Enfilade

New Book | The Place of Many Moods: Udaipur’s Painted Lands

Posted in books, lectures (to attend) by Editor on November 20, 2020

From Princeton UP:

Dipti Khera, The Place of Many Moods: Udaipur’s Painted Lands and India’s Eighteenth Century (Princeton: Princeton University Press, 2020), 232 pages, ISBN , $65 / £54.

In the long eighteenth century, artists from Udaipur, a city of lakes in northwestern India, specialized in depicting the vivid sensory ambience of its historic palaces, reservoirs, temples, bazaars, and durbars. As Mughal imperial authority weakened by the late 1600s and the British colonial economy became paramount by the 1830s, new patrons and mobile professionals reshaped urban cultures and artistic genres across early modern India. The Place of Many Moods explores how Udaipur’s artworks—monumental court paintings, royal portraits, Jain letter scrolls, devotional manuscripts, cartographic artifacts, and architectural drawings—represent the period’s major aesthetic, intellectual, and political shifts. Dipti Khera shows that these immersive objects powerfully convey the bhava—the feel, emotion, and mood—of specific places, revealing visions of pleasure, plenitude, and praise. These memorialized moods confront the ways colonial histories have recounted Oriental decadence, shaping how a culture and time are perceived.

Illuminating the close relationship between painting and poetry, and the ties among art, architecture, literature, politics, ecology, trade, and religion, Khera examines how Udaipur’s painters aesthetically enticed audiences of courtly connoisseurs, itinerant monks, and mercantile collectives to forge bonds of belonging to real locales in the present and to long for idealized futures. Their pioneering pictures sought to stir such emotions as love, awe, abundance, and wonder, emphasizing the senses, spaces, and sociability essential to the efficacy of objects and expressions of territoriality.

The Place of Many Moods uncovers an influential creative legacy of evocative beauty that raises broader questions about how emotions and artifacts operate in constituting history and subjectivity, politics and place.

Dipti Khera is associate professor in the Department of Art History and the Institute of Fine Arts at New York University.

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Celebrating Dipti Khera’s The Place of Many Moods
Friday, 4 December 2020, live-streamed at 11:00am ET

Please join the Institute of Fine Arts in conversation with Dipti Khera about her new book The Place of Many Moods: Udaipur’s Painted Lands and India’s Eighteenth Century. Responding to the book will be Vittoria Di Palma, Associate Professor of Architectural History and Art History at the University of Southern California, and Kavita Singh, Professor of Art History at the School of Arts and Aesthetics of Jawaharlal Nehru University. RSVP to receive the webinar link for this live-streamed event.

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Note (added 23 November 2020) — The original posting did not include information on the live-streamed event.

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