Call for Papers | Design Collection Displays
From ArtHist.net and ICOM Design:
Design Collection Displays Reassessed
International Committee for Decorative Arts and Design Symposium
National Museum of Art, Architecture, and Design, Oslo, 28 October — 1 November 2025
Proposals due by 29 July 2025
The Design Collection Displays Reassessed symposium will discuss collection displays as sites of knowledge exchange and active engagement. From a traditionally linear, encyclopedic display, to today’s more narrative approaches, in the last decades, historical and contemporary displays of decorative arts and design have changed dramatically, in response to a variety of forces, including reassessments of institutional priorities, foregrounding of audiences, and the inclusion of different voices. The symposium will interrogate how design objects and interiors are displayed, discussed, and interpreted, and for whom. What does curating these kinds of collection displays represent and mean today? And how might this practice look in the future? What new museological approaches are needed?
The new National Museum of Art, Architecture, and Design, Oslo—a merger of four previously independent museums—is a fitting venue for a symposium with this theme. It opened its new, large-scale collection display in 2022, including decorative arts, design, interiors, fashion, and studio crafts from the 1100s to the present. This permanent collection reinstallation, the first since 2005, provided an opportunity to re-think the curation of the design and decorative arts display.
Some of the questions raised in the curatorial process at the National Museum have inspired and will inform this symposium, including
• How might we curate critically meaningful displays that communicate the distinctiveness of design objects and which reach beyond heroization of the maker?
• What are the specific challenges of exhibiting historic decorative arts for contemporary audiences and how might we meet those challenges?
• How do historic and contemporary objects interact in collection displays, if at all?
• Museum collections have traditionally often reinforced hegemonic and dominant histories. How might collection displays instead convey more inclusive and nuanced narratives?
• How might collection displays be more accessible to new and diverse audiences?
• How might we use the collection display to address societal and global issues?
• How might a design object that is interactive—physically and digitally—have its own presence and be successfully displayed within a collection installation?
• How do collection displays change within house museums?
We welcome submissions that touch on any of the questions above, as well as explorations that go beyond these topics. We also invite contributions that look towards possible futures of collection displays. We look forward to meeting in person to discuss and debate an ever-changing field—a conversation between scholars and practitioners across borders, institutions, and disciplines. An international anthology based on the conference presentations is planned.
Keynote Speakers
• Corinna Gardner (Senior Curator, Design and Digital, Victoria and Albert Museum, London)
• Sebastian Hackenschmidt (Curator of Furniture and Woodwork, MAK – Museum für angewandte Kunst, Vienna)
• Marco Magni (founder and chief architect, and Maria Cristina Rizzello, architect and partner, Guicciardini & Magni Architetti, Florence)
• Leena Svinhufvud (Leading Researcher, Architecture & Design Museum, Helsinki)
Please submit an abstract of 300–400 words for a 20-minute presentation, including a title and a 50-word biography, to denise.hagstroemer@nasjonalmuseet.no. All selected speakers must be ICOM members at the time of the symposium.
Symposium Convener
Dr Denise Hagströmer (Senior Curator, National Museum of Art, Architecture and Design, Oslo), denise.hagstroemer@nasjonalmuseet.no
Berger Prize 2025 Longlist Announced
From The Walpole Society:
Berger Prize 2025 Longlist
The longlist of eighteen titles for the 2025 Berger Prize was announced on July 9 at the Walpole Society Summer Party, held at the Warburg Institute. The chair of the judging panel, Dr Jonny Yarker, noted that this year’s prize received its highest ever number of submissions, from a wide range of publishers. The shortlist is scheduled to be announced September 16. The winner and prize ceremony is scheduled for November 12. The overall winner will receive £5000, while the five other shortlisted books will each receive £500.
• Fay Blanchard and Anthony Spira, eds., Vanessa Bell: A World of Form and Colour (Philip Wilson Publishers).
• Rosie Broadley, ed., Francis Bacon: Human Presence (National Portrait Gallery).
• Bruce Boucher, John Soane’s Cabinet of Curiosities: Reflections on an Architect and his Collection (Yale University Press).
• Esther Chadwick, The Radical Print: Art and Politics in Late Eighteenth-Century Britain (Paul Mellon Centre).
• Bryony Coombs, Visual Arts and the Auld Alliance: Scotland, France and National Identity c.1420–1550 (Edinburgh University Press).
• Paul Gough, Gilbert Spencer: The Life and Work of a Very English Artist (Yale University Press).
• Bendor Grosvenor, The Invention of British Art (Elliott & Thompson).
• Elain Harwood and Alan Powers, eds., Ernö Goldfinger (Liverpool University Press).
• Mark Laird, The Dominion of Flowers: Botanical Art & Global Plant Relations (Paul Mellon Centre).
• Cristina S. Martinez and Cynthia E. Roman, eds., Female Printmakers, Printsellers and Publishers in the Eighteenth Century: The Imprint of Women 1735–1830 (Cambridge University Press).
• Nicholas Olsberg, The Master Builder: William Butterfield and His Times (Lund Humphries).
• Madeleine Pelling, Writing on the Wall: Graffiti and Rebellion in Eighteenth-Century Britain (Profile Books).
• Eleonora Pistis, Architecture of Knowledge: Hawksmoor and Oxford (Brepols).
• Dorothy Price, Esther Chadwick, Cora Gilroy-Ware, and Sarah Lea, Entangled Pasts, 1768–Now: Art, Colonialism and Change (Royal Academy of Arts).
• Natalie Prizel, Victorian Ethical Optics: Innocent Eyes and Aberrant Bodies (Oxford University Press).
• Jeff Rosen, Julia Margaret Cameron: The Colonial Shadows of Victorian Photography (Paul Mellon Centre).
• Fiona Smyth, Pistols in St Paul’s: Science, Music, and Architecture in the Twentieth Century (Manchester University Press).
• Gavin Stamp, Interwar British Architecture 1919–39 (Profile Books).
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