen Repräsentationen, den Visualisierungen und dem materiellen Ausdruck von regionalen oder überregionalen Identifikationen und Loyalitäten zu den Höfen diskutiert. Außerdem interessiert die künstlerisch-architektonische Prägung seiner Handlungsräume. Im Zentrum der Betrachtung stehen die Entwicklungen nach dem Zweiten Frieden von Thorn 1466, insbesondere im Zeitraum von der Schaffung des Herzogtums Preußen (1525) über die Lubliner Union (1569) bis zu den Teilungen Polen-Litauens 1772/1793/1795.

Die Beiträge und Diskussionen werden simultan ins Polnische bzw. Deutsche übersetzt. Anmeldungen zum Workshop werden bis zum 16. März 2020 erbeten an: dhi@dhi.waw.pl.

Konzeption und Organisation
Dr. Sabine Jagodzinski (DHI Warschau)
Rahul Kulka, Ph.D. Candidate (Harvard University / ZI München)

Kontakt
Deutsches Historisches Institut / Niemiecki Instytut Historyczny
Pałac Karnickich
Aleje Ujazdowskie 39
00-540 Warszawa

D O N N E R S T A G ,  2 6  M Ä R Z  2 0 2 0

17.00  Ankunft der Teilnehmerinnen und Teilnehmer

17.15  Begrüßung und Einführung, Sabine Jagodzinski (Warszawa), Rahul Kulka (Cambridge, MA / München)

18.00  Keynote
Moderation: Miloš Řezník (Warszawa)
• Karin Friedrich (Aberdeen) – Zwischen Republik und Dynastie. Adelswelten und adelige Identitäten zwischen Preußen Königlichen Anteils und Herzogtum Preußen, 1569–1772

F R E I T A G ,  2 7  M Ä R Z  2 0 2 0

10.00  Kirchenraum und Konfession
Moderation: Dorota Piramidowicz (Warszawa)
• Franciszek Skibiński (Toruń) – Adelige Stiftungen des 17. und 18. Jh. in Kirchen Thorns und anderen preußischen Städten im Kontext von Religion, Gesellschaft und Politik. Ein Problemaufriss
• Piotr Birecki (Toruń) – Der Innenraum evangelischer Kirchen als Ausdruck gesellschaftlichen Konservatismus im Herzogtum Preußen

11.00  Kaffeepause

11.15  Kult und Liturgie
Moderation / Prowadzenie: Agnieszka Gąsior (Leipzig)
• Michał F. Woźniak (Toruń) – Stiftungen der katholischen Geistlichkeit im Königlichen Preußen im Bereich der liturgischen Ausstattung
• Sabine Jagodzinski (Warszawa) – Heiligenverehrung des katholischen Adels im Königlichen Preußen. Zu Schnittmengen regionaler und überregionaler Identitäten

12.15  Mittagspause

13.30  Bildnis und Symbol
Moderation: Magdalena Górska (Warszawa)
• Rahul Kulka (Cambridge, MA / München) – Die Stemmata genealogica des Königsberger Hofmalers Johann Hennenberger. Heraldik und Genealogie als Medien adeliger Repräsentation um 1600
• Agnieszka Gąsior (Leipzig): Geprägte Identität. Medaillenkunst und die Elitennetzwerke des frühen 17. Jahrhunderts

14.30  Kaffeepause

14.45  Residenzen und Landgüter
Moderation: Konrad Morawski (Warszawa)
• Anna Oleńska (Warszawa) – Versailles im Herzen der Rzeczpospolita. Repräsentationsstrategien und Struktur der künstlerischen Vorhaben Jan Klemens Branickis (1689–1771)
• Wulf D. Wagner (Palermo) – Ein Handbuch ostpreußischer Güter als Quellengrundlage weiterer Forschungen

 

Colloquium | Les réseaux des académies d’art provinciales

Posted in conferences (to attend) by Editor on March 2, 2020

This month at INHA, from the conference programme:

Les réseaux des académies d’art provinciales au Siècle des Lumières: Enjeux et dynamiques d’échanges
Institut national d’histoire de l’art, Paris, 26–28 March 2020

Colloque international du programme ACA-RES

Université Toulouse-Jean Jaurès, FRAMESPA UMR 5136, Labex SMS, en partenariat avec le Centre allemand d’histoire de l’art et l’Institut national d’histoire de l’art dans le cadre de la Carte Blanche 2019

J E U D I ,  2 6  M A R S  2 0 2 0

9.30  Mots d’ouverture du colloque
France Nerlich (INHA) et Thomas Kirchner (Centre allemand d’histoire de l’art – Paris)

