The Magazine of the Decorative Arts Trust, Summer 2025
The Decorative Arts Trust has shared select articles from the summer issue of their member magazine as online articles for all to enjoy. The following articles are related to the 18th century:
The Magazine of the Decorative Arts Trust, Summer 2025
• “Time Travel in the Thames Valley: Ham House and Osterley Park” by Megan Wheeler Link»
• “Whose Revolution at the Concord Museum” by Reed Gochberg Link»
• “Fighting for Freedom: Black Craftspeople and the Pursuit of Independence” by William A. Strollo Link»
• “Decorative Arts Shine at the Reopened Frick” by Marie-Laure Buku Pongo Link»
• “A Room of Her Own: New Book Explores the Estrado” by Alexandra Frantischek Rodriguez-Jack Link»
• “Luster, Shimmer, and Polish: Transpacific Materialities in the Arts of Colonial Latin America” by Juliana Fagua Arias Link»
The printed Magazine of the Decorative Arts Trust is mailed to Trust members twice per year. Additional membership information is available here.
Pictured: The magazine cover depicts the Entrance Hall at Osterley Park showcasing Robert Adam’s signature Neoclassical style. The apsidal end features plasterwork by Joseph Rose and contains statues of Apollo and Minerva. The marble urns are attributed to Joseph Wilton. Decorative Arts Trust members visited the house during the Thames Valley Study Trip Abroad tours in May and June 2025.
Exhibition | Fighting for Freedom
Now on view at the DAR:
Fighting for Freedom: Black Craftspeople and the Pursuit of Independence
Daughters of the American Revolution Museum, Washington, DC, 25 March — 31 December 2025
Gibbes Museum of Art, Charleston, Summer 2026 — Spring 2027
Historic New Orleans Collection, Summer — Fall 2027
Tennessee State Museum, Nashville, Winter — Spring 2028
Museum of the Shenandoah Valley, Winchester, Summer — Fall 2028
The Daughters of the American Revolution (DAR) Museum is proud to present the exhibition Fighting for Freedom: Black Craftspeople and the Pursuit of Independence, in collaboration with the Black Craftspeople Digital Archive. This exhibition seeks to embrace the stories of all those who pursued independence by centering on the lives and experiences of Black craftspeople and artisans from the 18th and 19th centuries. It highlights the creations, contributions, and legacies of African Americans as they fought for freedom from the earliest calls for American independence and beyond. Fighting for Freedom spans the war years of the Revolution through the present, as African Americans have sought to pursue agency and liberty through craft. The underpinning idea of African American craft as a catalyst for freedom-seeking displays itself in a host of ways in this exhibition, encompassing furniture, metals, ceramics, textiles, art, tools, and personal accessories.
The Founders’ cries for liberty from tyranny and oppression resonated with African Americans and were embraced by Black craftspeople, both free and enslaved. “The Founding Fathers, while enslaving tens of thousands of people, unintentionally created a ripple effect,” states exhibition co-curator and founder of the Black Craftspeople Digital Archive Dr. Tiffany Momon, “and we hope that visitors will see just how important those cries for liberty were to Black craftspeople and how they pursued it despite being marginalized.”
Fighting for Freedom features more than 50 objects from public and private lenders and includes objects made by both free and enslaved craftspeople. With artifacts from the 18th, 19th, and 21st centuries, this exhibition tells the stories of countless known and unnamed figures whose skills and commitment created not only objects but independence in many forms.
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From UNC Press:
Torren L. Gatson, Tiffany N. Momon, and William A. Strollo, eds., Fighting for Freedom: Black Craftspeople and the Pursuit of Independence (Chapel Hill: The University of North Carolina Press, 2025), 176 pages, ISBN: 978-1469686257, $35. Contributors include Lauren Applebaum, Robell Awake, Lydia Blackmore, Aleia M. Brown, R. Ruthie Dibble, Philippe L. B. Halbert, Jennifer Van Horn, Alexandra Alevizatos Kirtley, and Susan J. Rawles.
