Enfilade

New Title: ‘Food for the Flames: Idols and Missionaries’

Posted in books by Editor on August 2, 2011

Press release from Sue Bond Public Relations:

David Shaw King, Food for the Flames: Idols and Missionaries in Central Polynesia (San Francisco: Beak Press / London: Paul Holberton / Seattle: University of Washington Press, 2011), 256 pages, ISBN: 9781907372162, £50 / $80.

Twenty-five years after Captain Cook’s historic voyage, the London Missionary Society sent its first representatives to the South Seas landing on Tahiti in 1797. Their goal was to eradicate heathenism and idolatry but, unwittingly, they became agents for the preservation of Polynesian culture through their diligent recording of language and religious practices.

Appalled by the pagan customs which included human sacrifice, they persuaded the people to convert and to make bonfires of their ‘idols’. While they were changing Polynesian culture, however, they were also preserving it. In particular, the Rev. John Williams selected the ‘best’ of the idols, frequently with detailed ethnological information, to be sent back to England for exhibition in the Mission Museum in London so that their followers might understand their victory over paganism. The works were eventually sold to the British Museum where they have been for the last 120
years for the most part unpublished and un-exhibited.

This book focuses on these artefacts, the idols that avoided the flames. With the scientist’s belief in letting the evidence speak for itself, the author (a biochemist with a passion for Polynesia) has mined a wide range of primary sources to bring together a wealth of new information on a generally controversial subject, the missionary endeavour. The book fills in some background about the first English missionaries to come to Polynesia, and presents as much informa¬tion as possible about central Polynesian idols, gar¬nered from the accounts of the explorers and visitors to the Pacific in the late 18th century, and from the London Missionary Society archives, publications, and collections – the earliest sources available.

As David Attenborough says in his foreword: “These discoveries…are fascinating and revelatory. And sometimes they are very surprising indeed for they shed new and intriguing light not only on the beliefs and attitudes of the Polynesians, but on the extraordinary Europeans who devoted their lives to trying to destroy those beliefs and yet enabled this book to resurrect them.”

David Shaw King is a scientist, a protein chemist, and director of the Howard Hughes Medical Institute Mass Spectrometry Laboratory, University of California, Berkeley. He grew up partly in the West Indies where he became interested in the islands, especially Polynesia. He met David Attenborough at an auction at Christie’s over 30 years ago when they bid on the same object and they have been friends ever since.

New Title: Cultures of Court, Cultures of the Body

Posted in books, Member News by Editor on August 1, 2011

From PUPS:

Mathieu Da Vinha, Catherine Lanoë, and Bruno Laurioux, eds., Cultures de cour, cultures du corps XIVe-XVIIIe siècle (Paris: Presses de l’Université Paris-Sorbonne, 2011), 316 pages, ISBN: 9782840507635, 22€.

Dans toute l’Europe occidentale, du Moyen Âge jusqu’à l’Époque moderne, se sont épanouies des sociétés de cour qui ont accordé au corps une place nouvelle, assurant sa promotion dans le jeu politique et social. Ainsi, les stratégies de son maintien, de son entretien et de son apparence tiennent une place toute particulière au sein de cet univers hiérarchisé. En se fondant sur l’exploitation de sources très variées (littéraires, iconographiques ou comptables) et en s’attachant à décrire non seulement les normes et les représentations de cette culture du corps, mais encore les pratiques et les techniques auxquelles elle a donné naissance – savoir-faire, gestes, accessoires, aménagements spécifiques… –, les contributions rassemblées dans ce volume proposent des éclairages inédits et précis sur les sociétés curiales européennes. Elles traitent aussi bien des usages des parfums et des cosmétiques, ou encore des perruques, que des régimes de santé, des bains thérapeutiques ou de propreté, d’hygiène dentaire ou même des « commodités ».
Par-delà les anecdotes et les clichés persistants, elles démontrent que les
questions de santé, d’hygiène et de beauté ont été au cœur des préoccupations
des individus qui peuplaient les cours.

