Call for Papers | The Matter of Description
From the Call for Papers:
The Matter of Description
History, Theory, and Practice in Material Culture Studies
5th CMCS Triennial Conference in Material Culture
Center for Material Culture Studies, University of Delaware, 2–3 April 2027
Keynote Speaker: Susan Stewart (Princeton University)
Proposals due by 15 July 2026
Long considered a distinctive concern for literary specialists, description in fact informs all the arts and humanities and, no doubt, the natural sciences as well. Any object of inquiry—from texts to paintings to other modes of representation or from raw materials to consumer goods or from stars to dark matter—requires some level of description. While description has been and remains a mainstay of Western reflective thought, its valence has fluctuated over time, with some thinkers finding description to be paralyzing or pedantic, extraneous, misleading, even deceptive, and generally unwelcome. Others, reflecting on description specifically in relation to material culture studies, theorized description as a kind of second substance through which we make sense of objects, “reality reconstituted,” as T.H. Breen put it, whereas Jules Prown thought that textual description was, inescapably, the thing itself.
The symposium, The Matter of Description, welcomes submissions from all disciplines concerned with description and the way it interacts with material culture. Papers should offer new perspectives on questions regarding the powers and practices of description, including—perhaps especially—those times when we take descriptions for granted and let them stand unexamined. On the one hand, how does the description of an object inform and transform what can be grasped of it? On the other hand, is there a uniquely material culture approach to description, one that takes material agency seriously and presumes an iterative relationship between describer and described?
Topics may include (but are not limited to) to one or more of the following themes:
Histories of Description
Ekphrasis, Realism, Mimesis, Ut Pictura Poesis and the Imitation of Nature, Word and Image
Missions of Description
Expeditions, Experiments, First Descriptive Encounters, Taxonomies and Classification, Collecting and Archiving, Laws and other Codes, Memorialization, Education
Protocols of Description
The Camera Eye, Impressionistic Description, Thick Description, Processual Description, Translation, Rules, Textbooks, Witness and Meditation, Memory and Remembering
Media of Description
Oral Traditions, Personal Records, Print, Visual Media, Diagrams, Schematics and Maps, Photography and Film, Audio Media, Data Visualization
Ethics of Description
Observational Objectivity, Phenomenological and Hermeneutic Approaches, Colonial and Imperial Gaze, Reparative Description, Politics of Description
Please send abstracts of of no more than 300 words, with a brief CV of no more than two pages, to Martin Brückner (mcb@udel.edu) and Sandy Isenstadt (isnt@udel.edu) by 15 July 2026. The conference takes place 2–3 April 2027 at the University of Delaware and the Winterthur Museum, DE.
Study Days | Framing the Drawing – Drawing the Frame
This week at the Bibliotheca Hertziana:
Gernsheim Study Days: Framing the Drawing – Drawing the Frame
Online and in-person, Bibliotheca Hertziana – Max Planck Institute for Art History, Rome, 13–15 May 2026
Organized by Tatjana Bartsch, Ariella Minden, and Johannes Röll
The 2026 Gernsheim Study Days will explore the relationship between early modern drawings, frames, and framing. Papers will consider both how the symbolic connotations associated with the frame in the early modern period functioned as part of artists’ generative creative processes as a cultural technique as well as the role that the physical act of framing drawings played within histories of collecting and reception. With this focus on the medium of drawing, this conference seeks to uncover new ways to think about the myriad semiotic potentials of the frame in the making and study of early modern art. Please follow the event online at https://vimeo.com/event/5864584
w e d n e s d a y , 1 3 m a y
14.00 Welcome and Opening Remarks
• Tatjana Bartsch (BHMPI) and Ariella Minden (University of St Andrews)
14.30 Section 1
Chair: Ariella Minden
• Reinier Baarsen (Rijksmuseum Amsterdam), Who Drew Frames?
