Enfilade

New Book | Turkey Red

Posted in books by Editor on January 20, 2024

From Bloomsbury:

Julie Wertz, Turkey Red (London: Bloomsbury Visual Arts, 2024), 232 pages, ISBN: 978-1350216518 (hardcover), $110 / ISBN: 978-1350216501 (paperback), $37.

book coverThis multi-disciplinary study examines the exceptional Turkey red textile dyeing process and product. Prized for its brilliant colour and durability, yet notoriously difficult to produce, the textile was consumed locally and exported around the world. Considered one of the first instances of industrial espionage, the expansion of the Turkey red industry is closely linked to the Industrial Revolution and the emergence of a new global economy. Significant technological advances in chemistry and dyeing were motivated by the demands of Turkey red dyers and printers, who were located primarily in the west of Scotland, the north of England, and around Mulhouse, Switzerland.

This book explores the arc of the Turkey red industry, the evolution of the process through key producers and technical developments, the complicated printing process, and finishes with an examination of significant Turkey red collections and a selection of object case studies. The chemistry of the process is described in an accessible, contextual manner, highlighting the significance of the distinctive technique that yielded the best red attainable on cotton. Drawing on both historical and contemporary study, Turkey Red presents significant new research on the material characterisation of this fascinating, eye-catching textile, and offers an in-depth historical example of the global effect of textile consumption.

Julie Wertz is Beal Family Postgraduate Fellow in Conservation Science at Harvard Art Museums.

c o n t e n t s

List of Figures
Preface
Acknowledgments
Note on the Text

Introduction

1  The Most Brilliant Color Dyed on Cotton
1.1  Defining Turkey red
1.1.1  A reputable red
1.1.2  A complicated process
1.2  Identifying Turkey red
1.3  Material record
1.4  Conclusion

2  Global Exchanges and Anthraquinone Dyes
2.1 The origin and dissemination of Turkey red
2.1.1 India
2.1.2 Indonesia
2.1.3 The Levant and the Ottoman Empire
2.1.4 The Hapsburg Empire
2.1.5 France
2.1.6 Britain
2.2 Madder
2.2.1 The cultivation of madder
2.2.2 Madder composition and derivatives
2.3 Synthetic alizarin
2.3.1 Understanding alizarin
2.3.2 Alizarin synthesis and patent disputes
2.3.3 Synthetic alizarin products
2.4 Conclusion

3  The Dyeing, Chemistry, and Technological Advances of Turkey Red
3.1 Oiling
3.1.1 Oiling in the old process
3.1.2 The chemistry of oiled cotton
3.1.3 Ruminant dung and tannins
3.1.4 Turkey red oil and the new process
3.1.5 The Steiner process
3.2 Aluminium
3.2.1 Precipitated aluminium soaps
3.3 Dyeing
3.3.1 Color complexes in Turkey red
3.3.2 Blood and albumen
3.4 Clearing
3.5 Conclusions

4  Printed Turkey Red
4.1 Textile printing methods
4.2 Discharge printing
4.2.1 Lead plate press discharging
4.2.2 Acid paste discharging
4.3 A bright palette
4.3.1 Black, blue, yellow, and green
4.3.2 Identifying colorants on Turkey red prints
4.4 Design
4.4.1 Industrial design and production
4.4.2 European design for the export market
4.5 Conclusions

5  Turkey Red in the Industrial Revolution
5.1 Turkey red industry by country
5.1.1 France
5.1.2 England
5.1.3 Scotland
5.1.4 Switzerland
5.1.5 The Netherlands
5.1.6 North America
5.1.7 Other locations
5.2 Working conditions and labor
5.3 Colonialism
5.4 Conclusions

6  Trade, Use, and Object Record
6.1 Documentary evidence of availability
6.2 How Turkey red was used
6.2.1 Bandanas
6.2.2 Domestic textiles, quilts and bedcovers
6.2.3 Accessories, garments, and tools
6.3 Conclusions

Conclusions

Glossary
References
Index

Exhibition | Fashioning an Empire: Textiles from Safavid Iran

Posted in exhibitions by Editor on January 20, 2024

Textile with Pink, Red and Blue Flowers, Iran, 1700–22, silk and metal-wrapped thread
(Doha: Museum of Islamic Art, 2014.282)