Conférences introductives
• Pierre-Yves Beaurepaire, (Université Côte d’Azur), Sociabilités, réseaux et échanges des savoirs au siècle des Lumières
• Anne Perrin Khelissa et Émilie Roffidal (Université Toulouse-Jean Jaurès, FRAMESPA UMR 5136), Le programme ACA-RES, résultats et perspectives de recherche

Session 1 : Un levier pour les carrières artistiques ?
Sous la présidence de Charlotte Guichard (ENS, IHMC)
• Catherine Voiriot (Musée du Louvre), Les femmes et les académies des arts, sciences et belles lettres, 1740–1791 : début de recherche
• Gabriel Batalla-Lagleyre (Université de Bourgogne, Centre Georges Chevrier), Exposer en amateur dans les académies : réseaux et identités

12.30  Pause déjeuner

14.00  Reprise de la session 1
• Maël Tauziède Espariat (Université de Bourgogne, Centre Georges Chevrier), Les peintres parisiens et les écoles de dessin provinciales : des connexions inégales
• Hélène Rousteau-Chambon (Université de Nantes), L’école de dessin de Nantes, un creuset pour les architectes
• Stéphanie Trouvé (musée des beaux-arts de Bordeaux), Les cercles académiques bordelais dans la trajectoire du peintre Pierre Lacour (1745–1814)
• Joëlle Raineau (Petit Palais, Paris), Les cercles et établissements académiques : un levier de diffusion et de postérité d’une carrière. L’exemple des affiliations multiples du graveur Nicolas Ponce (1746–1831)
• Marlen Schneider (Université Grenoble Alpes, LARHRA), Les académies d’art allemandes au XVIIIe siècle – un tremplin pour les artistes français ?

V E N D R E D I ,  2 7  M A R S  2 0 2 0

9.00  Session 2 : Quelle utilité pour les territoires ?
Sous la présidence de Pascal Julien (Université Toulouse-Jean Jaurès, FRAMESPA UMR 5136)
• Lesley Miller (Victoria & Albert Museum – University of Glasgow), L’école de dessin de Lyon et la production de tissus
• Fabienne Sartre (Université Paul-Valery Montpellier 3), Le statut de la sculpture académique à l’épreuve du terrain : les cas de Toulouse, Montpellier et Marseille
• Catherine Isaac (Université Toulouse-Jean Jaurès, FRAMESPA UMR 5136 – EPHE), Le rôle des académies des sciences et des arts dans la création et l’essor du corps des ingénieurs du Languedoc au XVIIIe siècle
• Aude Gobet (Musée du Louvre), École de dessin et patrimoine : l’enjeu des inventaires révolutionnaires
• Adrián Almoguera (Sorbonne Université, École française de Rome), L’Espagne académique du Siècle des Lumières: Construire un système pour définir un style architectural entre Madrid et Valence (1768-1808)

12.30  Pause déjeuner

14.00  Session 3 : Collections et supports d’apprentissage
Sous la présidence d’Olivier Bonfait (Université de Bourgogne, Centre Georges Chevrier)
• Morwena Joly (Centre des Monuments nationaux), Les modèles morphologiques et anatomiques des académies d’art : des migrations européennes complexes
• Nelly Vi-Tong (Université de Bourgogne, Centre Georges Chevrier), Enseignement artistique et supports d’apprentissage : les exemples de Dijon, Reims et Valenciennes
• Tara Cruzol (Université Toulouse-Jean Jaurès, FRAMESPA UMR 5136), Enseigner la sculpture à l’Académie de Lyon : le traité inédit d’Antoine-Michel Perrache
• Gérard Fabre (musée des beaux-arts de Marseille), Les collections dispersées de l’Académie de peinture et de sculpture de Marseille
• Flore César (Université Paul-Valery Montpellier 3), Le rôle des collections lors de l’instauration des écoles de dessin en province au XVIIIe siècle
• Miguel Faria (Université autonome de Lisbonne), Les modèles pédagogiques des écoles d’art (aulas) portugaises

Conférence conclusive de la journée
• Christian Michel (Université de Lausanne), Complémentarité ou subordination : L’Académie royale de Peinture et de Sculpture et les académies de province

