Enfilade

New Book | Culloden: Battle & Aftermath

Posted in anniversaries, books, lectures (to attend), online learning by Editor on April 13, 2021

Friday is the 275th anniversary of the battle of Culloden (fought on 16 April 1746). To mark the anniversary, the National Trust for Scotland will present a series of online events on Saturday, 17 April, entitled Culloden: A Place Worth Protecting. Paul O’Keeffe’s book is the latest to tackle the subject; from Penguin Press:

Paul O’Keeffe, Culloden: Battle & Aftermath (London: Bodley Head, 2021), 432 pages, ISBN: 978-1847924124, £25.

Charles Edward Stuart’s campaign to seize the British throne on behalf of his exiled father ended with one of the quickest defeats in history: on 16 April 1746, at Culloden, his 5,000-strong Jacobite army was decisively overpowered in under forty minutes. Its brutal repercussions, however, endured for months and years, its legacy for centuries.

Paul O’Keeffe follows the Jacobite army, from its initial victories over Hanoverian troops at Prestonpans, Clifton and Falkirk to their calamitous defeat on the field of Culloden. He explores the battle’s aftermath which claimed the lives, not only of helpless wounded summarily executed and fugitives cut down by pursuing dragoons, but also of civilians slaughtered by vengeful government patrols as they ‘pacified’ the Highlands. He chronicles the wild, nationwide celebration greeting news of the government victory, the London stage catering to patriotic fervour with new songs like ‘God Save the King’, popular musical theatre, and operas by Gluck and Handel. Meanwhile, the public was also treated to the grimmer spectacle of Jacobite prisoners, tried for high treason, paying for their participation on block and gibbet throughout the country. Many others—granted ‘the King’s mercy’—suffered the lingering fate of forced labour on fever-ridden plantations in the West Indies and Virginia.

O’Keeffe reveals the unexpected consequences of the rising—mapping the Scottish Highlands to aid military subjugation would eventually lead to the foundation of the Ordnance Survey—and traces the later careers of the battle’s protagonists: the Duke of Cumberland’s transformation from idolised national hero to discredited ‘butcher’ and Charles Edward Stuart’s from ‘Bonny Prince’ to embittered alcoholic invalid.

While in the long term the doomed Stuart cause acquired an aura of romanticism, the Jacobite Rising of 1745–46 remains one of the most bloody and divisive conflicts in British domestic history, which resonates to this day.

Paul O’Keeffe is a freelance lecturer and writer based in Liverpool. He gained his PhD with a scholarly edition of Wyndham Lewis’s Tarr, and won critical acclaim with his 2000 study of Lewis, Some Sort of Genius.

Online Roundtable | Teaching the Long 18th Century

Posted in lectures (to attend), online learning by Editor on April 10, 2021

From the roundtable flyer:

Teaching the ‘Long’ 18th Century
Online, Friday, 23 April 2021, 9–11am (EST)

Organized by Sarah Betzer and Dipti Khera

After Thomas Baldwin, A Balloon-Prospect from above the Clouds, plate from Thomas Baldwin, ‘Airopaidia’ (London, 1786), opposite p. 154.

Roundtable featuring:
• Anna Arabindan-Kesson, Princeton University
• Nebahat Avcıoğlu, Hunter College, City University of New York
• Emma Barker, The Open University, London
• Ananda Cohen-Aponte, Cornell University
• Prita Meier, Art History and Institute of Fine Arts, New York University
• Nancy Um, Binghamton University, State University of New York
• Stephen Whiteman, The Courtauld Institute of Art, London

This roundtable brings together scholars from a broad array of geographical foci and institutional perspectives who have been at the forefront of efforts to rethink approaches to thinking, researching, and, crucially, teaching the art and material culture of an interconnected ‘long’ eighteenth century. Convened in conjunction with a session at the 2021 College Art Association conference, the roundtable will appear in distilled form in a dedicated issue of Journal18, forthcoming in Fall 2021. Two key aims animate the roundtable and its afterlife in Journal18: 1) to reflect upon teaching the ‘long’ eighteenth century, particularly in light of renewed debates on the reparation of objects, revision of histories, and inclusion of colonized and enslaved voices in museums, plantation sites, and public squares; and 2) to compile a list of resources and open-access supporting materials that are pragmatically useful for colleagues engaged in teaching the ‘long’ and ‘broad’ eighteenth century.

