Enfilade

At Sotheby’s | The Collection of Joseph Baillio

Posted in Art Market by Editor on January 29, 2024

Alexandre-François Desportes, Still Life of the Remnants of a Meal with a Lunging Cat, detail, ca. 1720s, oil on canvas, unframed: 74 × 92 cm (Lot 26, estimate: $200,000–300,000).

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This Wednesday at Sotheby’s (with viewing still available Monday and Tuesday) . . .

A Scholar Collects
Sotheby’s, New York, 31 January 2024, 10am, (Sale N11437)

Sotheby’s is honored to present A Scholar Collects, a sale [of 41 lots] comprised of paintings, drawings, and sculpture from the collection of the preeminent scholar Joseph Baillio. A visionary art historian who specializes in the art of eighteenth-century France, Baillio is most well-known for his expertise in the pioneering woman artist Élisabeth Louise Vigée Le Brun. His landmark exhibitions on her life and career—first in 1982 in Fort Worth and then in 2016 in New York, Paris, and Montreal—were triumphant in catapulting her to the forefront of scholarship and furthered her indelible mark on the history of art.

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From Neil Jeffares’s accompanying essay on Baillio:

Neil Jeffares, “Joseph Baillio: An Appreciation.”

For most of us the name Joseph Baillio is synonymous with Mme Vigée Le Brun, the artist to whom he has devoted so much of his career and whose reputation now stands at a peak unimaginable before the famous exhibition he organized in the Kimbell Art Museum in 1982. You will of course have a clearer recollection of the vast and astonishing monographic show Joseph presented in the Grand Palais in Paris in 2015 (before moving to New York and Toronto). And we all await the magnum opus, the catalogue raisonné (already signaled in the 1982 catalogue), as the apotheosis of this labor.

But there is so much more to Joseph than just one artist—or even the circle of talent that grew around her . . .

As much as reevaluating and contextualizing familiar masterpieces, Joseph’s work has been the painstaking combination of archival and visual clues to give back the identity of pictures that have been hidden or lost. And he has done that countless times . . .

The full essay is available here»

Élisabeth Louise Vigée Le Brun, Portrait of the Duchesse de Guiche, née Louise Françoise Gabrielle Aglaé de Polignac, 1784, pastel on two joined sheets of paper laid on canvas, 80 × 64 cm (Lot 19, estimate: $500,000–700,000).

Call for Papers | Cultural History of the Hunt

Posted in Calls for Papers by Editor on January 29, 2024

From ArtHist.net, which includes the German version:

7th Workshop of the Cultural History of the Hunt Research Network
Online (via Zoom), 3 May 2024

Proposals due by 28 February 2024

The Cultural History of the Hunt research network (Netzwerk Jagdgeschichten) was founded in the summer of 2021 to promote academic exchange on the history of hunting. By viewing the topic of hunting from a transdisciplinary perspective, we aim to critically examine the role of hunting in the constitution, transformation, and perpetuation of the culture/nature-divide and related binary hierarchies. This international network brings together researchers at different career stages and consciously understands itself as open to a variety of research approaches regardless of their methodological, regional, and temporal framework, as well as their points of view concerning animal ethics.

The 7th meeting is thematically open. The workshop is intended to encourage an exchange regarding all questions from the field of cultural-historical research on hunting. Please send your proposals for a 20- to 30-minute contribution (maximum 200 words) and a short CV to Laura Beck (laura.beck@germanistik.uni-hannover.de) and Maurice Saß (maurice.sass@alanus.edu) before 28 February 2024.

New Book | Louis-François Chatard

Posted in books by Editor on January 29, 2024

From Éditions Faton:

Sébastien Boudry, Louis-François Chatard et les peintres doreurs du Garde-Meuble de la Couronne sous Louis XVI (Dijon: Éditions Faton, 2023), 208 pages, ISBN: 978-2878443318, €36.

Les peintres et doreurs du Garde-Meuble de la Couronne ont participé à la création des plus beaux sièges du XVIIIe siècle. Leur production illustre la diversité et l’excellence des métiers d’art qui ont fait la réputation de Paris à la fin du XVIIIe siècle. Leur travail apporte finition et éclat au décor des bois après le travail du menuisier et du sculpteur qu’ils mettent en valeur.

Sous Louis XVI, Louis-François Chatard en devient le principal fournisseur. Peintre et doreur, il est également parfumeur. Ses confrères peintres et doreurs comme Julliac ou la famille Chaise tiennent également boutique à Paris en tant que marchands et restaurateurs de tableaux. Cet ouvrage nous fait découvrir cette profession et ce savoir-faire, ceux qui l’exercèrent avec excellence, tout en illustrant les mutations des corporations et de l’artisanat à Paris à la veille de la Révolution.

Historien de l’Art spécialisé en mobilier et objets d’art, Sébastien Boudry obtient un DEA (Master) à l’Université de Paris IV – Sorbonne en 2001. Chargé d’études au Centre des Monuments nationaux depuis 2003, il est en charge de la conservation-restauration des collections de plusieurs monuments depuis 2010. A ce titre il a participé aux projets de restauration et de présentation des collections de l’Hôtel de Sully à Paris (2012), du château de Champs-sur-Marne (2012–13), de la villa Cavrois à Croix (2014–15), du château de Voltaire à Ferney (2017–18), de l’Hôtel de la Marine à Paris (2018–2021), et du château de Bussy-Rabutin (2021–22).