Enfilade

Exhibition | Point of View

Posted in exhibitions by Editor on July 12, 2024

The exhibition developed from the Women of the Rijksmuseum research project:

Point of View: The Collection Seen from a Gender Perspective
Rijksmuseum, Amsterdam, 5 July — 1 September 2024

Did all 17th-century children wear dresses? Why did women have to fight so hard to wear trousers? And what does the size of your desk say about your gender? Point of View explores how ideas around gender have been visualised through the ages and shows they are constantly changing.

Jacob de Wit, Jupiter, Disguised as Diana, Seducing the Nymph Callisto, 1727, 240 × 205 cm (Amsterdam: Rijksmuseum, SK-A-3885).

These 150 paintings, prints, drawings, costumes, accessories, sculptures, photographs, and furniture items from the Rijksmuseum collection show that gender is everywhere. See the 17th-century portraits in which all the children are wearing dresses. Discover how, in the 18th century, anybody who could afford it was wearing pink—as well as glitter, frills, and floral patterns. Displayed together, these objects show that our ideas about masculinity, femininity, and gender in its broadest sense are defined by their time and place. The exhibition includes artworks by Gesina ter Borch, Marlene Dumas, Bartholomeus van der Helst, Kinke Kooi, Robert Mapplethorpe, Erwin Olaf, Maria Roosen, Charley Toorop, and Sara Troost.

Point of View shows there have always been people whose identity, experiences, and mode of expression didn’t fit the conventions around masculinity and femininity. One example from history is Christina, Queen of Sweden (1626–1689), who had herself portrayed in both female and male form. The exhibition also features portraits of more recent gender-fluid icons including Robert Mapplethorpe and Grace Jones. The exhibition ends with a contemporary perspective on gender; photographer Bete van Meeuwen worked with a group of 10 college students whose photographs show what gender means to them.

 

New Book | Louis Galloche (1670–1761)

Posted in books by Editor on July 12, 2024

From Silvana Editoriale:

François Marandet, Louis Galloche (1670–1761): Un peintre de poesie au XVIIIe siècle (Milan: Silvana Editoriale, 2023), 112 pages, ISBN: 978-8836656165, €28.

book coverOublié par l’histoire de l’art, Louis Galloche (Paris, 1670–1761) fut pourtant l’une des figures majeures de la peinture française au cours de la première moitié du XVIIIe siècle. Il décora des résidences aussi importantes que les châteaux royaux de Versailles, de Fontainebleau et du Trianon. Couronné par le titre de chancelier de l’Académie royale de peinture et sculpture, Louis Galloche eut des élèves voués à devenir célèbres tels François Lemoyne et Charles-Joseph Natoire. Ayant conçu des poesie semblables à celles du Titien, Louis Galloche avait surtout un sens de la beauté particulièrement prononcé. Les tableaux, dessins, et multiples documents d’archives qui ont été retrouvés par François Marandet font ainsi redécouvrir, à travers cette toute première monographie consacrée à Louis Galloche, l’œuvre et l’itinéraire d’un des meilleurs artistes français de sa génération.

c o n t e n t s

Préface
Introduction
Chronologie

Un Élève de Louis de Boullogne, 1690–1711
• Premières études
• Grandes peintures à petits prix
• Un retour du pays des morts

Le Temps des Poesie, 1712–1731
• À la manière du Titien
• Nouvelles études
• Un concours truqué

Le Doyen de l’Académie Royale, 1732–1761
• Des tableaux pour la reine
• Les Salons de la concurrence royale
• Un concours sans vainqueur
• Louis Galloche: stéréotypes et réalité

Bibliographie