Organized by Sarah Betzer, University of Virginia, and Dipti Khera, Art History and Institute of Fine Arts, New York University

Register here»

 

Online Seminar | Robert Pogue Harrison and Susan Stewart

Posted in books, lectures (to attend), online learning by Editor on April 2, 2021

Coming up from BGC:

Seminar in Epistemologies of Material Culture with Robert Pogue Harrison and Susan Stewart
Online, Bard Graduate Center, Wednesday, 14 April 2021, 6–7.30pm

Robert Pogue Harrison and Susan Stewart will present at the Seminar in Epistemologies of Material Culture. They will each speak briefly on their publications The Dominion of the Dead and The Ruin Lesson, respectively, followed by a conversation moderated by Peter N. Miller and a Q&A session. Held via Zoom, this event will be live with automatic captions. A link will be circulated to registrants by 3pm on the day of the event. Register here.

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Robert Pogue Harrison, The Dominion of the Dead

How do the living maintain relations to the dead? Why do we bury people when they die? And what is at stake when we do? In The Dominion of the Dead, Robert Pogue Harrison considers the supreme importance of these questions to Western civilization, exploring the many places where the dead cohabit the world of the living—the graves, images, literature, architecture, and monuments that house the dead in their afterlife among us.

This elegantly conceived work devotes particular attention to the practice of burial. Harrison contends that we bury our dead to humanize the lands where we build our present and imagine our future. As long as the dead are interred in graves and tombs, they never truly depart from this world, but remain, if only symbolically, among the living. Spanning a broad range of examples, from the graves of our first human ancestors to the empty tomb of the Gospels to the Vietnam Veterans Memorial, Harrison also considers the authority of predecessors in both modern and premodern societies. Through inspired readings of major writers and thinkers such as Vico, Virgil, Dante, Pater, Nietzsche, Heidegger, and Rilke, he argues that the buried dead form an essential foundation where future generations can retrieve their past, while burial grounds provide an important bedrock where past generations can preserve their legacy for the unborn.

The Dominion of the Dead is a profound meditation on how the thought of death shapes the communion of the living. A work of enormous scope, intellect, and imagination, this book will speak to all who have suffered grief and loss.

Robert Pogue Harrison is the Rosina Pierotti Professor in Italian Literature and chairs the Department of French and Italian at Stanford University. He is the author of The Body of Beatrice, Forests: The Shadow of Civilization, The Dominion of the Dead, Gardens: An Essay on the Human Condition, and Juvenescence: A Cultural History of Our Age, the latter three published by the University of Chicago Press. He is a member of the American Academy of Arts and Sciences. He is also host of the radio program Entitled Opinions on Stanford’s station KZSU 90.1.

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Susan Stewart, The Ruins Lesson: Meaning and Material in Western Culture

How have ruins become so valued in Western culture and so central to our art and literature? Covering a vast chronological and geographical range, from ancient Egyptian inscriptions to twentieth-century memorials, Susan Stewart seeks to answer this question as she traces the appeal of ruins and ruins images, and the lessons that writers and artists have drawn from their haunting forms.

Stewart takes us on a sweeping journey through founding legends of broken covenants and original sin, the Christian appropriation of the classical past, and images of decay in early modern allegory. Stewart looks in depth at the works of Goethe, Piranesi, Blake, and Wordsworth, each of whom found in ruins a means of reinventing his art. Lively and engaging, The Ruins Lesson ultimately asks what can resist ruination—and finds in the self-transforming, ever-fleeting practices of language and thought a clue to what might truly endure.

Susan Stewart, the Avalon Foundation University Professor in the Humanities at Princeton University, is a poet, critic, and translator. A former MacArthur Fellow and Chancellor of the Academy of American poets, she is the author of six books of poems, including Columbarium, which won the National Book Critics Circle Award, and, most recently, Cinder: New and Selected Poems. Her many prose works include On Longing, Poetry and the Fate of the Senses, The Open Studio: Essays in Art and Aesthetics, and The Poet’s Freedom.

