British Library Makes 40K Maps and Views Available Online

Matthew Dixon. ‘A General Plan with a Project for the Defence of the Arsenals of Plymouth, / By Lieut: Colonel Dixon Chief Engineer of the Plymouth Division. Revised and corrected by Geo. Beck Jan. 1780.’ (London: British Library, Maps K.Top 11.79.2.TAB).
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From Art Daily (1 November 2020). . .
The British Library is nearing the end of a project to make 40,000 early maps and views freely available online for the first time. The material forms part of the Topographical Collection of King George III (K.Top) held by the British Library and captures four centuries of visual impressions of places throughout the world, from maps and atlases to architectural drawings, cartoons, and watercolours. Nearly half of the images are now available for anyone to view online via the British Library’s digital Flickr Commons Collection. This resource offers everyone the chance to virtually explore, the geography, art, science, and cultures of the past through the collection of one of history’s most avid armchair travellers.
Over seven years, a team of expert cataloguers, curators, conservators, and imaging specialists at the Library have worked to catalogue, conserve, and digitise the K.Top Collection. This project would not have been possible without significant philanthropic support and we are very grateful to the individuals and trusts whose generosity has enabled us to make this outstanding collection available to researchers across the world.
The collection is a distinct part of the larger King’s Library which was presented to the Nation by George IV in 1823. As a collection of maps and views that was built during the formative period of the British Empire, it is an important resource for the study of how Britain viewed and interacted with the wider world during this period. The collection consists of printed and hand-drawn works dating between 1500 and 1824 and covers a broad variety of compelling themes. Highlights include:
• The hand-drawn map of New York City, presented to the future James II in 1664
• Early 18th-century architectural drawings by Nicholas Hawksmoor for commissions including Castle Howard and London ‘Queen Anne’ churches
• The vast Kangxi Map of China of 1719 made by the Italian Jesuit Matteo Ripa
• A set of drawings of Lucca by the Italian artist Bernardo Bellotto, circa 1742
• James Cook’s large manuscript map of the islands of St. Pierre and Miquelon, 1763
• Watercolours by noted 18th-century artists such as Paul Sandby and Samuel Hieronymus Grimm
• Military maps of English south coast harbours including Plymouth from the 1780s, precursors of the Ordnance Survey
• Views of parts of modern-day Ontario, Canada, drawn by the artist Elizabeth Simcoe in around 1792
• The earliest comprehensive land-use map of London from 1800
A number of maps from the collection are accessible for the public to view in the British Library’s free, permanent exhibition Treasures of the British Library, including maps of forts in North America by Mary Anne Rocque (1765). The gallery has recently reopened to the public (booking essential).
The first batch of 18,000 images are now freely available to explore via the British Library’s page on Flickr Commons, alongside over 1 million copyright-free images from the Library’s collection of printed books. The images have been added to Flickr by British Library Labs (BL Labs). BL Labs supports the experimentation and reuse of the Library’s data and digital collections in exciting and creative new ways through competitions, events, exhibitions, collaborative projects and annual public awards (the deadline for entry this year is 30 November 2020.)
The maps will also be made available on the British Library’s ‘Georeferencer’, an interactive application that allows volunteers to turn maps into data by adding locations to digitised British Library collections, initiating innovative new forms of discovery and research. A selection of essays illustrated by images from the K. Top collection are available on the Library’s Picturing Places web space.
Tom Harper, Lead Curator of Antiquarian Mapping, said “This is a momentous and intriguing set of early maps and views which provides multiple windows into the world of previous centuries. We’re pleased to have been able to make this outstanding collection available through cataloguing and digitisation and to enable aspects of Britain’s past to be more fully understood.”
Dr Mia Ridge, Digital Curator for Western Heritage Collections, commented, “Providing online access to these images and metadata is an important milestone for digital research support at the British Library. The collection lends itself to digital scholarship methods such as computer vision, machine learning and AI, crowdsourcing, and georeferencing. We’re also excited to learn more about innovative applications for new and emerging computational methods as researchers explore the collection.”
Today | HECAA Emerging Scholars Showcase

HECAA Emerging Scholars Showcase
Online, Saturday, 7 November 2020, 2:00–3:30pm (EST)
The first HECAA Emerging Scholars Showcase begins today at 2pm EST. Please join us via zoom to hear our first seven emerging scholars present their research. Each participant will present for 3–5 minutes, and after the presentations, we will host a question and answer session. The seven presenters and their presentation titles are listed below. If you have any questions or concerns, please contact Dani Ezor (dezor@smu.edu).
