Cultural Heritage Magazine, Spring/Summer 2024
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From the National Trust:
Launched in October 2022 and published twice a year, the National Trust Cultural Heritage Magazine (CHM) showcases the latest curatorial findings, conservation projects, and research initiatives; keeps readers up to date with relevant National Trust publications and events; and shares other insights into the houses, collections, and gardens in the Trust’s care.
In the latest issue, readers will find:
• A conversation between writer and curator Robin Muir and National Curator for Photography Anna Sparham
• A long-term project to revitalise the historic designed landscape at Lodge Park
• Expert insights into a rare 18th-century doll at Dudmaston
• New research on Coleridge Cottage, the Trust’s first literary home
• Research and conservation project round-ups
• Cultural heritage news, events and publications
• Highlights of recent exhibition loans from the National Trust
The full issue is available here»
Écrans, 2024: William Hogarth et le cinéma
From Classiques Garnier, where individual articles are also available for purchase:
Marie Gueden and Pierre Von-Ow, ed., Écrans, Nr. 20: William Hogarth et le cinéma (Paris: Garnier, 2024), 295 pages, French and English, ISBN: 978-2406169727, €25.
This special issue of Écrans explores the largely overlooked and unexpected connections between William Hogarth and cinema. Frequently mentioned in passing, these links are thoroughly examined here by art historians, film and literary scholars, and a filmmaker. The collection addresses various crucial themes (such as narrative serialization, visual dynamics, and socio-cultural aspects), aiming to showcase the historical significance, artistic richness, and contemporary relevance of the relationship between Hogarth and cinema.
Marie Gueden holds a PhD in film studies from Université Paris 1 Panthéon-Sorbonne. Associate researcher at the Institut ACTE (Université Paris 1 – Panthéon-Sorbonne) and Passages XX-XXI (Université Lumière Lyon 2), lecturer at ENS Lyon and Université Sorbonne Nouvelle-Paris 3, she has published several articles, including studies on Sergei M. Eisenstein and William Hogarth.
Pierre Von-Ow recently received his PhD in History of Art from Yale University. His research focuses primarily on the intersections of arts and sciences in the early modern period. Among his recent projects, he curated in 2022 the virtual exhibition William Hogarth’s Topographies for The Lewis Walpole Library.
s o m m a i r e
• Marie Gueden et Pierre Von-Ow — Introduction: William Hogarth et le cinéma
I Sérialisation narrative et genres / Narrative Serialization and Genres
• Kate Grandjouan — Virtual witnessing in A Harlot’s Progress (1732). Hogarth’s visio-crime media
• Marie Gueden — Progress hogarthien et continuité narrative et morale aux États-Unis. Du pré-cinéma au cinéma des années 1930
• Brian Meacham and Yvonne Noble — An early film adaptation of Henry Fielding’s Tom Jones at Yale University
II Image et mouvement / Image and Movement
• Marie Gueden — « Hogarthisme » outre-Atlantique. Du tournant du XXe siècle aux années 1920–1930
• Marion Sergent — Sur la serpentine. Hogarth et l’abstraction musicaliste de Janin, Béothy et Valensi
• Jordi Xifra — Luis Buñuel, cinéaste hogarthien
• Théo Esparon — Beauté, glamour, baroque dans La Femme et le pantin (1935) de Josef von Sternberg
III Revoir Hogarth / Re-Viewing Hogarth
• Jean-Loup Bourget — Hogarth au cinéma, indice d’anglicité ?
• Pierre Von-Ow — Hogarth through a camera. Bedlam from print to film
• Enrico Camporesi — De Southwark Fair à Tom, Tom, the Piper’s Son. Cinéma des origines et origines du cinéma
• Mike Leigh on Hogarth, Interview by Pierre Von-Ow
Annexes / Appendices
1 Angles and Pyramids (1936)
2 Pierre Kast — De la parodie de « Paméla » à « Tom Jones ». L’Angleterre georgienne, scénario de Henry Fielding, réalisation de Hoggarth (1948)
Filmographie
Résumés / Abstracts
Enfilade 
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