 

Online Seminar | The John Evan Bedford Library of Furniture History

Posted in lectures (to attend), online learning by Editor on March 23, 2021

Trade Card of J. F. Lacourt (Leeds University Library, MS 2241 John Evan Bedford Library of Furniture History).

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From The Furniture History Society:

‘Pattern Books, Early Trade Catalogues, and Many Other Rarities’: The John Evan Bedford Library of Furniture History
The Furniture History Society Online Lecture, Wednesday, 24 March 2021, 18.00 (GMT)

Members of the Bedford project team from Special Collections at the University of Leeds will highlight some of the rare books and ephemera in the John Evan Bedford Library of Furniture History and explain more about the ambitions of the cataloguing project. Chaired by Mark Westgarth, the presentations will be followed by a discussion with the Bedford team and an opportunity to ask questions about the project.

When the art and antique dealer John Bedford died in February 2019 he gifted a remarkable collection of rare books, manuscripts, artworks, and objects to the University of Leeds. Assembled over almost half a century, the John Evan Bedford Library of Furniture History is an exceptional resource covering all aspects of the English home, from interiors and furnishings to lighting and metalwork, drapery and upholstery to architectural and garden design. Comprising over 3,000 printed items, many of them extremely rare, and in some cases unique, the collection includes furniture pattern books, designs for ornament, and inventories of country houses. The books, which also touch on household life and management, date from the seventeenth century onwards. The archive is also rich in rare ephemera including trade cards, labels, and pamphlets, many of which are unknown outside this collection. The John Victor Bedford Will Trust, with great generosity and vision, is funding a cataloguing project based in Special Collections at the University of Leeds to make the collection fully searchable and accessible.

This event is free for FHS members and £5 for non-members. If you are a non-member and would like to attend, please click here. Contact events@furniturehistorysociety.org to register interest.

Mark Westgarth is Associate Professor in Art History and Museum Studies at the University of Leeds and also Director of the Centre for the Study of the Art & Antiques Market. He has been instrumental in developing antique dealer collections at Leeds; Mark is a Council Member of the FHS.

Rhiannon Lawrence-Francis, Collections and Engagement Manager, has operational oversight of the project to catalogue the John Evan Bedford Library of Furniture History. She visited John at his Guernsey home a few weeks before he died, and planned and managed the transfer of his collection to Leeds. A medievalist by background she is responsible for the rare book collections in the University Library and has a special interest in incunabula, early modern printing, provenance, and bookbindings.

Rachel Eckersley, Rare Book Specialist, is responsible for cataloguing the pre-1851 books, researching provenance, and promoting the collection. Previously, she was a postdoctoral researcher at The Centre for the Comparative History of Print (also at Leeds), a library digitisation assistant at the Wren Library, Trinity College, Cambridge, and a research fellow in book history at Queen Mary University of London.

Rosie Dyson, Collections Officer, is currently researching trade cards and ephemera. She is undertaking work to catalogue, digitise, and repackage John’s collection of trade cards and associated ephemera and has written several articles on her findings so far. Her background is in photography and digitisation.

Illustration from Jean-Baptiste Pillement, The Ladies Amusement: Or, the Whole Art of Japanning Made Easy, second enlarged edition, ca. 1762 (Leeds University Library, MS 2241 John Evan Bedford Library of Furniture History). This is the only known complete and coloured copy.

Online | Art Museums and the Legacies of the Dutch Slave Trade

Posted in conferences (summary), lectures (to attend), online learning by Editor on March 19, 2021

Presented by the Center for Netherlandish Art at the Museum of Fine Arts, Boston, the Harvard Art Museums, and Harvard University’s Department of History of Art and Architecture:

Art Museums and the Legacies of the Dutch Slave Trade: Curating Histories, Envisioning Futures
Online conference in four parts: 9–23 April 2021

Organized by Sarah Mallory, Kéla Jackson, and Rachel Burke, together with Joanna Sheers Seidenstein

Registration is now open for the conference Art Museums and the Legacies of the Dutch Slave Trade: Curating Histories, Envisioning Futures, presented by the Center for Netherlandish Art at the Museum of Fine Arts, Boston, the Harvard Art Museums, and Harvard University’s Department of History of Art and Architecture. This four-partprogram explores efforts by art museums to deploy their spaces and their collections—which are often enmeshed with colonialism and exploitation—to present more complete narratives of and perspectives on slavery and its legacies. This conference is organized by Sarah Mallory, Kéla Jackson, and Rachel Burke, all doctoral students in Harvard University’s Department of History of Art and Architecture, and Joanna Sheers Seidenstein, the Stanley H. Durwood Foundation Curatorial Fellow in the Division of European and American Art, at the Harvard Art Museums. We hope you will attend!