C O N T E N T S

Introduction, Catherine Lanoë
Georges Vigarello, La beauté au cœur des préoccupations des cours modernes

I. Prendre soin du corps
• Laurence Moulinier-Brogi, Soins du corps à la cour de France au tournant du XIVe siècle
• Didier Boisseuil, Les cours italiennes et le thermalisme à la Renaissance : les Sforza de Milan et les cures thermales au milieu du XVe siècle
• Elisa Andretta, Les régimes de santé des papes dans la deuxième moitié du XVIe siècle
• Stanis Perez, L’hygiène de Louis XIV
• Colin Jones, Les dents du roi

II. Éduquer le corps ; re-présenter le corps
• Élodie Lequain, Le bon usage du corps dans l’éducation des princesses à la fin du Moyen Âge
• Frédérique Leferme-Falguières, Corps modelé, corps contraint : les courtisans et les normes du paraître à Versailles
• Pauline Lemaigre-Gaffier, La mise en scène du corps du roi : l’organisation du sacre de Louis XVI par les Menus Plaisirs
• Mechthild Fend, Toile nerveuse. Rendre la peau dans les portraits de fantaisie de Fragonard
• Melissa Lee Hyde, Beautés rivales : les portraits de Madame du Barry et de la reine Marie-Antoinette

III. Artisans, espaces et objets du corps
• Ronan Bouttier, Les bains royaux, de Fontainebleau à Versailles
• Mary K. Gayne, La taxe sur les perruques de 1706 : l’intégration du corps dans la société marchande de l’Ancien Régime
• Marie-France Noël, Prendre ses aises…
• Eugénie Briot, « Des essences, des poudres, des parfums et autres semblables galanteries » : Normes et pratiques du corps parfumé à la cour de France, XVIIe-XVIIIe siècles

Conclusion, Bruno Laurioux

News: British Library to Digitize Eighteenth-Century Texts

Posted in books, the 18th century in the news by Freya Gowrley on July 31, 2011

With a growing number of eighteenth-century texts available online, the period should become increasingly accessible to scholars around the world. This latest cooperative project between the British Library and Google promises to augment the already invaluable contribution made by Gale’s subscription-based resource, Eighteenth Century Collections Online. As reported by Mark Brown for The Guardian (20 June 2011) . . .

British Library and Google Bring 18th-Century Hippos to the Web

British Library, Photo by Mike Peek, Wikimedia Commons

Digitisation project will make out of copyright books from 1700 to 1870 available online, including account of Prince of Orange’s stuffed animal interests.

An 18th-century treatise on the Prince of Orange’s interest in a stuffed hippo will join one of the first modern constitutions and pamphlets on Marie Antoinette as part of an ambitious project to make 250,000 books in the British Library available online for the first time.

The library and Google said they were linking up to digitise out-of-copyright books from the collection, making them available to both specialised researchers and the simply curious.

The library’s chief executive Lynne Brindley called it a “significant partnership” which was part of the institution’s “proud tradition of giving access to anyone, anywhere and at any time.”

The out-of-copyright books from around 1700 to 1870 will be digitised over three years, with the majority being books from continental Europe. The library will not choose the books in forensic fashion, although they will be thematically linked – colonial history, for example. Shelves of books relating to the French revolution will be some of the first packaged up and sent to Google for digitisation

Others which will be digitised include Georges Buffon’s hitherto little-known 1775 work on the natural history of the hippo which also gives an account of the stuffed hippo taking up much of the Prince of Orange’s cabinet of curiosities. . . .

The full article is available here»

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In the latest issue of Eighteenth-Century Studies 44 (September 2011), Patrick Spedding’s article “‘The New Machine’: Discovering the Limits of ECCO,” pp. 437-53, addresses the difficulties of conducting research with scanned text-bases such as Eighteenth Century Collections Online — in this case, Spedding catalogs some of the ways ECCO fails to turn up texts with references to condoms, even though the texts are available in the database. It will be interesting to see what the results of the BL/Google initiative look like, though if scholars’ reactions to Google Books serves as any guide, there will be plenty of grumbling. -CH.

Reviewed: ‘The Temperamental Nude’

Posted in books, Member News, reviews by Editor on July 23, 2011

Recently added to caa.reviews:

Tony Halliday, The Temperamental Nude: Class, Medicine and Representation in Eighteenth-Century France, Studies on Voltaire and the Eighteenth Century (Oxford: Voltaire Foundation, 2010), 272 pages, ISBN: 9780729409940, £55.

Reviewed by Dorothy Johnson, University of Iowa; posted 14 July 2011.

In “The Temperamental Nude: Class, Medicine and Representation in Eighteenth-Century France,” the late Tony Halliday studies a neglected facet of visual representation in Enlightenment culture, namely, the revival and significance of the theory of the temperaments and its impact on the depiction of the human figure, specifically the male figure, in painting, sculpture, and prints. His study focuses principally on mid- to late eighteenth-century France, with particular emphasis on the Revolutionary period. The contested idea of the new citizen (who was male according to French convention and law) and his fluctuating image in the visual arts during the Revolution, Republic, and Directory (1789–99) constitute the principal matter of the book. . . .