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From the press release (via Art Daily) for the exhibition:

Fashioning an Empire: Textiles from Safavid Iran
Smithsonian’s National Museum of Asian Art, Washington, DC, 18 December 2021 — 15 May 2022
Museum of Islamic Art, Doha, 23 October 2023 — 20 April 2024

The Museum of Islamic Art, Doha is currently showcasing Fashioning an Empire: Textiles from Safavid Iran, a captivating exhibition that highlights the critical role silk played during the Safavid period (1501–1736). The exhibition is organised into four sections: starting with the establishment of the silk monopoly and state-funded manufacturing and exploring the production and technical components of textiles; the rise of Isfahan as imperial capital; fashion and trends in Safavid society; and lastly, contemporary commissions created by local designers inspired by Safavid textiles. Fashioning an Empire was conceived by and first presented at the Smithsonian’s National Museum of Asian Art, Washington, DC (2021–22).

Silk’s complex manufacturing process and supple feel against the skin make it a valuable and highly prized luxury good. Since the 6th century, Iran has produced high quality silk, widely appreciated and traded long distances. It was, however, during the reign of Iran’s most important ruler in modern history, Shah ‘Abbas I the Great (r. 1588–1629), that silk became a state-controlled industry—it boosted the country’s economy by supplying both an eager internal demand and feeding a vigorous export market spanning from England to Thailand. Shah ‘Abbas was the fifth shah of the Safavid dynasty (1501–1722). Under the Safavids, Iran experienced a period of renewed political strength and artistic creativity, geographical borders were consolidated, and most of the population adopted Shi‘a Islam, which became the country’s official state religion. The rise of the silk economy during Shah ‘Abbas’s reign had effects beyond the markets, inspiring artistic development and fostering cultural exchange.

Born out of a collaboration with the National Museum of Asian Art in Washington, DC, the exhibition explores the development of the silk industry under Shah ‘Abbas. It presents the capital city of Isfahan as the heart of the Safavid state and showcases fashion styles during a time when Iran established itself as a major player in the global arena.

The exhibition ends with a series of contemporary works created by Qatar-based designers in collaboration with M7, Qatar’s epicentre for innovation and entrepreneurship in fashion and design. Their artworks respond to the splendid historic textiles on display and illustrate the powerful creativity that Safavid silks still inspire in today’s creative minds.

Call for Articles | Valuing Luxury

Posted in Calls for Papers by Editor on January 20, 2024

From ArtHist.net:

Valuing Luxury: Controversial Collections, Divisive Displays, and Ethical Exhibits
Collection of essays edited by Elisabetta Maistri and Robert Hanson

Proposals due by 15 March 2024; complete essays due by 1 November 2024

In an era concerned with social and historical injustices, of wealth inequality and exploitation, and increasing awareness of the anthropogenic ecological impact, the vast collections of luxury goods that fill museums seem at odds with the current political mood. Whilst luxuries have driven much of human development, our attitude towards justice compels us to ask the question: how should museums present their collections in a manner that celebrates humanity’s triumphs without erasing the injustices that fuelled them? This interdisciplinary anthology focuses on the dark side of luxuries from early modern empires, exploring the questions of how we should acknowledge, respond to, and represent their problematic legacies in the contemporary era in public and private collections. The book investigates the role and responsibilities of museums, our relationship with luxuries, and our duties to historical legacies, both good and bad.

We invite scholars to contribute case-study driven chapters which will see authors discuss the history, concept, and normativity of luxury status through the following thematic lenses:
1  Conceptualising Luxury
2  Decolonisation and Social Justice
3  Environment and Sustainability
4  Negative Heritage
5  Inequality and Excess
6  Appropriation and Repatriation
7  Luxury and Desperation

Abstracts should be no more than 500 words and should be submitted to rwhem19@gmail.com by 15th March 2024. Authors should state which theme their paper should be associated with. Please name the file as follow: Surname_THEME NUMBER_TOPIC

Successful abstracts will be called to submit the complete paper to the same email address by 1 November 2024, and will be subject to double-blind peer review prior to the submission of the anthology to the publishing house. Priority given to submissions on objects created prior to the 20th century and to objects associated with the global south. We are also particularly keen to promote the work from underrepresented demographics in the scholarship, particularly women and scholars from the global south.

More information is available here»