Delving into diverse narratives of creativity, resilience, and triumph in the quest for freedom, this book underscores the evolution of freedom through the lens of material culture—by exploring how the very concept of freedom was shaped and redefined by enslaved and free craftspeople who relentlessly fought for their rights and the recognition of their humanity. Featuring ten essays by leading historians, museum curators, and material culture scholars and more than seventy color photographs of Black artistry, including paintings, metalwork, woodwork, pottery, and furniture, this book vividly illustrates how Black men and women persistently sought tangible expressions of liberty which have endured as symbols of their creators’ legacies in the ongoing struggle for freedom.
New Book | The Painter’s Fire
From Harvard UP:
Zara Anishanslin, The Painter’s Fire: A Forgotten History of the Artists Who Championed the American Revolution (Cambridge: Harvard University Press, 2025), 400 pages, ISBN 978-0674290235, $33.
Told through the lives of three remarkable artists devoted to the pursuit of liberty, an illuminating new history of the ideals that fired the American Revolution.
The war that we now call the American Revolution was not only fought in the colonies with muskets and bayonets. On both sides of the Atlantic, artists armed with paint, canvas, and wax played an integral role in forging revolutionary ideals. Zara Anishanslin charts the intertwined lives of three such figures who dared to defy the British monarchy: Robert Edge Pine, Prince Demah, and Patience Wright. From London to Boston, from Jamaica to Paris, from Bath to Philadelphia, these largely forgotten patriots boldly risked their reputations and their lives to declare independence.
Mostly excluded from formal political or military power, these artists and their circles fired salvos against the king on the walls of the Royal Academy as well as on the battlefields of North America. They used their talents to inspire rebellion, define American patriotism, and fashion a new political culture, often alongside more familiar revolutionary figures such as Benjamin Franklin and Phillis Wheatley. Pine, an award-winning British artist rumored to be of African descent, infused massive history paintings with politics and eventually emigrated to the young United States. Demah, the first identifiable enslaved portrait painter in America, was Pine’s pupil in London before self-emancipating and enlisting to fight for the Patriot cause. And Wright, a Long Island–born wax sculptor who became a sensation in London, loudly advocated for revolution while acting as an informal patriot spy.
Illuminating a transatlantic and cosmopolitan world of revolutionary fervor, The Painter’s Fire reveals an extraordinary cohort whose experiences testify to both the promise and the limits of liberty in the founding era.
Zara Anishanslin is Associate Professor of History and Art History at the University of Delaware. She is the author of the award-winning Portrait of a Woman in Silk: Hidden Histories of the British Atlantic World and has served as a historical consultant for the Philadelphia Museum of Art as well as Hamilton: The Exhibition.
The Burlington Magazine, July 2025
The long 18th century in the July issue of The Burlington:
The Burlington Magazine 167 (July 2025)
e d i t o r i a l

Maria van Oosterwijck, Vanitas stilleven, ca. 1675, oil on canvas (Amsterdam: Rijksmuseum).
• “The Gallery of Honour,” p. 635. The gallery of honour in the heart of the Rijksmuseum, Amsterdam, has recently welcomed an impressive painting to its walls: Vanitas still life by Maria van Oosterwijck (1630–93). In a compelling sense the artist has long had a place in galleries of honour, as works by her were acquired by Emperor Leopold I, Louis XIV of France, and Cosimo III de’ Medici of Tuscany.
r e v i e w s
• Christian Scholl, “Germany’s Celebration of Caspar David Friedrich’s 250th Anniversary,” pp. 694–701.
In Germany, the 250th anniversary of Caspar David Friedrich’s birth was celebrated with a series of exhibitions. Key among them were those organised by the three museums with the most extensive holdings of the artist’s work: the Hamburger Kunsthalle, the Alte Nationalgalerie, Berlin, and the Staatliche Kunstsammlungen, Dresden. All three focused on stylistic, iconographic and technical aspects of the artist’s work rather than on Friedrich’s life, and each in its own way has thrown fresh light on his complex and enigmatic art.

Luis Egidio Meléndez, Still Life with Figs, ca. 1760, oil on canvas (Paris: Musée du Louvre, on view at the Musée Goya, Castres).
• Robert Wenley, Review of the exhibition Wellington’s Dutch Masterpieces (Apsley House, London, 2025), pp. 713–15.
• Christoph Martin Vogtherr, Review of the exhibition Corot to Watteau? On the Trail of French Drawings (Kunsthalle Bremen, 2025), pp. 715–18.
• Elsa Espin, Review of the exhibition Le Louvre s’invite chez Goya (Musée Goya, Castres, 2025), pp. 718–20.