S A M E D I ,  2 8  M A R S  2 0 2 0

9.00  Session 4 : Échos internationaux en Europe et outre-Atlantique
Sous la présidence de Gaëtane Maës (Université de Lille, IRHIS)
• Markus Castor (Centre allemand d’histoire de l’art), L’académie des beaux-arts comme histoire institutionnelle : prolégomènes d’une analyse structurelle
• Maria Pia Donato (CNRS, IHMC-Paris), Émulation et propagande : remarques sur les académies italiennes au XVIIIe siècle
• Hugo Tardy (Université Toulouse-Jean Jaurès, FRAMESPA UMR 5136), Le système académique russe construit par ses échanges les ambitions d’un empire face à l’Europe
• Marion Amblard (Université Grenoble Alpes), Des arts manufacturés aux beaux-arts : l’influence des modèles romains et français dans le développement des académies écossaises au XVIIIe siècle
• Reed Benhamou (Indiana University, Bloomington), The Last Provincial Academy: ‘L’Académie des sciences et beaux arts des États-Unis de l’Amérique’
• Ana Maria Tavares Cavalcanti et Sonia Gomes Pereira (Universidade Federal do Rio de Janeiro), L’Académie des Beaux-Arts à Rio de Janeiro, Brésil

Conference | Art and the Actuarial Imagination

Posted in conferences (to attend) by Editor on February 21, 2020

Aetna Insurance Co of Hartford Conn., detail, 1887, color lithograph, J. Ottman Lithographic Company, 67 × 49 cm
(Huntington Library, Jay T. Last Collection)

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Registration is available here:

Art and the Actuarial Imagination
The Huntington Library, Art Museum, and Botanical Gardens, San Marino, California, 10–11 April 2020

Insurance now plays pivotal roles in the construction, exhibition, and value of contemporary art and architecture. This two-day conference brings together interdisciplinary scholars to examine how insurance has constructed and inflected the civic, economic, and moral life of art and architecture from the early modern period to the present. Registration for this two-day conference is $25, with an optional buffet lunch each day for $20. Conference registration is $10 for current Huntington docents, and free for current Long-Term Fellows and students with a current student ID. Please bring your ID to event-day check-in. Students, please note school affiliation after your name when registering.

F R I D A Y ,  1 0  A P R I L  2 0 2 0

8:30  Registration and coffee

9:30  Welcome by Steve Hindle (The Huntington)

9:35  Remarks by Avigail Moss (University of Southern California) and Matthew Hunter (McGill University), Art and the Actuarial Imagination: Propositions

10:00  Session 1: The Artist as Actuary
Moderator: James Glisson (Santa Barbara Museum of Art)
• Sophie Cras (Université Paris 1 Panthéon-Sorbonne), Art, Insurance and Post-Statistics Politics
• Melanie Gilligan (Royal Institute of Art, Stockholm), Films About Social Systems: Depicting Contingency

12:00  Lunch

1:00  Session 2: Incorporating Liability
Moderator: Matthew Hunter (McGill University)
• Nina Dubin (University of Illinois at Chicago), Eros, Inc.: Cupid, Corporate Form, and the Crash of 1720
• Avigail Moss (University of Southern California), Ars Longa, Vita Brevis: The Fine Art & General Insurance Company, Ltd.

3:00  Break

3:15  Session 3: The Hedge: Landscape and Power
Moderator: Avigail Moss (University of Southern California)
• Matthew Hunter (McGill University), The Sun is God: Turner, Angerstein and Insurance
• Richard Taws (University College London), The Loss Adjuster: Charles Méryons Speculations

S A T U R D A Y ,  1 1  A P R I L  2 0 2 0

9:00  Registration and coffee

9:30  Session 4: External Exposures
Moderator: Theodore Porter (University of California, Los Angeles)
• Timothy Alborn (Lehman College CUNY), Revisions of Mirzah: Death’s Trap Doors, 1711–1915
• Arindam Dutta (Massachusetts Institute of Technology), Money in the Material World: Speculation and Building in the Eighteenth Century

11:30  Lunch

12:30  Session 5: Double Indemnity
Moderator: Jennifer Greenhill (University of Southern California)
• Hannah Farber (Columbia University), Seals, Marks, and Emblems: Art as the Basis for Property Claims
• Ross Barrett (Boston University), Speculative Vision: Daniel Huntington, Land Looking, and the Panic of 1837

2:30  Break

2:45  Session 6: Moral Hazards
Moderator: Sophie Cras (Université Paris 1 Panthéon-Sorbonne)
• Oliver Wunsch (Boston College), Pastel and the Portraiture of Risk
• Marina Vishmidt (Goldsmiths, University of London), No Sure Thing: Art, Speculative Subjectivities, and Actuarial Genres

4:45  General Reflections and Q&A
Moderator: Steve Hindle (The Huntington)
Discussants: Ross Barrett, Sophie Cras, Nina Dubin, Matthew Hunter, Avigail Moss, and Oliver Wunsch