Master Drawings New York, 2025
Happening this week, with more information here:
Master Drawings New York, 2025
1–8 February 2025, New York
Taking place in more than 25 galleries on New York’s Upper East Side, Master Drawings New York is the premier U.S. art fair for exceptional drawings and works on paper from all periods, paired with complementary paintings, photographs, and sculpture.
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From The Drawing Foundation:
Master Drawings Symposium 2025
Villa Albertine, The Payne Whitney Mansion, New York, 4 February 2025, 4pm
Pieter Holsteyn II, Blue Rhinoceros Beetle, Chestnut Weevil, and Wasp, ca. 1650–60, gouache and watercolor (New York: The Metropolitan Museum of Art).
This year’s winner is Olivia Dill, a PhD candidate at Northwestern University and current Moore Curatorial Fellow at the Morgan Library & Museum. Her prize-winning research was conducted during her two years as the recipient of the Diamonstein-Spielvogel Fellowship at the Metropolitan Museum of Art, a training program combining experience in three departments: Drawings and Prints, Paper Conservation, and Scientific Research. Besides assigning a previously anonymous watercolor of three insects, including an iridescent Rhinoceros beetle native to Brazil, to seventeenth-century Dutch natural history artist Pieter Holsteyn II (1614–1673), Ms. Dill used an interdisciplinary approach and technical analysis of several blue pigments, particularly smalt (ground cobalt and glass), to shed light on the artist’s color choices and his efforts to translate the beetle’s iridescence on a sheet of paper.
2024 runner-up Tamara Kobel, MA from the University of Bern and a former fellow at the Zentralinstitut für Kunstgeschichte in Munich, will delve into the fascinating world of Swiss artist Wilhelm Stettler (1643–1708). Focusing on his ‘Eyerstock’, a rich artistic tool of sketches and doodles that he described as his fertile pantry of motifs, she helps us understand what role his diverse sources (a menagerie of finely drawn animals, war machines, musical instruments, skeletons, flowers, temples, and ships) played in the artist’s career and creative process.
Master Drawings Symposium celebrates winners of its Ricciardi Prize. This event is organized by The Drawing Foundation in partnership with Master Drawings, and in association with Master Drawings New York 2025. The Symposium is made possible through the generous support of the Tavolozza Foundation.
Master Drawings, Winter 2024
In the latest issue of Master Drawings:
Master Drawings 62.4 (Winter 2024)
a r t i c l e s
• Perrin Stein, “The Crown, the City, and the Public: Saint-Aubin’s Images of Paris.”
• Kim de Beaumont, “A Curious Swan Song for Gabriel de Saint-Aubin: The Comte d’Estaing’s New World Naval Exploits.”
• Margaret Morgan Grasselli, “A Drawing by Hubert Robert and Jean Robert Ango: Correcting a Technical Description.”
• Sarah Catala, “Signed ‘Roberti’: Drawings by Hubert Robert and Jean Robert Ango.”
• Kee Il Choi Jr., “Learning to Draw: The Éducation visuelle of Alois Ko and Étienne Yang.”
r e v i e w s
• Aaron Wile, Review of the exhibition catalogue Claude Gillot: Satire in the Age of Reason, by Jennifer Tonkovich.
• Eduoard Kopp, Review of the exhibition catalogue, Promenades on Paper: Eighteenth-Century French Drawings from the Bibliothèque Nationale de France, edited by Esther Bell, Sarah Grandin, Corinne Le Bitouzé, and Anne Leonard.
• Ashley E. Dunn, Review of the exhibition catalogue Impressionists on Paper: Degas to Toulouse-Lautrec, by Ann Dumas, Leïla Jarbouai, Christopher Lloyd, and Harriet Stratis.
o b i t u a r y
• Perrin Stein, Obituary for Alaster Laing.
In Memoriam | Rosalind Savill (1951–2024)
Dame Rosalind Savill (1951–2024), DBE, FSA, FBA
A memorial service is being planned for Dame Rosalind Savill by her daughter Isabella Calkin and brother Hugh Savill, to take place in London on a week day in late spring or early summer. So that an appropriate venue can be found, it would be incredibly helpful for Isabella and Hugh to have an idea of the number of people who would like to attend. If you hope to come, could you kindly register your interest as soon as possible at the following email address: RosMemorial@outlook.com. Please feel free to share the news with anyone you think may also be interested in attending.
From The Wallace Collection:
The Wallace Collection is deeply saddened by the recent passing of Dame Rosalind Savill, who was Director of the museum from 1992 until 2011.
Following her studies at the University of Leeds and a position in the ceramics department at the Victoria and Albert Museum, Dame Rosalind joined the Wallace Collection in 1974 as a museum assistant. In 1978, she became Assistant to the Director and further developed her life-long passion for the Collection’s outstanding 18th-century French decorative arts, particularly the sumptuous porcelain created by the Sèvres Manufactory. Many years of research culminated in Dame Rosalind’s publication of these treasures in her 1988 Catalogue of Sèvres Porcelain, which remains a ground-breaking work of reference for French ceramic studies.
From here, Dame Rosalind was appointed Director of the Wallace Collection in 1992. With great energy and tenacity, she brought vital change to the museum, transforming it from an undervisited and underappreciated institution into a cultural landmark, made open and relevant to all. Her most ambitious undertaking was developing the Centenary Project. With generous funding from the Heritage Lottery Fund, the Monument Trust, the Wolfson Foundation, and private individuals, this created a glazed courtyard, as well as new exhibition, learning, library, and event spaces, while securing the very foundations of the building itself. Dame Rosalind breathed new life into the galleries, too, by leading on their refurbishment and rehanging, giving them the splendid character that is much loved today. These galleries also played host to daring exhibitions under her leadership, including showing works by Lucian Freud in 2006 and Damien Hirst in 2009, which looked to reframe the museum within contemporary contexts and led to an unprecedented rise in visitor numbers.
Dame Rosalind’s extraordinary achievements and expertise were recognised far beyond the Wallace Collection. She was awarded a National Art Collection Fund Prize in 1990, appointed a CBE in 2000 and a DBE in 2009 for her services to the arts, and most recently made an officer of the Ordre des Arts et Lettres in 2014. She also served as a trustee to numerous institutions, including the Royal Collection, the Samuel Courtauld Trust, and the Buccleuch Living Heritage Trust, as well as on the advisory committees of the Royal Mint and English Heritage and the academic committee of Waddesdon Manor. In 2011, Dame Rosalind retired from the museum but continued her research on Sèvres, publishing in 2021 Everyday Rococo, a magisterial study of Madame de Pompadour and her patronage of the porcelain factory. Objects were always at the very centre of Dame Rosalind’s work, and she had an insatiable desire to understand them, through close looking and handling, and strongly encouraged others to do so, too. Above all, she was an inspiring communicator and teacher, playing a pivotal role for generations of art lovers, historians, and critics.
The Wallace Collection wishes to celebrate Dame Rosalind’s unwavering commitment and contribution to this remarkable museum and extends heartfelt condolences to her family and friends.
In memory of Dame Rosalind’s profound contribution to the study of French decorative arts, in 2025 the Collection will inaugurate an annual memorial lecture in her name. In the spirit of her passion for sharing her knowledge with the public, each year the Dame Rosalind Savill Memorial Lecture will enable a leading scholar to share new insights into the world of 18th-century French arts and culture.
–Xavier Bray, Director, on behalf of all the Trustees and Staff at The Wallace Collection
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