• John Marciari, Review of the exhibition Picturing Nature: The Stuart Collection of 18th- and 19th-Century British Landscapes and Beyond (Museum of Fine Arts, Houston, 2025), pp. 720–22.
• Kee Il Choi Jr., Review of the exhibition Monstrous Beauty: A Feminist Revision of Chinoiserie (The Metropolitan Museum of Art, New York, pp. 722–25.
• Deborah Howard, Review of Mario Piana, Costruire a Venezia: I mutamenti delle tecniche edificatorie lagunari tra Medioevo e Età moderna (Marsilio, 2024), pp. 732–33.
• Isabelle Mayer-Michalon, Review of Christophe Huchet de Quénetain and Moana Weil-Curiel, Étienne Barthélemy Garnier (1765–1849): De l’Académie royale à l’Institut de France (Éditions Faton, 2023), pp. 737–39.
Exhibition | The Grand Tour: Destination Italy

Pompeo Batoni, Portrait of Thomas William Coke, 1774, installed at Holkham Hall.
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From the press release (3 July) for the exhibition:
The Grand Tour: Destination Italy
Mauritshuis, The Hague, 18 September 2025 — 4 January 2026
The Grand Tour: Destination Italy features masterpieces from three of the UK’s most esteemed stately homes: Burghley House, Holkham Hall, and Woburn Abbey. The art in this exhibition was collected on tours in the 17th and 18th centuries, when young British aristocrats finished their education by spending several years travelling in continental Europe. The highlights will include an impressive portrait of Thomas William Coke by Pompeo Batoni (Holkham Hall), work by Angelica Kauffman (Burghley House), and two grand Venetian cityscapes by Canaletto (Woburn Abbey), all of them on display in the Netherlands for the first time.
Burghley House: Great Collectors
Visitors will encounter two extraordinary travellers from the Cecil family: John Cecil, the 5th Earl of Exeter, and Brownlow Cecil, the 9th Earl. In the 17th century John and his wife made four tours of Europe, collecting pieces for their stately home, Burghley House. They purchased all kinds of things, including furniture and tapestries, but above all they purchased lots of paintings for their grand house. Their trips were far from easy. The couple travelled with their children, servants, and dozens of horses. Grand Tours were not without their challenges. Sick servants would have to be left behind, horses died in the heat, and carriages broke down.

Nathaniel Dance, Portrait of Angelica Kauffman, 1764 (Burghley House).
Angelica Kauffman: Beloved, Talented, and in Demand
In the 18th century their great grandson Brownlow left for Italy after the death of his wife. He had a particular favourite, Angelica Kauffman, a Swiss-Austrian painter who worked in Italy for many years and was the star of her age beloved, talented, and in demand. The exhibition will include a magnificent portrait of her by Nathaniel Dance that shows her looking straight at the viewer. For many, meeting Kauffman was the highlight of their Grand Tour. Vesuvius can be seen in the background of her portrait of Brownlow. No visit to Naples was complete without a climb to the top of this volcano, which was a popular destination in the 18th century—the earliest example of ‘disaster tourism’. Pietro Fabris painted a detailed image of the eruption of Vesuvius in 1767, with a crowd in the foreground watching the awesome power of nature.
Holkham Hall: Home of Art
Thomas Coke, the 1st Earl of Leicester, was just fifteen when he embarked on his six-year Grand Tour (1712–1718). He travelled with a clear goal in mind: to collect art for the future Holkham Hall, which he had built after his return, in Palladian style, with Roman columns, façades resembling temples and strict symmetry. His artworks were displayed to their best advantage in his palatial country home. During his travels, he collected paintings, drawings, sculptures, books, and manuscripts. Coke was regarded as one of the most important 18th-century collectors of the work of Claude Lorrain, the French master of Italian landscapes, including the fabulous View of a Seaport and Amphitheatre. The top item in the exhibition is an impressive portrait of his great nephew Thomas William Coke, painted by Pompeo Batoni, a typical Grand Tour portrait with a Roman statue from the Vatican in the background.

The cover of the catalogue includes a detail of Canaletto’s View of the Grand Canal in Venice, Looking West, with the Dogana di Mare and the Santa Maria della Salute, ca.1730–40 (Woburn Abbey).