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Part 1 | Exhibiting Slavery and Representing Black Lives
Friday, 9 April 2021, 1–3pm EST

Curators will discuss their work on groundbreaking projects in the Netherlands and the United States, namely the Rijksmuseum’s current Slavery exhibition, the Rembrandthuis Museum’s exhibition Here: Black in Rembrandt’s Time, the Los Angeles County Museum of Art’s reinstallation of its permanent collection, and the Museums Are Not Neutral initiative. They will reflect on the broader call for museums to recognize the relationship of their collections to slavery and to present-day racial injustice. Speakers include Maria Holtrop (Curator of History, Rijksmuseum), Stephanie Archangel (Junior Curator, History Department, Rijksmuseum), Diva Zumaya (Assistant Curator, European Painting and Sculpture, Los Angeles County Museum of Art), and La Tanya S. Autry (cultural organizer, co-producer of Museums Are Not Neutral, founder of the Black Liberation Center, and independent curator).

For more information and to register, please click here»

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Part 2 | De-centering/Re-centering: Forging New Museological and Historical Narratives
Friday, 16 April 2021, 1–3 pm EST

This session brings together historians and art historians whose work has, on the one hand, been grounded in art museum collections and, on the other, challenged traditional museological narratives of slavery’s legacies in the Netherlands and the Americas. Speakers include Vincent Brown (Charles Warren Professor of American History, Professor of African and African American Studies, and Founding Director of the History Design Studio, Harvard University), Pepijn Brandon (Assistant Professor of Economic and Social History, Vrije Universiteit Amsterdam, and Senior Researcher, International Institute of Social History), Elmer Kolfin (Assistant Professor, University of Amsterdam), and Claudia Swan (Mark Steinberg Weil Professor of Art History & Archaeology, Washington University in St. Louis).

For more information and to register, please click here»

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Part 3 | History, Memory, and Legacy: Jamaica Kincaid, Rosana Paulino, and Cheryl Finley in Conversation
Friday, 23 April 2021, 11am–noon EST

Renowned writer Jamaica Kincaid and groundbreaking visual artist Rosana Paulino will discuss their explorations of the legacies of slavery in their work. They will be joined in conversation by eminent art historian Cheryl Finley.

For more information and to register, please click here»

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Part 4 | The Work of Objects: Interpretation within and beyond Museum Walls
Friday, 23 April 2021, 1– 2:30pm EST

This session includes brief talks, followed by a roundtable discussion, by academics and museum professionals who focus on Dutch and American art and history. Speakers will discuss specific objects—ranging from the 17th to the 21st century—that have posed interpretive and museological challenges. They will also present new possibilities for considering the relationship between slavery’s past and present-day racial injustice. Speakers include Justin Brown (Ph.D. candidate, Department of the History of Art, Yale University), Ana Lucia Araujo (Full Professor and Associate Chair, Department of History, Howard University), Makeda Best (Richard L. Menschel Curator of Photography, Harvard Art Museums), Nancy Jouwe (Chairwoman, BAK [basis voor actuele kunst] Supervisory Board, Utrecht; co-founder, Framer Framed; and co-founder, Mapping Slavery), Imara Limon (Curator, Amsterdam Museum), Adam Tessier (Barbara and Theodore Alfond Director of Interpretation, Museum of Fine Arts, Boston), and Lea van der Vinde (Curator, Royal Picture Gallery Mauritshuis).

For more information and to register, please click here»

Online Seminars | The Future of Country House Studies

Posted in conferences (to attend), lectures (to attend), online learning by Editor on March 16, 2021

Antonio Verrio, Heaven Room, ca. 1695–96
Burghley House, Lincolnshire

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From the research day programme:

The Future of Country House Studies
Online, University of Buckingham, Tuesday, 13 April 2021

A research day organized by the University of Buckingham Humanities Research Institute—one of a series of research seminars in the history of art.