• Furio Rinaldi (Fine Arts Museums of San Francisco), Leonardo’s Border Lines
15.50 Coffee Break
16.10 Section 2
Chair: Silvia Massa (Kunstmuseum Basel)
• Elizabeth Merrill (Ghent University), Copy, Snip, Cut, Collage: Drawing Practices in the Workshop of Lambert Lombard
• Ludovico Maria Durante (Roma, Sovrintendenza Capitolina), Abitare la soglia: La cariatide come cornice incarnata nei disegni di Cherubino Alberti e Federico Zuccari
• Helen Barr (Goethe-Universität Frankfurt am Main), Cornice / senza cornice / fuori cornice: Il libro de’ disegni di Francesco Morandini
t h u r s d a y , 1 4 m a y
10.00 Section 3
Chair: Francesca Borgo (BHMPI)
• Laura Moretti (University of St Andrews), Framing the Disegno: Vincenzo Borghini’s Cultural Techniques and the Construction of the Vasarian Libro
• Vera Hendriks (The Hague, RKD — Netherlands Institute for Art History), Framing Authorship: Drawn Borders and Inscribed Frames in Eighteenth-Century Dutch Artists’ Portraits
11.20 Coffee Break
11.40 Section 4
Chair: Tatjana Bartsch
• Gudula Metze (Kupferstich-Kabinett – Staatliche Kunstsammlungen Dresden), Creative Collecting: A Group of Baroque Drawn Frames at the Dresden Kupferstich-Kabinett
• Elisabeth Oy-Marra (Johannes Gutenberg-Universität Mainz), Le scritture ai margini: Sebastiano Resta e la doppia incorniciatura dei disegni
13.00 Lunch Break
14.00 Section 5
Chair: Anna Magnago Lampugnani (BHMPI)
• Thomas Pöpper (Westsächsische Hochschule Zwickau, Angewandte Kunst Schneeberg), Passage, Access, Depth: Mounting as Framing–The Window Mount in Albrecht Dürer and Michelangelo
• Giovanni Santucci (Università di Pisa), Mounting, Borders, and Meaning in the Talman Collection
15.20 Coffee Break
15.40 Section 6
Chair: Giorgio Marini (Roma, Istituto Centrale per la Grafica)
• Christoph Orth (Klassik Stiftung Weimar), Framing the Face: On the Role of Drawings in Lavater’s Ideas on Physiognomy
• Kristel Smentek (Massachusetts Institute of Technology), A Persian Muraqqa and Pierre-Jean Mariette’s Mounted Drawings
f r i d a y , 1 5 m a y
no streaming
10.00–13.00 Roundtable
Chair: Johannes Röll (BHMPI)
Exhibition | Fanmania

Fan Design with Republican Assignats (French revolutionary money), ca. 1795, etching, a small portion printed in red, sheet: 29 × 50 cm (New York: The Metropolitan Museum of Art, 38.91.56).
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While focused on the 19th-c, the exhibition includes a handful of 18th-c. examples:
Fanmania
The Metropolitan Museum of Art, New York, 11 December 2025 — 12 May 2026
Curated by Ashley Dunn and Jane Becker
The hand-held fan was an unexpected muse for some of the most innovative artists in 19th-century Europe. Fans became hugely popular across many levels of society during this period, serving as functional and fashionable objects of adornment and communication. Well-known French Impressioniscts such as Edgar Degas and Camille Pissarro not only featured this feminine accessory in their work but also adopted it as an experimental format for their art. Fanmania investigates why avant-garde artists incorporated fans into their work and sheds light on themes of gender, courtship, consumerism, and appropriation. Artists were attracted to the semicircular form for myriad reasons, including fascination with fans from Asia and Spain, commercial ambition, and their interest in formal and technical innovation. Displaying more than 75 artworks from across The Met collection, this multimedia exhibition features painted and printed fans from Europe and Asia as well as artworks that depict women wielding fans to explore the phenomenon of ‘fanmania’.
More information is available from the press release»
New Book | Africa’s Buildings
Another title now 50% off at the Princeton UP sale:
Itohan Osayimwese, Africa’s Buildings: Architecture and the Displacement of Cultural Heritage (Princeton: Princeton University Press, 2025), 296 pages, ISBN: 978-0691251431, £30 / $35.