Best regards,
HECAA Board
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Zoom link: https://smu.zoom.us/j/95131749838
Meeting ID: 951 3174 9838
• Aditi Gupta, (Jawaharlal Nehru University), Imperial Collection of J.B Gentil: A Frenchman’s Quest for Knowledge Production on India
• Nele Lüttmann (Trinity College Dublin), German Architects in Britain and Ireland, 1700–1750
• Agnieszka Anna Ficek (CUNY Graduate Center), Picturing the Peruvienne: The Exotic and Erotic in Mme de Graffigny’s Lettres d’une Peruvienne
• María del Castillo García Romero (University of Seville), Feminae Devotae: Artistic Portraits on Religious Female Culture in Baja Andalusia during the Eighteenth Century
• Michael Hartman (University of Delaware), Bodies and Vision in the North American Landscape
• Archie Manister-O’Neill (Courtauld Institute of Art), In Search of Rebecca Magg: Tracing the History of Three Hand-Crafted Dolls (ca. 1786) Kept in the Bristol Archive
• Ashley Hannebrink (Harvard University), Shaping the Self: Sculpture and the Interior in Eighteenth-Century France
New Book | Hua Yan (1682–1756)
From Brill, this book by Kristen Chiem (now, incidentally, Kristen Brennan). . .
Kristen Loring Chiem, Hua Yan (1682–1756) and the Making of the Artist in Early Modern China (Leiden, Brill, 2020), 224 pages, ISBN: 978-9004427631, €110 / $132.
Hua Yan (1682–1756) and the Making of the Artist in Early Modern China explores the relationships between the artist, local society, and artistic practice during the Qing dynasty (1644–1911). Arranged as an investigation of the artist Hua Yan’s work at a pivotal moment in eighteenth-century society, this book considers his paintings and poetry in early eighteenth-century Hangzhou, mid-eighteenth-century Yangzhou, and finally their nineteenth-century afterlife in Shanghai. By investigating Hua Yan’s struggle as a marginalized artist—both at his time and in the canon of Chinese art—this study draws attention to the implications of seeing and being seen as an artist in early modern China.
Kristen Loring Chiem, Ph.D. (2011), University of California, Los Angeles, is Associate Professor of Art History at Pepperdine University. Her work explores the intersections of gender, painting, and garden imagery in Chinese art.
C O N T E N T S
Acknowledgments
Introduction
The Mountain Man of Xinluo
Lyricism in Words and Images
Painting the Garden from Life
Picturing People, Past and Present
The Xinluo School
Epilogue: Lives of Jiangnan Artists, 1700–1900
Bibliography
Index
Online Conference | Hayley2020
From The Fitzwilliam:
Hayley2020: A Fitzwilliam Museum Conference
Online, 12–13 November 2020

George Romney, John Flaxman Modeling the Bust of William Hayley, 1795–96, oil on canvas, 89 × 57 inches (New Haven: Yale Center for British Art, Paul Mellon Collection, B1981.25.538).
Convened to mark the bicentenary of his death, Hayley2020 is the first ever conference dedicated to writer, scholar, and amateur doctor William Hayley (1745–1820). Hugely influential in his time, Hayley is now mostly remembered for persuading William Blake to move to the Sussex coast, commissioning illustrations and prints from him, and driving him to distraction. But there is much more to the man who wrote (in verse) a runaway bestseller advising young women on how to attract and keep a husband, refused the poet laureateship for political reasons, and was the first person to publish an English translation of a long extract from Dante’s Inferno. Join us online on November 12 and 13 for a series of presentations and discussions about Hayley and his world (listed times are GMT). All are welcome.
T H U R S D A Y , 1 2 N O V E M B E R 2 0 2 0
14.45 Welcome
Suzanne Reynolds, Lisa Gee, Naomi Billingsley, and Mark Crosby welcome you to virtual Eartham, but promise not to write you an adulatory sonnet.
15.00 On Romney, His Relationship with Hayley, and Works Arising
Alex Kidson talks about how Romney and Hayley’s relationship changed over the years, discussing works including the Cupid and Psyche cartoons, Flaxman Modelling the Bust of Hayley, and Romney’s illustrations for Hayley’s Essay on Old Maids (series of short videos). Parallel discussion in the chat with Alex present, followed by discussion. Video available for viewing beforehand and afterwards.
15.40 Coffee Break
You’ll have to bring your own hot beverage, but feel free to hang out, catch up with friends, and network like it’s 1795 in Hayley’s Library.
16.05 Hayley in His Contexts
Lisa Gee: Hayley – Essay on Sculpture, Mary Cockerell & the decline & death of Tom.; Alexandra Harris; Susan Matthews: Amina Wright: ‘Artist and Bard in Sweet Alliance: Joseph Wright of Derby and the Hermit of Eartham.’. Chaired by Mark Crosby.
16.45 Tea Break
17.00 Object-Oriented Session
Demo/test of the AMoR (A Museum of Relationships) pilot + discussion, with Lisa Gee and Suzanne Reynolds.