Woburn Abbey: Obsession with Venice
The Grand Tour is synonymous not only with Rome, but also with Venice. John Russell, who became the 4th Duke of Bedford in 1735, visited the city on his Grand Tour (1730–31). Like many young aristocrats, he wanted a permanent memento to take home with him, and what could be more appropriate than a cityscape by Canaletto, the leading painter of 18th-century Venice? Eventually, John Russell commissioned an entire series comprising more than 24 paintings, the largest series of Canalettos still in existence. The paintings normally hang in the dining room at Woburn Abbey, the ancient family seat of the Russells.
The Grand Tour
These days many youngsters take a ‘gap year’ after high school, but a Grand Tour could easily last several years. Italy was the ultimate destination, with Rome, Florence, Naples, and Venice as the absolute highlights. En route, travellers would learn about art, architecture and culture, and collect artworks for their stately homes in England, just as we take back souvenirs nowadays. Yet these trips were not always innocent and high-minded. They are also known for their less salubrious distractions, including gambling and lustful pleasures. To keep the young men on the straight and narrow, they would be accompanied by chaperones. Such a ‘private tutor’ would mockingly be known as a ‘bear leader’. From the 18th century onwards, women also increasingly did the Grand Tour, sometimes with their entire family. The Napoleonic Wars (1803–15) brought the tradition of the Grand Tour to an end. In the 19th century, the advent of the steam train changed travel for good.
The catalogue is distributed by ACC Art Books:
Ariane van Suchtelen, The Grand Tour: Destination Italy (Waanders & de Kunst Publishers, 2025), 112 pages, ISBN: 978-9462626461, $45.
New Book | Travel Stories and the Eastern Adriatic
From The Institute of Art History at Zagreb:
Katrina O’Loughlin, Ana Šverko, and Elke Katharina Wittich, eds., Travel Stories and the Eastern Adriatic with a Section about the Travels of Thomas Graham Jackson (Zagreb: The Institute of Art History, 2025), 296 pages, ISBN: 978-9537875466, €20.
Travel Stories is the fourth collection of selected papers from a series of annual academic conferences held at the Institute of Art History – Cvito Fisković Centre in Split, which began in 2014. The current volume is a direct continuation of the book Discovering Dalmatia: Dalmatia in Travelogues, Images, and Photographs, published in 2019. The same editorial team and volume reviewers have this time grouped the selected papers from the Split conferences into two sections.
The first section, “Travellers and Travel Narratives,” brings together five papers related to travel narratives and the Eastern Adriatic over a broad timeline. These papers are authored by individuals from various backgrounds and discuss sources that include a variety of different media (lectures, drawings, books, photographs, diaries, letters), contributing to the exploration of the range of media used in travel narratives within this multimedia genre. The second section follows the Victorian architect Thomas Graham Jackson (1835–1924) on his journey along the eastern Adriatic coast, focusing on selected episodes from this trip, as described in his renowned three-volume work Dalmatia, the Quarnero, and Istria with Cettigne in Montenegro and the Island of Grado (Oxford, 1887), which is dedicated to the architectural and artistic heritage of this region.
The editorial process and publication of this book coincides with the first year of a new project funded by the Croatian Science Foundation, dedicated to Dalmatia and travel writing, ‘Where East Meets West’: Travel Narratives and the Fashioning of a Dalmatian Artistic Heritage in Modern Europe (c. 1675–1941), (Travelogues Dalmatia 2024–27).