A groundbreaking history of Africa’s looted architectural heritage—and a bold proposal for the repatriation of the continent’s stolen cultural artifacts
Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most of these artifacts were cataloged as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures. Africa’s Buildings traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa’s buildings and addressing the ethical questions surrounding the display of these objects.
Itohan Osayimwese ranges across the whole of Africa, from Egypt in the north to Zimbabwe in the south, and spanning the western, central, and eastern regions of the continent. She describes how collectors employed violent means to remove elements such as columns and door panels from buildings, and how these methods differentiated architectural collecting from conventional collecting. She shows how Western collectors mischaracterized building components as ornament, erasing their architectural character and concealing the evidence of their theft. Osayimwese discusses how the very act of displacing building parts like floor tiles and woven screen walls has resulted in a loss of knowledge about their original function and argues that because of these removals, scholars have yet to fully grasp the variety and character of African architecture.
Richly illustrated, Africa’s Buildings uncovers the vast scale of cultural displacement perpetrated by the West and proposes a new role for museums in this history, one in which they champion the repatriation of Africa’s architectural heritage and restitution for African communities.
Itohan I. Osayimwese is professor of the history of art and architecture and urban studies at Brown University, where she is an affiliate faculty in Africana studies and at the Center for Latin American and Caribbean Studies. She is the author of Colonialism and Modern Architecture in Germany and the editor of German Colonialism in Africa and Its Legacies.
New Book | Laws of the Land: Fengshui and the State
Recently released in paperback from Princeton UP, where many books are now 50% off with code SPRING50 (until June 9) . . .
Tristan Brown, Laws of the Land: Fengshui and the State in Qing Dynasty China (Princeton: Princeton University Press, 2023), 356 pages, ISBN: 978-0691246734 (hardback), £38 / $45 / ISBN: 978-0691247175 (paperback), £25 / $30.
Today the term fengshui, which literally means “wind and water,” is recognized around the world. Yet few know exactly what it means, let alone its fascinating history. In Laws of the Land, Tristan Brown tells the story of the important roles—especially legal ones—played by fengshui in Chinese society during China’s last imperial dynasty, the Manchu Qing (1644–1912).
Employing archives from Mainland China and Taiwan that have only recently become available, this is the first book to document fengshui’s invocations in Chinese law during the Qing dynasty. Facing a growing population, dwindling natural resources, and an overburdened rural government, judicial administrators across China grappled with disputes and petitions about fengshui in their efforts to sustain forestry, farming, mining, and city planning. Laws of the Land offers a radically new interpretation of these legal arrangements: they worked. An intelligent, considered, and sustained engagement with fengshui on the ground helped the imperial state keep the peace and maintain its legitimacy, especially during the increasingly turbulent decades of the nineteenth century. As the century came to an end, contentious debates over industrialization swept across the bureaucracy, with fengshui invoked by officials and scholars opposed to the establishment of railways, telegraphs, and foreign-owned mines. Demonstrating that the only way to understand those debates and their profound stakes is to grasp fengshui’s longstanding roles in Chinese public life, Laws of the Land rethinks key issues in the history of Chinese law, politics, science, religion, and economics.
Winner of the John K. Fairbank Prize, American Historical Association
A Choice Outstanding Academic Title of the Year
Winner of the Biannual Book Prize, International Society of Chinese Law and History
Tristan G. Brown is S.C. Fang Chinese Language and Culture Career Development Professor in History at the Massachusetts Institute of Technology.
New Book | The Emperor Incognito
From Haus Publishing, with distribution by The University of Chicago Press:
Monika Czernin, with an introduction by Dominic Lieven, The Emperor Incognito: Joseph II’s Journey through Enlightenment Europe, translated by Jamie Bulloch (London: Haus Publishing, 2026), 336 pages, ISBN: 978-1914979439, £22 / $30.
