Enfilade

From BGC:

Pascal Bertrand | Boucher and the Decorative Arts: Promoting and Maintaining His Fame
A Françoise and Georges Selz Lecture on Eighteenth- and Nineteenth-Century French Decorative Arts and Culture
Bard Graduate Center, New York, 20 September 2023, 6.00pm

One of a pair of perfume vases, Chelsea Porcelain Manufactory (British, Gold Anchor Period, 1759–69), ca. 1761, soft-paste porcelain, burnished gold ground, 36 cm high (New York: The Metropolitan Museum of Art, 64.101.509a, b). The vase depicts three nymphs after the painting La Source by Francois Boucher.

In this lecture, Pascal Bertrand will explore the role of the decorative arts in the process of making and maintaining an artist’s fame, using the example of the quintessentially Rococo painter François Boucher. Boucher’s art was translated to a wide range of mediums—primarily tapestry and porcelain, but also gold and lacquer objects as well as printed fabrics and fans. How did he use these decorative arts to build his own reputation? And how did the decorative arts transmediate his paintings, prints, and drawings to disseminate them during his lifetime and preserve them after his death, right up to the present day? While the first question has been the subject of specific in-depth studies in one medium or another (porcelain in particular), Dr. Bertrand’s lecture considers the second question and the significance of intermediality.

Registration is available here»

Pascal Bertrand is Professor of Art History at the Université Bordeaux Montaigne in Pessac. His areas of research include the history of European tapestries, furniture, and the decorative arts generally.

Bard Graduate Center is grateful for the generous support of the Selz Foundation.

From BGC:

Peter Burke | The Invention of Connoisseurship
Bard Graduate Center, New York, 6 September 2023, 6.00pm

Carlo Maratti, Padre Sebastiano Resta Examining a Folio of Drawings (The Devonshire Collections). The drawing was included in the exhibition Lines of Beauty: Master Drawings from Chatsworth, on view in the fall of 2021 at The Lightbox in Woking, Surrey.

Connoisseurship—a bundle of practices combining a sense of the quality of works of art, the ability to attribute them to their makers, and to discriminate between originals, copies, and forgeries—is a contested term with a contested history. In this lecture, Peter Burke argues that the ‘invention’ of connoisseurship happened gradually rather than suddenly and took place in the West neither, as has sometimes been argued, in the nineteenth century, nor—perhaps surprisingly—in the Renaissance, but in the seventeenth century when treatises on the subject begin to appear.

Registration is available here»

Peter Burke is a cultural and social historian who was born in 1937, studied at Oxford (1957–62), and taught at the Universities of Sussex (1962–78) and Cambridge (1979–2004). He is a Life Fellow of Emmanuel College. His publications have focused in turn on historiography, the Renaissance, popular culture, and the history of knowledge, including the distinctive roles of exiles and polymaths. His latest book is a history of ignorance, and his next will be a history of connoisseurship.