c o n t e n t s
Acknowledgments
Ana Sverko — Preface: Exploring Genre, Place, and Travellers within the Travel Narrative
Section 1 | Travellers and Travel Narratives
• Frances Sands — Sir John Soane’s Lecture Drawings: A Virtual Grand Tour
• David McCallam — Carlo Bobba, Souvenirs d’un voyage en Dalmatie (1810): Travel, Empire, and Hospitality in the Early Nineteenth-Century Adriatic
• Ante Orlović — A Photographic Album with a Description of His Majesty the Emperor and King Franz Joseph I’s Tour through Dalmatia in 1875
• Boris Dundović and Eszter Baldavári — The Balkan Letters by Ernő Foerk: A Travelogue Mapping the Architectural Trajectories of Ottoman and Orthodox Heritage
• Dalibor Prančević and Barbara Vujanović — Ivan Meštrović’s Reflections from His Travels to the Middle East
Section 2 | Thomas Graham Jackson and the Eastern Adriatic
• Mateo Bratanić — Travellers, Historians, and Antiquaries: How Thomas Graham Jackson Wrote History in Dalmatia, the Quarnero, and Istria
• Krasanka Majer Jurišić and Petar Puhmajer — Thomas Graham Jackson and the Island of Rab
• Ana Torlak — Thomas Graham Jackson and Salona
• Sanja Žaja Vrbica — The Portrait of Dubrovnik by Thomas Graham Jackson
• Mateja Jerman — The Church Treasuries of Dalmatia and the Bay of Kotor through the Eyes of Thomas Graham Jackson
List of Illustrations
List of Contributors
Cover image: Soane office hand: Detail of a Royal Academy Lecture Drawing Showing an Interior View of the Temple of Jupiter at Diocletian’s Palace, Spalatro (Split), after Robert Adam, Ruins of the Palace of the Emperor Diocletian at Spalatro in Dalmatia (London 1764, plate 33), 1806–19 (London: Sir John Soane’s Museum, SM 19/11/1; Ardon Bar-Hama).
New Book | London: A History of 300 Years in 25 Buildings
Published last year by Yale UP, with a paperback edition due in September:
Paul Knox, London: A History of 300 Years in 25 Buildings (New Haven: Yale University Press, 2024), 448 pages, ISBN: 978-0300269208, $35.

A lively new history of London told through twenty-five buildings, from iconic Georgian townhouses to the Shard
A walk along any London street takes you past a wealth of seemingly ordinary buildings: an Edwardian church, modernist postwar council housing, stuccoed Italianate terraces, a Bauhaus-inspired library. But these buildings are not just functional. They are evidence of London’s rich and diverse history and have shaped people’s experiences, identities, and relationships. Paul L. Knox traces the history of London from the Georgian era to the present day through twenty-five surviving buildings. He explores where people lived and worked, from grand Regency squares to Victorian workshops, and highlights the impact of migration, gentrification, and inequality. We see famous buildings, like Harrods and Abbey Road Studios, and everyday places like Rochelle Street School and Thamesmead. Each historical period has introduced new buildings, and old ones have been repurposed. As Knox shows, it is the living history of these buildings that makes up the vibrant, but exceptionally unequal, city of today.
Paul Knox is an expert in the social and architectural history of London. Originally from the UK, he is now University Distinguished Professor at Virginia Tech. He is the author of Metroburbia: The Anatomy of Greater London; London: Architecture, Building, and Social Change; and Cities and Design.
New Book | The London Club: Architecture, Interiors, Art
Coming September from ACC Art Books:
Andrew Jones, with photographs by Laura Hodgson, The London Club: Architecture, Interiors, Art (New York: ACC Art Books, 2025), 288 pages, ISBN: 978-1788843294, $75.
A stunning exploration of London’s most beautiful, interesting, and unusual members’ club architecture and interiors
London has more private members’ clubs than any other city, with new locations opening every year. The UK capital has exclusive clubs for everyone from plutocrats and bishops to jockeys and spies. Written by Andrew Jones, travel writer for the Financial Times and author of The Buildings of Green Park, this large-format picture book is richly illustrated with newly commissioned photographs by Laura Hodgson, covering 300 years of the capital’s architecture and interior design. The London Club: Architecture, Interiors, Art offers a fascinating take on the structures and decorations inside some of the most niche spots in London, giving readers a one-off glimpse into the hidden corners of the city’s social infrastructure.
Andrew Jones has lived in the heart of London clubland, on the border of Mayfair and St James’s, for almost 20 years. He is the author of The Buildings of Green Park, a tour of certain buildings, monuments and other structures in Mayfair and St. James’s, and a contributor to Seeing Things: The Small Wonders of the World according to Writers, Artists, and Others. He writes about cities for the Financial Times, and has also written on architecture for Blueprint, Drawing Matter, and The London Gardener, as well as pieces on London for The World of Interiors and the Londonist.
New Book | Castle Howard
Coming this fall, from Rizzoli:
Christopher Ridgway, with photographs by Mattia Aquila and Nicholas Howard, Castle Howard: A Grand Tour of England’s Finest Country (Paris: Flammarion, 2025), 364 pages, ISBN: 978-2080445865, £100 / $130.