The first complete account of Emperor Joseph II’s undercover journey through his kingdom
Travelling incognito, and without the customary pomp and entourage, the young emperor Jospeh II travels through the Holy Roman Empire and his Hapsburg lands to see with his own eyes how his subjects live, suffer, and starve. As well as kings, queens, and the European political and social elite, Joseph engages with and observes ordinary people and their hospitals and factories, eagerly soaking up Enlightenment ideas of progress and liberty. Visiting his sister, Marie Antoinette, in Versailles in 1777, he senses the French Revolution looming and realises that reform is inevitable if he is to build a modern state. The Emperor Incognito tells the story of an extraordinary man, far ahead of his time and in an age of great upheaval, who spent a quarter of his twenty-five-year reign on the road. The result of his titanic efforts, despite his own admission (as inscribed on his tombstone) that he ‘failed everything he undertook’, was the foundation of a more modern Austrian monarchy, in a Europe in which progress was no longer determined solely by its rulers.
Monika Czernin is an internationally renowned author and filmmaker. Her research focuses on key figures and turning points of European History, and her book, Anna Sacher and Her Hotel, spent many weeks on the bestseller lists in Germany. Czernin was awarded the Friedrich Schiedel Literature Prize in 2023 and is a member of the European Academy of Sciences and Arts.
Dominic Lieven is a Fellow of the British Academy and Honorary and Emeritus Fellow, Trinity College, Cambridge University.
Jamie Bulloch is a historian and has worked as a professional translator from German.
New Book | Incognito: Friedrich Christian’s Two-Year Tour Abroad
This incredible labor of love is now available for free download at arthistoricum.net:
Maureen Cassidy-Geiger, Incognito: An Annotated Edition of the Archival Documentation for Saxon Electoral Prince Friedrich Christian’s Two-Year Tour Abroad in 1738–40 (ART-Dok: Publication Platform for Art and Visual Studies, full-text server of arthistoricum.net, Heidelberg University Library, 2026), 1628 pages.

Rosalba Carriera, Portrait of Prince Friedrich Christian of Saxony, ca. 1740, pastel on paper (Richmond: Virginia Museum of Fine Arts, Gift of Mrs. Arthur W. Levy, Jr., in memory of her husband; inv. 66.55).
Electoral prince Friedrich Christian’s father, grandfather, and great uncle each traveled abroad as part of their princely educations, with Versailles the main objective; his father, Friedrich August II (1696–1763), also converted to Catholicism while on the grand tour, which enabled him to marry a Catholic princess and stand in line for the Polish crown, succeeding his father in 1733 as Augustus III.
Friedrich Christian (1722–1763) was the third and oldest surviving son of the future Augustus III and his Habsburg bride, Maria Josepha (1699–1757); three princesses followed, then three princes. Hence, he became and remained the heir to the throne despite having been born with an incurable disability, considered to have been cerebral palsy. When treatments in the mineral waters at Teplice, Bohemia, failed to improve the boy’s health, his parents sought medical advice from their representatives in France and even England.
Yet it was his sister’s marriage by proxy to Charles Bourbon (1716-1788), the king of Naples, in 1738 that opened the door to medical treatments on the island of Ischia in the Bay of Naples, and it was hastily decided to send the prince, incognito, to accompany Queen Maria Amalia (1724–1760), cognito, on the journey to meet her new husband. The route was scripted as a Marian pilgrimage, with stops in Prague, Mariazell and Loreto, bypassing Vienna and Rome to avoid the delays of state receptions for the new queen.
Following a cure on Ischia (July 12–Sept. 23, 1738) and a period of recuperation at Portici and Naples (July 23–Nov. 15, 1738), the prince sojourned for a year in Rome, residing in Palazzo Albani alle Quattro Fontane (Nov. 18, 1738 – Oct. 14, 1739). After Rome, he toured Tuscany, Lombardy and the Veneto (Oct. 14–Dec. 21, 1739), while his staff mostly went ahead, perhaps to quarantine, before they all floated into Venice on Dec. 21, 1739, where the prince resided for six months in Ca’Foscari, until June 11, 1740. Prior to returning to Dresden on Sept. 7, 1740, he spent two months in Vienna, to meet the Imperial Family and others, and spend time with his grandmother, dowager empress Wilhelmine Amalie (1673–1742).
