Exhibition: Masterworks from the Speed Art Museum in Tulsa
Press release from the Philbrook:
Magnificent Vision: Two Centuries of European Masterworks from the Speed Art Museum
Philbrook Museum of Art, Tulsa, 9 October 2011 — 8 January 2012
Flint Institute of Arts, Flint, Michigan, 5 May — 19 August 2012

Adélaïde Labille-Guiard, “Portrait of Madame Adélaïde,” ca. 1787, oil on canvas (Louisville: Speed Art Museum)
After two exhibitions focusing primarily on work from 20th-century America, Tulsa’s Philbrook Museum of Art is preparing for a dramatic shift in both time and setting. For the Museum’s final and biggest show of the year, the Museum is taking a look back at Europe in the 17th and 18th centuries. Magnificent Vision: Two Centuries of European Masterworks from the Speed Art Museum features more than 70 major works by the likes of Rembrandt, Rubens, Tiepolo, and Gainsborough.
The works in the exhibition are entirely drawn from the permanent collection of the Speed Art Museum in Louisville, KY, one of this country’s premier regional art museums. Forming the backdrop to this exhibition, which is organized thematically, is a two-hundred-year period in which European art underwent a dramatic and radical transformation. During the 1600s, particularly in the Netherlands, a newly affluent populace with a desire to improve their standing in society helped to generate a tremendous demand for artwork, and the market for paintings boomed. In the 1700s, as the artistic profession became institutionalized, the mood shifted and the abundance and variety of the earlier period was replaced. As significant taste-making institutions like the Academie des Beaux-Arts in Paris gained new power, demand for paintings remained high but became more focused.
“It is a group of paintings that not only dovetails beautifully with Philbrook’s own collection, but it also elegantly reflects one of the most extraordinary and inspiring periods in European art; it was truly a Golden Age,” says Dr. Tanya Paul, Philbrook’s Ruth G. Hardman Curator of European Art.
Call for Papers: Cleveland Symposium
Cleveland Graduate Student Symposium — Things Fall Apart: Fragmentation in Visual Culture
Cleveland Museum of Art, 23 March 2012
Proposals due 15 December 2011
The 2012 Cleveland Symposium invites graduate submissions exploring the theme of fragmentation in the visual arts. This trope has manifested itself in a variety of ways in response to political, social, ideological, or aesthetic trends of a particular epoch. Students are encouraged to interpret this theme broadly, through avenues such as iconoclasm, revolution, political upheaval, physical fragmentation of materials, or particular aesthetic movements.
We welcome submissions from graduate students in all stages of their studies and from all fields and geographic regions, ranging from ancient through contemporary art. We will also consider papers from a wide range of methodologies and approaches. A monetary prize will be awarded to the speaker who presents the most innovative research in the most successfully delivered paper.
Please send an abstract of no more than 300 words for papers of no longer than 20 minutes, along with a curriculum vitae or résumé, to clevelandsymposium@gmail.com by December 15, 2011. Please include “Cleveland Symposium Submission” in the subject line of your email. Selected presenters will be notified by January 1, 2012.



















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