This series of postgraduate Research Days revolve around some of the main research strengths of the department of History and History of Art of the University of Buckingham: the history of collecting and the evolution of taste; the reception of the classical tradition in the art and architecture of early modern Europe; the cultural history of the long eighteenth century; and the history of materials in art and architecture.

Each Research Day involves presentations by PhD students and members of staff, followed by a seminar given by an established scholar. Their structure is intended to facilitate dialogue and exchange between scholars at different stages of their career. Sessions are open to all, free of charge. To register, please send a simple one-line email to seminars-hri@buckingham.ac.uk.

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All times listed are for the UK.

2.30pm  Session 1
Adrian Tinniswood, OBE — Fellow, Humanities Research Institute, University of Buckingham
The Guilt and the Gingerbread: The Country House 1945–1974

Adrian Tinniswood discusses his latest research project, Noble Ambitions, to be published by Jonathan Cape in September 2021. Adrian directs the MA in the History of the English Country House at the University of Buckingham. His most recent books include Behind the Throne: A Domestic History of the Royal Household and The Long Weekend: Life in the English Country House between the Wars.

3.30pm  Session 2
Michael Bentley — PhD Student, University of Buckingham
‘Properly Bestowed’: Decorum and the Mural in the English Country House, from Verrio to Thornhill, 1672–1728

To what extent was decorum a factor in the decision-making process when commissioning wall and ceiling paintings for an English country house? If not decorum, then what? New light will be shed on Adlington Hall, Sudbury Hall, and Boughton in particular.

4.30pm  Tea break

5.00pm  Session 3
Martin Postle — Deputy Director, Paul Mellon Centre for Studies in British Art, Yale University
Collection and Display: Art and the Country House Digital Project

Martin Postle discusses the Mellon Centre’s latest digital project. Art & the Country House, launched in autumn 2020, is an online publication focused on the collection and display of works of art in the country house in Britain from the sixteenth century to the present day. Eight case studies (Castle Howard, Doddington Hall, Mells Manor, Mount Stuart, Petworth House, Raynham Hall, Trewithen, and West Wycombe) relate to a broad range of research topics and give a varied set of examples, in terms of geographical location, scale, patterns of ownership, chronologies, collections, and displays.

Online Talks from London Art Week, March 2021

Posted in Art Market, lectures (to attend), online learning by Editor on March 14, 2021

John Carter, View of the Library at Strawberry Hill, watercolour, 23.7 × 28.8 cm, from Horace Walpole, A Description of the Villa … at Strawberry-Hill (Strawberry Hill, 1784). The Lewis Walpole Library, Yale University.

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From the press release (via Art Daily) for this month’s Art History in Focus series:

London Art Week’s Art History in Focus
March 2021

Last October, London Art Week introduced a new series of interim online events, Art History in Focus. Another impressive line-up of insightful and lively talks is scheduled for March. All events will take place from 17.00 to 18.00 GMT.

16 March — The Female Artists, Actresses, and Playwrights of Strawberry Hill Theatricals

Introduced and moderated by Emanuela Tarizzo (Gallery Director of Tomasso Brothers Fine Art), this webinar will explore the role of female artists, actresses, and playwrights involved with theatre at Horace Walpole’s Strawberry Hill. The session will address illustrations of Walpole’s scandalous gothic play The Mysterious Mother by the artist Diana Beauclerk and the closet built to house them at Strawberry Hill. It will also touch on Walpole’s literary executor Mary Berry’s play Fashionable Friends, performed at Strawberry Hill with sets designed by her sister Agnes and with herself and the sculptor Anne Damer in the leading roles. Damer had a close relationship with the famous actress Eliza Farren, re-imagined in Emma Donoghue’s historical novel Life Mask.

Speakers include Judith Hawley (Professor of English, Royal Holloway, University of London), Cynthia Roman (Curator, Prints, Drawings, and Paintings, The Lewis Walpole Library, Yale University), and Laura Engel (Professor of English, Duquesne University).