17.40 Plenary Discussions
F R I D A Y , 1 3 N O V E M B E R 2 0 2 0
13.00 Virtual Conference Picnic
Find us in the windswept (virtual) grounds of Eartham where, because it’s mid-November, we’re happy this is online rather than IRL.
15.00 On Hayley, Flaxman, and Blake
David Bindman discusses the memorials on which Flaxman and Hayley collaborated, one that Hayley tried to interfere in, and explains why Hayley’s relationship with Blake was so different to those with Flaxman and Romney.
15.40 Coffee Break
16.05 Hayley and Blake
Mark Crosby, Sarah Haggarty, Jason Whittaker: Hayley in Blake biographies. Chaired by Naomi Billingsley.
16.40 Tea Break
17.05 Future Scholarship
New collaborations, action planning. Chaired by Lisa Gee.
17.50 Concluding Remarks
New Book | Building America: The Life of Benjamin Henry Latrobe
From Oxford UP:
Jean Baker, Building America: The Life of Benjamin Henry Latrobe (Oxford: Oxford University Press, 2020), 304 pages, ISBN: 978-0190696450, $35.
Building America: The Life of Benjamin Henry Latrobe is a biography of America’s first professionally trained architect and engineer. Born in 1764, Latrobe was raised in Moravian communities in England and Germany. His parents expected him to follow his father and brother into the ministry, but he rebelled against the church. Moved to London, he studied architecture and engineering. In 1795 he emigrated to the United States and became part of the period’s Transatlantic Exchange. Latrobe soon was famous for his neoclassical architecture, designing important buildings, including the US Capitol and Baltimore Basilica as well as private homes. Carpenters and millwrights who built structures more cheaply and less permanently than Latrobe challenged his efforts to establish architecture as a profession. Rarely during his twenty-five years in the United States was he financially secure, and when he was, he speculated on risky ventures that lost money. He declared bankruptcy in 1817 and moved to New Orleans, the sixth American city that he lived in, hoping to recoup his finances by installing a municipal water system. He died there of yellow fever in 1820. The themes that emerge in this biography are the critical role Latrobe played in the culture of the early republic through his buildings and his genius in neoclassical design. Like the nation’s political founders, Latrobe was committed to creating an exceptional nation, expressed in his case by buildings and internal improvements. Additionally, given the extensive primary sources available for this biography, an examination of his life reveals early American attitudes toward class, family, and religion.
Jean H. Baker is Bennett-Harwood Professor of History Emerita at Goucher College. An eminent political historian and biographer, she is the author of Margaret Sanger: A Life of Passion, Sisters: The Lives of America’s Suffragists, James Buchanan, and Mary Todd Lincoln: A Biography, among other titles.
C O N T E N T S
Acknowledgments
Introduction
1 Itching Ears
2 This New American
3 Capital Projects
4 Beloved Mary and the Little Folks
5 Breaking Points
6 Final Beginnings
Conclusion
Notes
Index
Fellowships | Tyson Scholars in American Art, 2021–22

From Crystal Bridges:
Tyson Scholars Program: Fellowships in American Art
Crystal Bridges Museum of American Art, Bentonville, Arkansas, 2021–22
Applications due by 15 January 2021
The Tyson Scholars of American Art Program supports full-time scholarship and an expansive approach to American art and visual and material culture from the colonial period to the present. The program was established in 2012 through a $5 million commitment from the Tyson family and Tyson Foods, Inc. Since its inception, the Tyson Scholars Program has supported the work of 46 scholars, attracting academic professionals in a variety of disciplines nationally and internationally.
Crystal Bridges and the Tyson Scholars Program invites PhD candidates (or equivalent), post-doctoral researchers and senior scholars from any field who are researching American art to apply. We encourage and support scholarship that seeks to expand boundaries and traditional categories of investigation into American art and visual culture. Applicants may be focusing on art history, architecture, visual and material culture, American studies, craft, Indigenous art, Latin American art, and contemporary art. Applications will be evaluated on the originality and quality of the proposed research project and its contribution to a more equitable and inclusive history of American art.
The Tyson Scholars Program looks for research projects that will intersect meaningfully with the Museum’s collections, library resources, architecture, grounds, curatorial expertise, programs and exhibitions; and/or the University of Arkansas faculty broadly; and applicants should speak to why residence in the Heartland will advance their work. The applicant’s academic standing, scholarly qualifications, and experience will be considered, as it informs the ability of the applicant to complete the proposed project. Letters of support are strongest when they demonstrate the applicant’s excellence, promise, originality, track record, and productivity as a scholar, not when the letter contains a commentary on the project.
Crystal Bridges is dedicated to an equitable, inclusive, and diverse cohort of fellows. We seek applicants who bring a critical perspective and understanding of the experiences of groups historically underrepresented in American art, and welcome applications from qualified persons of color; who are Indigenous; with disabilities; who are LGBTQ; first-generation college graduates; from low-income households; and who are veterans.