The full review is available here» (CAA membership required)

Exhibition: ‘Making History: Antiquaries in Britain’

Posted in books, catalogues, exhibitions by Editor on July 22, 2011

Making History: Antiquaries in Britain
McMullen Museum of Art, Boston College, 4 September — 11 December 2011
Yale Center for British Art, New Haven, 2 February — 27 May 2012

Making History celebrates the achievements of the Society of Antiquaries of London, the oldest independent learned society concerned with the study of the past. The exhibition, featuring one hundred works selected from the Society’s treasures (with a number of additions from the collections at the Center), focuses on the discovery, recording, preservation, and interpretation of Britain’s past through its material remains. It explores beliefs current before the Society was founded in 1707, and reveals how new discoveries, technologies, and interpretations have transformed our understanding of the history of Britain since the eighteenth century.

Making History is organized into nine sections. Highlights include antiquities such as a rare Late Bronze Age shield (ca. 1300–1100 BCE) discovered on a farm in Scotland in 1779; an early copy of the Magna Carta (ca. 1225); a medieval processional cross reportedly recovered from the battlefield of Bosworth (1485); the inventory (1550–51) of Henry VIII’s possessions at the time of his death; and a forty-foot-long illuminated “roll chronicle” on parchment detailing the genealogical descent of Henry II from Adam and Eve. Also on display will be an extraordinary collection of English royal portraits painted on panel, from Henry VI to Mary Tudor.

The exhibition is organized by the Society of Antiquaries of London in association with the McMullen Museum of Art, Boston College, and the Center. It will be on display at the McMullen Museum of Art from September 9, 2011, to January 2, 2012, where the organizing curator is Nancy Netzer, Director. The organizing curator at the Center is Elisabeth Fairman, Senior Curator of Rare Books and Manuscripts.

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More information is available at the exhibition website.

July Issue of ‘The Burlington’

Posted in books, exhibitions, journal articles by Editor on July 13, 2011

The Burlington Magazine 153 (July 2011)

• Gerlinde Klatte, “New documentation for the ‘Tenture des Indes’ tapestries in Malta” — Unpublished documents on the Anciennes Indes tapestry set (1708–10) woven by Etienne Le Blond for the Order of St John, Valletta, Malta.

Reviews
• Ann Compton, Review of Rune Frederikson and Eckart Marchand, eds., Plaster Casts: Making, Collecting and Displaying from Classical Antiquity to the Present (Berlin and New York, 2010),
• Rose Kerr, Review of Robert Finlay, The Pilgrim Art: Cultures of Porcelain in World History (Berkeley, 2010)
• Humphrey Wine, Review of the exhibitions, Watteau’s Drawings, Watteau and His Circle
• Todd Longstaffe-Gowan, Review of the exhibition, French Romantic Gardens
• Neil Jeffares, Review of the exhibition, Pastel Portraits

Exhibition: French Romantic Gardens

Posted in books, catalogues, exhibitions by Editor on July 6, 2011

Thanks to Hélène Bremer for this notice. From the exhibition website:

Jardins Romantiques Français (1770-1840)
Musée de la Vie Romantique, Paris, 8 March — 17 July 2011

Louis-Hippolyte Lebas, "Le Petit Pavillon du Parc de Malmaison," watercolor (Musée National du château de la Malmaison) © RMN/Gérard Blot -- the building was designed by François Cointereaux around 1790.

Comment proposer aujourd’hui une définition du jardin romantique français, telle est la question que nous nous sommes posée alors que certains des meilleurs spécialistes en réfutent l’appellation. Aussi bien avons-nous usé du pluriel dans le titre « Jardins romantiques » pour évoquer, sans pouvoir être exhaustif, certains parmi les trop multiples reflets du romantisme au jardin.

Au fil des siècles et des saisons, le goût du jardin pittoresque s’est raffiné en un art de vivre à part entière dont les Encyclopédistes puis Beaumarchais avant l’impératrice sont les ambassadeurs écoutés. Au premier rang s’imposent naturellement voyageurs et savants qui rapportent et multiplient, d’un continent à l’autre, moult herbiers
soigneusement conservés au Muséum et rares cultivars
développés dans le secret des pépinières ou à l’arboretum.

