Display | The Wildmans in Bedford Square and Newstead Abbey
Now on view at the Mellon Centre:
A Harpy and His Brothers: The Wildmans in Bedford Square and Newstead Abbey
Paul Mellon Centre, London, 30 May — 15 September 2023
Curated by Martin Myrone
George Romney, Portrait of Thomas Wildman MP, detail, oil on canvas, 78 × 64 cm (Private Collection).
This Drawing Room display shows some of the ways that the architectural and cultural histories of Bedford Square and Newstead Abbey have been addressed in the past and the ways in which those stories might be revised and complicated. The inclusion of the film project Blood Sugar, developed by volunteers at Newstead Abbey, offers further perspectives on these historical stories.
Bedford Square has always been esteemed as one of London’s most prestigious addresses. Built in 1775–82, it is widely considered to be the finest surviving example in London of a Georgian town square, embodying in its orderly architecture appearance the favoured self-image of the British social elite. This display explores the history and reputation of Bedford Square by focusing on two brothers who were among its first inhabitants: the successful lawyer Thomas Wildman (1740–1795) and his younger brother James Wildman (1747–1816). Together with a third brother, the merchant Henry Wildman (1746–1816), they made a fortune through their connections with the fabulously wealthy William Beckford, managing his legal affairs and his extensive plantations in the West Indies. Thomas Wildman’s wealth allowed his son, also Thomas (1787–1859), to purchase Newstead Abbey, a historic property in Nottinghamshire previously owned by the poet Lord Byron.
A digital version of the accompanying 36-page booklet is available here»
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More information about “Blood Sugar: The Slavery History of Newstead Abbey” can be found here, with the 5-minute 2018 film itself available on YouTube.
Exhibition | A Very Strong Likeness of Her: Portraiture and Identity
Opening this month at the Milwaukee Art Museum:
A Very Strong Likeness of Her: Portraiture and Identity in the British Colonial World
Milwaukee Art Museum, 23 June — 22 October 2023
Francis Cotes, Portrait of Miss Frances Lee, 1769, oil on canvas. 36 × 28 inches (Milwaukee Art Museum: Gift of Mr. and Mrs. William D. Vogel, M1964.5; photo by Larry Sanders).
Focusing on a singular work from the Museum’s collection, A Very Strong Likeness of Her explores the challenging and sometimes conflicting histories that an artwork can represent. On its surface, the English artist Francis Cotes’s (1726–1770) portrait of Miss Frances Lee is a charming image of a young girl and her napkin-turned-rabbit companion. The exhibition’s close study of the painting, however, reveals a complex story of identity, family dynamics, and British colonialism in Jamaica. A Very Strong Likeness of Her employs a range of materials to bring to life the underlying narratives in this deceptively simple painting.
Lecture by Mia L. Bagneris
Thursday, 27 July, 6.15pm
Learn about race and class status in colonial Jamaica through the story behind the portrait of Miss Frances Lee. Mia L. Bagneris, associate professor of art history and Africana studies and director of the Africana Studies Program at Tulane University, details this complex history.
Gallery Talk with Tanya Paul
Thursday, 10 August, noon–1pm
Tanya Paul is the Museum’s Isabel and Alfred Bader Curator of European Art.
Enfilade 
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