23 March — Medieval Women: Subjects and Makers of Art

Arranged with Sam Fogg in conjunction with their online exhibition Medieval Women: Subjects and Makers of Art (25 February – 31 March 2021), the session provides a tour of the exhibition in its gallery setting, accompanied by commentary and an in-depth look at select individual works. With Jana Gajdošová of Sam Fogg, curator of the Medieval Women exhibition, and Alexandra Gajewski FSA, reviews editor at The Burlington Magazine and from 2010 to 2015, senior researcher at the CSIC in Madrid on a European Research Council funded project called Reassessing the Roles of Women as Makers of Medieval Art and Architecture.

24 March — Dürer’s Journeys

An in-depth discussion of the much-heralded National Gallery exhibition Dürer’s Journeys: Travels of a Renaissance Artist (opening soon) with Imogen Tedbury (National Gallery), Anthony Crichton-Stuart (Agnews), and Katrin Bellinger (Collector and Founder, Tavolozza Foundation). Dr. Tedbury is the Simon Sainsbury Curatorial Fellow for Paintings before 1500 at the National Gallery, where she is currently working on Dürer’s Journeys. Katrin Bellinger began collecting in 1985 in parallel to her career as a dealer in Old Master drawings; she was a partner at Colnaghi until the Gallery was sold in 2015. Fascinated by the artistic process and the mystique surrounding it, she chose to focus on one theme of the artist at work. She is a Trustee of the National Gallery and sits on the Board of the Tate.

25 March — Thomas Lawrence: Coming of Age

Amina Wright, author of a new book on Thomas Lawrence’s first twenty-five years, discusses the early works of this young prodigy with LAW dealers Lowell Libson (Lowell Libson & Jonny Yarker Ltd) and Ben Elwes (Ben Elwes Fine Art). Both galleries have recently handled early works by Lawrence that will feature in a forthcoming online exhibition at the website of the Holburne Museum in Bath entitled Thomas Lawrence: Coming of Age. Registrants to this talk can benefit from a discount on the book of the same title written by Amina Wright (Philip Wilson Publishers).

29 March — The Impact of the 20th Century on Women Artists

Florrie Evans and Jo Baring discuss the views and barriers surrounding women artists in 20th-century Britain. In 1955 a review in The Times described Elisabeth Frink’s first solo show as “Here is a sculptor of rare promise, indeed of rare quality, for Miss Frink’s handling of the problems of sculptural form is such that one has to make no allowances for her youth, or her sex.” This will be a reference point for the talk in which Jo will focus on women sculptors in particular, and Florrie will look at some of the key female artists handled by The Fine Art Society.

London Art Week, 1–16 July 2021

London Art Week will take place as a dual aspect event: online in a digital format, allowing participants from across the globe to take part, and as physical exhibitions in galleries as local guidelines allow.

A new introduction to LAW Digital Summer 2021 will be Revolution and Renewal, an online themed exhibition. London Art Week is delighted to welcome as guest curator the art historian, curator, and scholar Arturo Galansino, Director General of the Fondazione Palazzo Strozzi in Florence. Well-known among the London Art Week community, Dr. Galansino has been invited to curate this special exhibition by the LAW Board who have long admired his exceptional track record in curating and co-curating incredible shows spanning Old Masters to contemporary art: from Moroni, Giorgione and Rubens at the Royal Academy to Ai Weiwei, Bill Viola and Marina Abramović at the Palazzo Strozzi. “It will be interesting to see what thread, narrow or broad, he weaves from the submitted works to Revolution and Renewal,” comments Amelia Higgins, Director, London Art Week.

“The online exhibition will have its own section on the LAW website,” explains Luce Garrigues, Director, London Art Week Digital, “and all participants will be invited to submit a work on the theme for consideration by Dr. Galansino. As a collegial, curator-led exhibition, Arturo will select his highlights and write his own introduction on the theme. To give our dealers greater voice, we will be asking each participant to explain why they submit their chosen work.”

Online Panel | An Irish Odyssey

Posted in lectures (to attend), online learning by Editor on March 13, 2021

Francis Wheatley, The Earl of Aldborough Reviewing Volunteers at Belan House, County Kildare, 1782 (later changes ca.1787 and extended ca.1810), oil on canvas, 155 × 265 cm (National Trust, Waddesdon Manor, bequeathed by James de Rothschild, 1957).