ISBN: 9782759601592, 30€

Au XIXe siècle l’Europe des botanistes résonne tel un bruissant arbre à palabres : on y disserte en latin comme en français sur les principes modernes de la taxinomie et de la dendrologie ; jardinistes et passionnés ouvrent largement les enclos sur la nature environnante et plantent des parcs paysagers. Serres chaudes et palmariums ponctuent les propriétés que leurs commanditaires identifient à leur récente prospérité. Le sentiment du sublime inspire fabriques et cascades, grottes et lacs. Ces nouveaux jardins d’Armide s’ornent de maints caprices secrets : temple de l’amour ou laiterie, chalet ou casino, faux tombeaux ou ménagerie. Pour les délices du vert galant, il n’est pas de sens plus nomade que la vue. Ainsi, la Restauration et la Monarchie de Juillet voient la pratique du jardinage conquérir toutes les couches de la société, et les grands destins du romantisme s’y enracinent. . . .

More information is available here»

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Exhibition catalogue: Daniel Marchesseau, Jardins romantiques français: Du jardin des Lumières au parc romantique (Paris Musées, 2011), 256 pages, ISBN: 9782759601592, 30€.

Exhibition: ‘Revolution!’

Posted in books, catalogues, exhibitions by Editor on July 4, 2011

From the New-York Historical Society:

Revolution! The Atlantic World Reborn
New-York Historical Society, 11 November 2011 — 15 April 2012
Details of additional venues to be announced later

Curated by Richard Rabinowitz

ISBN: 9781904832942, $65

Revolution! The Atlantic World Reborn, an international exhibition sponsored by the New-York Historical Society, will open in New York in November 2011 and travel to sites in Britain, France, the United States, and Haiti. Occupying about 3,500 square foot (325 m2), the exhibition will feature magnificent paintings, drawings, and prints from collections in a half-dozen countries; historical documents, maps, and manuscripts penned by participants in these revolutions; audio-visual presentations and computer-interactive learning stations; inventive and beautiful works of art commissioned for this exhibition; and curriculum materials for students from kindergarten through graduate school. The exhibition will be fully accessible in English, French, and Haitian Kreyol. Dr. Richard Rabinowitz of the American History Workshop, is Chief Curator of the exhibition. A beautifully illustrated catalog, with scholarly essays by leading scholars in revolutionary studies and edited by Professors Thomas Bender of NYU and
Laurent Dubois of Duke, will accompany the exhibition.

Noel le Mire, "General Washington," 1780, engraving (New York Historical Society)

The exhibition explores the enormous transformations in the world’s politics and culture between the 1763 triumph of the British Empire in the Seven Years War and the end of the Napoleonic Wars 52 years later. For the first time, this story will be told as a single global narrative rather than as chapters within national histories. Opposing the power and reach of European imperial authorities, the diverse men and women of the Atlantic world — natives of Africa, Europe, and the Americas — registered their grievances in both legal argument and violent protest. Their first major outbursts, comprised in the American Revolution, triggered an explosion of radical ideas. And these in turn drew many Britons to the antislavery crusade, then fomented a fierce antagonism to entrenched privilege among French revolutionaries, and finally spawned the astonishing insurrection on the island of Saint Domingue leading to the world’s only successful slave revolt and the establishment of the first nation fully committed to equality and emancipation, Haiti.

John Greenwood, "Sea Captains Carousing in Surinam," ca. 1752-58, oil on bed ticking (Saint Louis Art Museum)

Linking the attack on monarchism and aristocracy to the struggle against slavery, Revolution! explores how thousands of revolutionaries across the Atlantic world made freedom, equality, and the sovereignty of the people into universal goals. The eighteenth-century revolutionaries certainly did not succeed in obliterating every trace of the Ancient Regime, but they invented the notions of human rights, within a world of nation states, that still fire the desire for justice everywhere.

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Exhibition catalogue: Thomas Bender and Laurent Dubois, eds., Revolution! The Atlantic World Reborn (London: Giles, 2011), 288 pages, ISBN: 9781904832942, $65.

Exhibition: ‘Life, Liberty, and the Pursuit of Happiness’

Posted in books, catalogues, exhibitions by Editor on July 3, 2011

Life, Liberty, and the Pursuit of Happiness: American Art from the Yale University Art Gallery
Speed Art Museum, Louisville, 7 September 2008 — 4 January 2009
Seattle Art Museum, 26 February — 24 May 2009
Birmingham Museum of Art, Alabama, 4 October 2009 — 10 January 2010
Yale University Art Gallery, New Haven,  29 July 2011 — 8 July 2012 (in three parts)

John Trumbull, "The Declaration of Independence, July 4, 1776," 1786–1820 (Yale University Art Gallery)

This exhibition draws upon the Gallery’s renowned collection of American paintings, decorative arts, and prints to illuminate the diverse and evolving American experience from the time of the settlements of the late seventeenth century to the World’s Columbian Exposition in 1893. The more than 200 works in this traveling exhibition—including treasures such as John Trumbull’s Declaration of Independence and Winslow Homer’s Morning Bell—now return to New Haven for a three-part presentation.

