At Sotheby’s: Record Price for Vernet
Charlotte Burns reports in The Art Newspaper (28 January 2011) on Sotheby’s sale of Important Old Master Paintings & Sculpture (No8712), which took in a total of over $90million. . .

Claude-Joseph Vernet, "A Grand View of the Sea Shore Enriched with Buildings, Shipping and Figures," 1776
Sotheby’s strode ahead of rival Christie’s after a bullish 98-lot sale of old master paintings . . . “It was outstanding. I haven’t seen an auction like this for many years,” said Colnaghi director Konrad Bernheimer. The energetic sale set new records for several artists . . . The packed salesroom started to swivel in its seats when a bidding war broke out for Claude-Joseph Vernet’s A Grand View of the Sea Shore . . . , 1776, which tripled its $2m high-estimate to hammer at a record $6.2m (est $1.5m-$2m. Total $7m, with premium). The painting once belonged to the Beaverbrook Art Gallery in Fredericton, Canada and was consigned by the UK-based Beaverbrook Foundation, which gained title to the work in September along with over 40 others in an out-of-court settlement after a lengthy legal battle. It went to New York based art advisor Carol Strone, who said she was buying on behalf of a private US collector. . . .
The full article is available here» Additional coverage is available at ArtInfo.
Exhibition: Tools and Locks in Berlin
From the Staatliche Museen zu Berlin website:
Fine Craftsmen’s Tools and Locks from Three Centuries
Kunstgewerbemuseum (Museum of Decorative Arts), Köpenick Palace, Berlin, 8 January — 15 May 2011
The Museum of Decorative Arts has in its collection numerous magnificent handcrafted works, the products of all manner of trades and crafts, ranging from the middle ages to the present day. However, the tools once used by craftsmen are also often themselves very sophisticated in design. The spectrum of objects on display here ranges from decorated tools once in everyday use up to splendid tools that were hardly ever used, including mere copies of devices, as seen in the symbol of a particular guild or in model tools.
This small exhibition in the museum’s foyer presents a selection of these kinds of ‘fine’ tools, dating from the 16th to the 18th century, found in the museum’s storerooms. Due to the disappearance of many traditional crafts and techniques, often little is known today of their insignia and original functions. This is the case, for instance, in the tap and dies used to cut wooden screws, the cooper’s bung borer, or the quill cutter. The original function of other implements, however, are obvious to us through their form, such as measuring tape, a cobbler’s foot measure or scissor-shaped snuffers; while folding yardsticks, planes and thimbles are still in use today and virtually unchanged in design. Locks and keys are also objects that very often bear such intricate designs that they are raised from being merely functional objects and become valid symbols of the aesthetic sentiment of the age in which they were created.



















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