The educational grand-tour-cum-cure undertaken by the handicapped crown prince of Saxony in 1738–40 is documented by an unparalleled array of archival evidence in Dresden and beyond. This includes four detailed journals, in French, German and Italian, one handwritten by the prince himself and the others by members of his staff, plus boundless correspondence, both official and personal, as well as the account book (privy purse) for his two-year odyssey abroad. Further evidence is found in eyewitness accounts penned by others, whether diplomats or tourists or the clergy, and in published reports. Hence, the transcriptions presented here in eight chapters, including the four handwritten diaries and the account book in Dresden, are annotated with relevant excerpts from archival material in foreign archives or with references to the many known or unknown works of art, relics, and antiquities cited in the journals, not to mention the countless people and places named. The footnotes also offer insights into practical matters, such as the logistics of moving people, correspondence or things from place to place under often challenging circumstances, household management and staffing; matters of protocol, given the prince was travelling incognito; and the patterns and rituals of gift-giving, Catholic devotion and courtly entertainment. Moreover, the transcriptions demonstrate four different approaches to reporting for posterity.
c o n t e n t s
Introduction, Selected Bibliography, and Acknowledgements
1 Electoral Prince Friedrich Christian’s Personal Diary for His Journey Abroad and Homecoming in 1738–40
2 Count Joseph Anton Gabaleon von Wackerbarth-Salmour’s Official Journal Dispatched to the King during the Prince’s Journey Abroad
3 Count Han Moritz von Brühl’s Journal Dispatched to His Brother, the Prime Minister, during the Prince’s Journey Abroad
4 Jesuit Father Wunibald Breinl’s Journal for his Sojourn in Rome
5 The Privy Purse for the Prince’s Journey Abroad
6 The Court Journal for Queen Maria Amalia’s Journey from Dresden to Palmanova in the Company of Electoral Prince Friedrich Christian
7 Diario Ordina
New Book | The Traveler
From Penguin Random House:
Andrea Wulf, The Traveler: One Man’s Quest for Humanity from the South Seas to Revolutionary Paris (New York: Knopf, 2026), 512 pages, ISBN: 978-0593803400, $38.
From an early age, it was clear that George Forster possessed a brilliant mind. At just ten years old, he became a botanist when he accompanied his irascible father, Reinhold, on a wild expedition to Russia. By the time he was twelve, they had moved to London and the young boy soon became the breadwinner by publishing translations of the most popular travel accounts of the day. Then, in 1772, at the age of seventeen, George Forster joined Cook’s second voyage, the most daring expedition of the time.
The HMS Resolution set sail with orders to find what was then the hypothetical southern continent of Antarctica, stopping at the islands of the South Pacific—including New Zealand, Vanuatu, Tonga, Tahiti, and Easter Island—along the way. The Resolution carried the ambitions of the most powerful empire in the world, but Forster brought an understanding that was far ahead of his day. A gifted observer, linguist, artist, and writer, he studied the diverse cultures of the world without prejudice and was one of the first Europeans to talk about universal human rights.
Recognized on his return as one of Europe’s brightest minds, Forster used his fame to advocate for freedom and human rights and wrote against empire, white supremacy, and slavery. He admired strong, educated women, even accepting his wife’s independence—and her love affairs. Driven by his passion for equality, Forster would eventually be pulled into the vortex of the French Revolution and live in Paris during the Reign of Terror. Throughout it all, he held close the radical belief that our common humanity is far greater than what sets us apart. The Traveler recounts the remarkable life of this deeply curious and exceptional man who, though largely forgotten by history, truly belonged to the future.
Andrea Wulf was born in India and moved to Germany as a child. She is the author of Magnificent Rebels, The Founding Gardeners, Brother Gardeners, and the New York Times bestseller The Invention of Nature, which has been published in twenty-seven languages and won fifteen international literary awards. Wulf has written for many newspapers and magazines, including The New York Times, The Guardian, Los Angeles Times, The Wall Street Journal, and The Atlantic. She is a member of PEN America and a Fellow of the Royal Society of Literature. She lives in London.