Exhibition and publication organized by Helen A. Cooper, the Holcombe T. Green Curator of American Paintings and Sculpture, with Robin Jaffee Frank, the Alice and Allan Kaplan Senior Associate Curator of American Paintings and Sculpture; Elisabeth Hodermarsky, the Sutphin Family Associate Curator of Prints, Drawings, and Photographs; and Patricia E. Kane, Friends of American Arts Curator of American Decorative Arts, all Yale University Art Gallery.

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Exhibition catalogue: Helen A. Cooper, ed., Life, Liberty, and the Pursuit of Happiness: American Art from the Yale University Art Gallery (New Haven: Yale University Press, 2008), 368 pages, ISBN: 9780300122893.

The American experience—from its colonial beginnings to the modern age—has captured the imagination of all Americans, including its artists. This richly illustrated book explores works from the renowned collections of American paintings, decorative arts, prints, and photographs at the Yale University Art Gallery and creates a vivid portrait of a young country defining itself culturally, politically, and geographically.

Distinguished scholars shed new light on American history by examining some of the most familiar and revered objects in American art—paintings by Trumbull, Peale, Copley, Eakins, Church, and Homer; silver by Revere and Tiffany; furniture by Roux and Connelly; and photographs by Muybridge, among others. The authors discuss how issues of cultural heritage, patriotism, politics, and exploration shaped America’s art as well as its attitudes and traditions.

Exhibition: ‘Georges de Lastic: Amateur, Collector, and Curator’

Posted in books, catalogues, exhibitions by Editor on June 27, 2011

As reviewed by Bénédict Ancenay for The Art Tribune (18 February 2011) . . .

Georges de Lastic: Le Cabinet d’un amateur, collectionneur et conservateur
Musée de la Chasse et de la Nature, Paris, 7 December 2010 — 14 March 2011
Musée de la Vénerie, Senlis, 7 December 2010 — 14 March 2011
Musée d’Art Roger-Quilliot, Clermont-Ferrand, 4 October 2011 — 5 February 2012

ISBN: 978-2350391021, 42.00€

One man and two exhibitions, Georges de Lastic (1927-1988), a curator and collector, amply deserves this celebration in the two locations which distinctly marked his professional life. . . . An aesthete and historian, both in his professional and personal life, Georges de Lastic assembled a private collection which is now highlighted in the double exhibition presented at the Musée de la Vénerie in Senlis and the Musée de la Chasse et de la Nature in Paris. . . .

In 1970, Georges de Lastic inherited the château de Parantignat, his “little Versailles in Auvergne,” the residence for the Marquis de Lastic for over three centuries which, along with his Parisian apartment on quai de Bourbon, housed his collection of 17th- and 18th- century French paintings acquired over the years at the Drouot auction house and from various art dealers. The ensemble is made up mainly of three artists, the portraitists Nicolas de Largillierre and Hyacinthe Rigaud, representative of the “grand genre” in the Grand Siècle and the Regency, as well as François Desportes, an artist who illustrated the Sun King’s hunting parties. His wife, Françoise de Lastic and his son, Anne-François, who today are in charge of preserving the collection, accepted to lend over sixty paintings, drawings and sculptures. . . .

All of these magnificent pieces now on display to the general public will soon return to their private residence, but the catalogue will remain in testimony. The entries, under the supervision of Pierre Rosenberg, were all written by the most respected specialists of each of the artists in the exhibition. Curators, university scholars, historians or researchers, each has achieved a hymn to the glory of French painting during the Grand Siècle and Georges de Lastic’s refined taste.

A visit to the Marais, at the Musée de la Chasse et de la Nature, is a traditional part of any art lover’s itinerary. They should now add a trip to Senlis to better understand the range and complexity of the Lastic collection. This sidetrip will also allow visitors to rediscover the Musée de la Vénerie, which houses a valuable collection presented with great quality, thus going far beyond the misleadingly limited confines of its name in a historic city which has known how to preserve all of its charm.

The full review is available here»

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Exhibition catalogue: Pierre Rosenberg et al., Le cabinet d’un amateur, Georges de Lastic (1927-1988), collectionneur et conservateur (Paris: Chaudun, 2010), 240 pages, ISBN: 978-2350391021, 42€.