An exclusive tour of a famous English historic house—featured in period dramas including Bridgerton and Brideshead Revisited—set on acres of beautiful parkland and gardens.
The iconic architectural marvel Castle Howard is the epitome of English baroque magnificence. Nestled in the rolling hills of North Yorkshire, this grand estate was commissioned by Charles Howard, 3rd Earl of Carlisle, and masterfully crafted by Sir John Vanbrugh and Nicholas Hawksmoor in the early eighteenth century. The residence’s facades reveal Vanbrugh’s signature flair for the dramatic, while inside, extravagant frescoes, intricately carved stonework, and antique furnishings tell the captivating story of centuries of aristocratic elegance. Recent renovations, undertaken by American designer Remy Renzullo, have rejuvenated the castle’s bedrooms, merging history with contemporary opulence.
The domain’s sprawling parkland features meticulously landscaped gardens, a tranquil lake, a monumental neoclassical mausoleum and pyramids, and the breathtaking Atlas fountain. This comprehensive monograph explores the history of Castle Howard, its architecture, its gardens, and the generations of the Howard family who have lived there for more than three hundred years. Featuring previously unpublished archival documents, as well as photographs of the sumptuous interiors and art collections, this book is a celebration of a British national treasure, whose timeless beauty has captured the imagination of filmmakers for decades.
Christopher Ridgway, curator at Castle Howard since 1984, has lectured extensively on the history of country houses. He coauthored The Irish Country House: A New Vision (yeartk). Mattia Aquila is an interior design and architecture photographer. His photographs have appeared in Venice: A Private Invitation (2022) and Pierre Frey: A Family Legacy of Passion and Creativity (2023). Nicholas Howard manages Castle Howard with his wife, Victoria.
New Book | Mrs Kauffman and Madame Le Brun
From Bloomsbury Publishing:
Franny Moyle, Mrs Kauffman and Madame Le Brun: The Extraordinary Entwined Lives of Two Eighteenth-Century Painters (London: Apollo, 2025), 496 pages, ISBN: 978-1801107440, $45.
In the late autumn of 1789, two of Europe’s most celebrated painters met in Rome. One, Angelica Kauffman, was a Swiss-born prodigy who had conquered the art scenes of London and Italy. The other, Élisabeth Louise Vigée Le Brun, a Parisienne portraitist and favourite of the ancien regime, had just fled revolutionary France under threat of violence and scandal. Both were feted in their time, both were trailblazers in a male-dominated world—visionaries who helped define eighteenth-century art and feminism before the term existed.
This dual biography, framed within a thrilling story, restores these two extraordinary but unjustly overlooked figures to their rightful place in history. Set against a backdrop of revolution, empire and Enlightenment, it traces the dramatic lives and remarkable careers of Vigée Le Brun and Kauffman: artists who not only achieved unparalleled success and influence, but did so while pushing the boundaries of what women could be, both on canvas and in society. With vivid storytelling, one of the most gifted living writers of artistic biography, Franny Moyle, reclaims their legacies. She examines how each artist navigated fame, scandal and exile; explores the relationships between them and their peers; and considers how they were caught up in the huge cultural cross-currents that were reshaping Europe.
Through their work and their lives, they spoke boldly to the roles of women in public life, highlighted the prejudices and abuses suffered by their sex, reimagined and celebrated the female subject, and challenged the institutions that sought to contain them. Through them we encounter icons such as Marie Antoinette (whose portrait by Le Brun scandalised French society) and Catherine the Great, as well as cultural figures such as Emma Hamilton and Madame de Staël. The most notable men of their time—monarchs, statesman, aristocrats, artists, and more—are also woven into the fabric of the tale. Mrs Kauffman and Madame Le Brun is a timely, revelatory history that not only brings two forgotten artists into view, but rethinks the story of European art itself.
Franny Moyle is a British television producer and author. Her first book Desperate Romantics was adapted into the BBC drama serial of the same title by screenwriter Peter Bowker. Her second book Constance: The Tragic and Scandalous Life of Mrs Oscar Wilde was published in 2011 to critical acclaim. In 2016 she released The Extraordinary Life and Times of J.M.W Turner.



















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