Exhibition | Generation 1700: Drawing at the Royal Academy in Paris

Michel-François Dandré-Bardon, Figure Study of a Man with an Outstretched Arm, ca. 1725
(Staatsgalerie Stuttgart)
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Now on view at the Staatsgalerie Stuttgart:
Generation 1700: Drawing at the Royal Academy in Paris
Generation 1700: Zeichnen an der Königlichen Akademie in Paris
Graphik-Kabinett, Staatsgalerie Stuttgart, 17 April – 30 August 2026
How does one learn to draw the human body? The question is at the heart of the exhibition Generation 1700, which focuses on drawing instruction at the Académie Royale de Peinture et de Sculpture, France’s prestigious art academy in the 18th century during a time of profound social upheaval: while the bourgeoisie emancipated itself from the absolutist court under the banner of the Enlightenment, drawing itself became a medium of liberation. At that time, young artists not only depicted the human body, but also studied anatomy with rational insight and understood it as an expression of individual ideas. Now in 2026, on the occasion of the anniversary “75 years of the Institut français Stuttgart,” the Staatsgalerie Stuttgart will highlight drawing from live models between discipline, science, and artistic development.
The exhibition, presented in the Graphic Cabinet, focuses on Michel-François Dandré-Bardon (1700–1783), one of the most important artists of the French Enlightenment. With his understanding of anatomy and a keen sense of movement and materiality, he stages the human body in dramatically composed studies—literally from head to toe. His works impressively demonstrate how the strict principles of the Academy provide fertile ground for artistic experimentation. The Staatsgalerie possesses one of the most extensive collections in Europe of Dandré-Bardon’s graphic works. Additional works by contemporaries such as Carle van Loo, Charles Joseph Natoire, and Nicolas Guibal complement the presentation. With around 70 drawings and graphic prints, most of which are being shown for the first time, Generation 1700 offers a glimpse into everyday life at the Academy.
Conference | England in Thüringen
From ArtHist.net:
England in Thüringen: Kunst — Sport — Gärten — Architektur
Schlosskapelle Reinhardsbrunn, Friedrichroda, 7–9 May 2026
Die Tagung England in Thüringen: Kunst — Sport — Gärten — Architektur widmet sich den vielfältigen kulturellen Nahtstellen zwischen Großbritannien und Thüringen vom 18. bis zum 20. Jahrhundert.
Ihr historisches Fundament liegt in den dynastischen Allianzen des Thüringer Adels mit dem englischen Königshaus: 1736 heiratete Augusta von Sachsen-Gotha-Altenburg den englischen Prinzen Friedrich Ludwig von Wales. Ihr Sohn bestieg als Georg III. den britischen Thron.
Adelheid von Sachsen-Meiningen wurde 1818 durch ihre Ehe mit dem späteren König Wilhelm IV. Königin von Großbritannien und Irland. Über Königin Victoria und ihren Ehemann Prinz Albert von Sachsen-Coburg und Gotha wirkten diese Verbindungen im 19. Jahrhundert prägend nach. Mit deren Sohn Alfred und dem Enkel Carl Eduard regierten später “Engländer” das Herzogtum Sachsen-Coburg und Gotha. Im Unterschied zu den dynastischen Beziehungen sind die kulturellen Impulse, die mit diesen ein-hergingen, nur wenig erforscht. Umso lohnender erscheint es, diese zum ersten Mal in dieser Form in Thüringen, und zudem mit Schloss Reinhardsbrunn an einem historisch höchst bedeutungsvollen Tagungsort, zu beleuchten.
Die wissenschaftlichen Beiträge decken ein breites thematisches Spektrum ab und zeigen, wie nachhaltig der Kulturtransfer die Region prägte und welche neuen Perspektiven sich dadurch auch für die Zukunft entwickeln lassen.