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From The Attingham Trust’s spring lectures series:

An Irish Odyssey
The Attingham Trust for the Study of Historic Houses and Collections
Online, Tuesday, 16 March 2021, 6pm GMT

A virtual tour of Irish historic houses in film and music, followed by a live panel discussion with Terence Dooley (Centre for the Study of Historic Irish Houses and Estates), Mary Heffernan (Office of Public Works), Donough Cahill (Irish Georgian Society), and Fionnuala Ardee (Historic Houses of Ireland), hosted by Study Programme Director Elizabeth Jamieson

To register for this event, please click here. The event is free to attend, but there are options to purchase a donation ticket. All proceeds raised for The Attingham Trust will go directly to the Scholarship Fund and are gratefully received. You must be registered in order to receive the link.

NB. A day before the event the webinar link will come from The Attingham Trust, not Eventbrite. If you do not receive it or have any questions, please email Rebecca: rebecca.parker@attinghamtrust.org.

Online Seminars | O Gosto neoclássico: A Dimensão americana

Posted in conferences (to attend), lectures (to attend), online learning by Editor on March 9, 2021

I’m sorry for not posting news of these seminars much sooner. CH

O Gosto neoclássico — A Dimensão americana: instituições, atores e obras
Online, 8–22 March 2021

O seminário O Gosto neoclássico — A Dimensão americana: instituições, atores e obras será realizado de 8 a 22 de março de 2021, às 2ª-feiras e 4ª-feiras, às 15h, em transmissão remota. É promoção do grupo de pesquisa “O gosto neoclássico”, conduzido pela Fundação Casa de Rui Barbosa e o leU/Prourb/FAU/UFRJ, com o apoio do Instituto Rui Barbosa de Altos Estudos – IRbae.

O evento dá continuidade a uma agenda sistemática de discussões públicas sobre arte, arquitetura, cidade e cultura sob o impacto da circulação das ideias neoclássicas no período compreendido entre o final do século XVIII e meados do XIX. Já foram discutidas temáticas relativas aos contextos brasileiro, português e francês. Em 2021, propõe-se uma pauta ainda inédita e que permita uma visão articulada e comparada sobre o fenômeno também nas Américas.

O Gosto neoclássico — A dimensão americana, se organiza em cinco sessões compostas por palestras e mesas redondas com especialistas brasileiros e estrangeiros. As palestras serão voltadas para aspectos da questão no México, França, Brasil, Portugal, Estados Unidos e Caribe. As mesas-redondas irão enfocar quatro eixos principais: as questões de ensino das artes nas academias: visões estéticas, padrões de gosto e formas de transmissão; mudanças e permanências nas culturas acadêmicas; as práticas projetuais e construtivas e o campo das visualidades, suas inovações e continuidades. O encerramento se dará com uma palestra concerto em torno das questões da música no período.

O evento será coordenado por Ana Pessoa (FCRB) e Margareth Pereira (leU/Prourb/UFRJ) e organizado por Ana Lúcia V. Santos (EAU/UFF), Karolyna Koppke (PROARQ-UFRJ/Ibmec RJ), Luiza Xavier (leU/Prourb/UFRJ), Ornella Savini (PIC-FCRB/CNPq). Arte e diagramação: Luiza Xavier (leU/Prourb/UFRJ). Fotografia: Ana Claudia P. Torem.

O seminário ocorrerá através da plataforma Zoom.

8  M A R C H  2 0 2 1

15.00 (BRT) Palestra
• Kelly Donahue-Wallace (CVAD-UNT, EUA), Good Taste within Reach: The Mexican Medals of Jerónimo Antonio Gil

16.00 (BRT) Mesa Redonda
• Renata Baesso (PUC-Campinas), O lugar do gosto, do gênio e da invenção nas preceptivas arquitetônicas
• Elaine Dias (UNIFESP), François-René Moreaux na Galeria e Escola de Pintura: a exposição da coleção italiana e a afirmação do artista
• Sonia Gomes Pereira (EBA-UFRJ), A Academia Imperial de Belas Artes e a longa duração da tradição clássica