Anmeldung und Information: angelika.eder@friedenstein-stiftung.de
Veranstalter
Friedenstein Stiftung Gotha, gefördert durch das Thüringer Ministerium für Bildung, Wissenschaft und Kultur sowie den Arbeitskreis selbständiger Kultur-Institute e.V. – ASKI aus Mitteln des Beauftragten der Bundesregierung für Kultur und Medien
d o n n e r s t a g , 7 m a i
14.45 Begrüßung
• Tobias Pfeifer-Helke, Stiftungsdirektor der Friedenstein Stiftung
Grußworte
• Christian Tischner, Thüringer Minister für Bildung, Wissenschaft und Kultur
• S.E. Andrew Mitchell, CMG, Britischer Botschafter in Deutschland
• S.H. Prinz Hubertus von Sachsen-Coburg und Gotha
15.15 Eröffnungsvortrag
• Benedikt Stuchtey (Marburg) — Eminent Victorians und der Kulturtransfer zwischen Empire und Thüringen
16.15 Kaffeepause
16.30 Sektion 1 | Gärten: Ästhetik und Technik
Moderation: Angelika Eder
• Ute Däberitz (Waltershausen/Berlin) — „Durch wilde Waldparthien gebahnter Weg im englischen Geschmacke“ – Herzog Ernst II. von Sachsen-Gotha Altenburg (1745–1804) und Reinhardsbrunn als südlicher Teil des Englischen Gartens von Gotha.
• Hiram Kümper (Mannheim) — Englische Agrarinnovationen in Thüringen zwischen Skepsis und „Agromanie“, ca. 1750–1830
• Franziska Bartl (Chemnitz) — England in Coburg. Das Beispiel der englischen Musterfarmen Callenberg und Ernstfarm
f r e i t a g , 8 m a i
9.15 Sektion 2 | Objekte und Begegnungen: Britische Spuren in Thüringen
Moderation: Ute Däberitz
• Kerstin Volker-Saad (Gotha) — Prinzgemahl Albert von Großbritannien und Herzog Ernst II. von Sachsen-Coburg und Gotha – die brüderliche Passion für außereuropäische Artefakte
• Steffen Arndt (Gotha) — „And if I was not what I am – this would have been my real home“. Die Besuche Queen Victorias und Prinz Alberts in Coburg und Gotha
10.45 Kaffeepause
11.00 Sektion 3 | Erziehung und Identitätsbildung
Moderation: Elisa Schmidt-Winkler
• Stefan A. Eick (Gotha) — „Der Apfel fällt nicht weit vom Stamm“. Beerbohm-Tree et al. – Britische Schüler an der Salzmannschule Schnepfenthal, 1784–1934
• Angelika Eder (Gotha) — „Try to be a good German”. Der junge Carl Eduard von Sachsen-Coburg und Gotha zwischen England und Thüringen.
12.15 Mittagspause
13.30 Erste Möglichkeit einer Führung durch Schloss oder Park Reinhardsbrunn
14.15 Sektion 4 | Sport
Moderation: Claudia Fenske
• Sonja Fielitz (Marburg) — Sport und Mord: Pferdekrimis von Ascot bis Gotha-Boxberg
• Manuel Schwarz (Weißenfels) — “…diese Land wird sein eine sehr gute Tennisplatz for my grandmother.” – Herzog Carl Eduard und der Sport
15.30 Kaffeepause
15.45 Zweite Möglichkeit einer Führung durch Schloss oder Park Reinhardsbrunn
s a m s t a g , 9 m a i
9.15 Sektion 5 | Greiz und Weimar
Moderation: Timo Trümper
• Ulf Häder (Greiz) — Englischer Hochadel in Ostthüringen. Die Graphik-Sammlung Elizabeths von Großbritannien und Irland (1770–1840) im Greizer Sommerpalais
• Adam Eaker (New York) — “Die höchst interessante Engländerin”: Die Gore-Schwestern und die Weimarer Anglophilie
• Hermann Mildenberger (Weimar) — Carl Ruland (1834–1907). Ein Connaisseur zwischen Windsor und Weimar.
11.15 Kaffeepause
11.45 Sektion 6 | Meiningen
Moderation: Sonja Fielitz
• Daniela Roberts (Würzburg) — Gothic Revival in Thüringen. Jeffry Wyatvilles Entwürfe für Fürst Bernhard II
• Doris Fischer (Rudolstadt) — Die Umgestaltung von Schloss Altenstein durch Herzog Georg II. von Sachsen-Meiningen und Albert Neumeister 1888–90
• Florian Beck M.A. (Meiningen) — Beinahe fünfzig Jahre – Die Shakespeare-Rezeption am Meininger Hoftheater unter Herzog Georg II



















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