1 0  M A R C H  2 0 2 1

15.00 (BRT) Palestra
• Jean Philippe Garric (Univ.Paris 1-França), Grandjean de Montigny et la polychromie architecturale à l’école de Percier

16.00 (BRT) Mesa Redonda
• Maria Luiza Zanatta (UFSM), O “tratado das ordens” de Vignola em S. Paulo: do Neoclassicismo ao Ecletismo
• Gustavo Rocha-Peixoto (PROARQ-UFRJ), Uma questão de gosto
• Karolyna Koppke (PROARQ-UFRJ/Ibmec RJ), A urbe imaginada: a Academia e o projeto para os paços Imperial e do Senado

1 5  M A R C H  2 0 2 1

15.00 (BRT) Palestra
• Margareth da Silva Pereira (PROURB-UFRJ), A ressignificação da ideia de arquitetura: A cena americana e a educação dos sentidos

16.00 (BRT) Mesa Redonda
• Ana Lucia V. dos Santos (EAU-UFF), A casa do Passeio – estudo de um edifício residencial de Grandjean de Montigny
• José Pessôa (PPGAU-UFF), A Praça Municipal de Grandjean de Montigny
• Nelson Pôrto (DAU/UFES), Os engenheiros e o neoclassicismo

1 7  M A R C H  2 0 2 1

15.00 (BRT) Palestra
• Helder Carita (FCSH-UNL), Neoclassicismo tardio em Portugal: da arquitectura às artes decorativas

16.00 (BRT) Mesa Redonda
• Paulo Knauss (UFF), O desafio da pedra: o gosto neoclássico e a escultura no Brasil
• Ana Pessoa (PPGMA/FCRB) e Ornella Savini (PIC/FCRB), Uma arcádia tropical? Vassouras, RJ, sec. XIX
• Júlio Bandeira (BN/MTur), Do Capitão Carlos Julião a Mauricio Rugendas, a camisola neoclássica no Brasil

2 2  M A R C H  2 0 2 1

15.00 (BRT) Palestras
• Dell Upton (AH-UCLA, CASVA/NGA), Politics of Neoclassicism in the United States
• Paul Niell (AH-FSU, USA), No Taste for Thatching: Value, Aesthetics, and Urban Reform in the Bohíos of Nineteenth-Century Puerto Rico

16.20 (BRT) Palestra-Concerto
• Rosana Lanzelotte (Musica Brasilis), Clássica: a nova música

 

Online Lecture | Wendy Wassyng Roworth on Angelica Kauffman

Posted in lectures (to attend), online learning by Editor on March 5, 2021

Dr. Roworth’s talk, originally slated for last spring in St. Louis, has been rescheduled for later this month; from the Saint Louis Art Museum:

Wendy Wassyng Roworth, Angelica Kauffman: An Enterprising Artist in 18th-Century Britain
Mary Strauss Women in the Arts Lecture, Saint Louis Art Museum
Online, 25 March 2021, noon–1 pm (CDT)

Angelica Kauffman, Woman in Turkish Dress, 1767, oil on canvas, 25 × 20 inches (Saint Louis Art Museum, Funds given by Dr. E. Robert and Carol Sue Schultz 704.2018).

Angelica Kauffman (1741–1807) was an Austrian-Swiss artist who began her career in Italy, where her clients included British tourists who encouraged the young painter to pursue her profession in England. Over the 15 years she worked in London, Kauffman achieved fame and fortune and returned to Italy as an international celebrity. This lecture celebrates a portrait recently acquired by the Museum. Wendy Wassyng Roworth will discuss Kauffman’s life and work in England as a fashionable painter and member of the Royal Academy of Arts, a rare distinction for a woman, and how the artist used her talents to her advantage.

Wendy Wassyng Roworth is Professor Emerita of Art History, University of Rhode Island.

This free, virtual program will take place on Thursday, 25 March 2021, via Zoom, and will include opportunities for participants to ask questions with the Q&A feature. Attendees’ mics and cameras will not be activated. Attendees must register to receive the Zoom link. Capacity for the live program is limited. A closed-captioned recording of the program will become available on the Museum’s YouTube channel in the weeks following. This program is supported by the Mary Strauss Women in the Arts Endowment.