Fellowships are residential and support full-time writing and research for terms that range from six weeks to nine months. While in residence, Tyson Scholars have access to the art and library collections of Crystal Bridges as well as the library at the University of Arkansas in nearby Fayetteville. Stipends vary depending on the duration of residency, position as senior scholar, post-doctoral scholar or pre-doctoral scholar, and range from $15,000 to $30,000 per semester, plus provided housing. Additional funds of $1,500 for relocation are provided, and research funds are available during the residency upon application. Scholars are housed at one of the Crystal Bridges residences, within easy walking distance from the Museum via wooded trails and approximately 1.5 miles from downtown Bentonville. Scholars have private bed and bathrooms in the house, and share comfortable indoor and outdoor common spaces including an expansive yard and patio. Scholars are provided workspace in the curatorial wing of Crystal Bridges’ library. The workspace is an enclosed area shared with other Tyson Scholars. Scholars are provided with basic office supplies, desk space, an office chair, space on a bookshelf, and a locking cabinet with key for personal belongings and files.
Further information about the Tyson Scholars Program, application instructions, and application portal can be found here. Applications for the 2021-2022 academic year open October 19, 2020 and close January 15, 2021.
New Book | The Man of the People
From UP of Kansas:
Nathaniel Green, The Man of the People: Political Dissent and the Making of the American Presidency (Lawrence: University Press of Kansas: 2020), 408 pages, ISBN: 978-0700629954, $50.
Donald Trump’s election has forced the United States to reckon with not only the political power of the presidency, but also how he and his supporters have used the office to advance their shared vision of America: one that is avowedly nationalist, and unrepentantly rooted in nativism and white supremacy. It might be easy to attribute this dark vision, and the presidency’s immense power to reflect and reinforce it, to the singular character of one particular president—but to do so, this book tells us, would be to ignore the critical role the American public played in making the president ‘the man of the people’ in the nation’s earliest decades.
Beginning with the public debate over whether to ratify the Constitution in 1787 and concluding with Andrew Jackson’s own contentious presidency, Nathaniel Green traces the origins of our conception of the president as the ultimate American: the exemplar of our collective national values, morals, and ‘character’. The public divisiveness over the presidency in these earliest years, he contends, forged the office into an incomparable symbol of an emerging American nationalism that cast white Americans as dissenters—lovers of liberty who were willing to mobilize against tyranny in all its forms, from foreign governments to black ‘enemies’ and Indian ‘savages’—even as it fomented partisan division that belied the promise of unity the presidency symbolized. With testimony from private letters, diaries, newspapers, and bills, Green documents the shaping of the disturbingly nationalistic vision that has given the presidency its symbolic power.
This argument is about a different time than our own. And yet it shows how this time, so often revered as a mythic ‘founding era’ from which America has precipitously declined, was in fact the birthplace of the president-centered nationalism that still defines the contours of politics to this day. The lessons of The Man of the People contextualize the political turmoil surrounding the presidency today. Never in modern US history have those lessons been more badly needed.
Nathaniel C. Green is professor of history at Northern Virginia Community College.
New Book | Aristocratic Education
From UNC Press:
Mark Boonshoft, Aristocratic Education and the Making of the American Republic (Chapel Hill: The University of North Carolina Press, 2020), 296 pages, ISBN: 978-1-469659541 (ebook), $23 / ISBN: 978-1469661360 (paperback), $30 / ISBN: 978-1469659534 (hardcover), $95.
Following the American Revolution, it was a cliché that the new republic’s future depended on widespread, informed citizenship. However, instead of immediately creating the common schools–accessible, elementary education—that seemed necessary to create such a citizenry, the Federalists in power founded one of the most ubiquitous but forgotten institutions of early American life: academies, privately run but state-chartered secondary schools that offered European-style education primarily for elites. By 1800, academies had become the most widely incorporated institutions besides churches and transportation projects in nearly every state.
In this book, Mark Boonshoft shows how many Americans saw the academy as a caricature of aristocratic European education and how their political reaction against the academy led to a first era of school reform in the United States, helping transform education from a tool of elite privilege into a key component of self-government. And yet the very anti-aristocratic critique that propelled democratic education was conspicuously silent on the persistence of racial and gender inequality in public schooling. By tracing the history of academies in the revolutionary era, Boonshoft offers a new understanding of political power and the origins of public education and segregation in the United States.
Mark Boonshoft is assistant professor of history at Duquesne University.
C O N T E N T S
List of Figure and Tables
Acknowledgments
Introduction: Why Academies?: Aristocratic Education in Revolutionary America
Part I. From Denominational Schools to Nationalist Institutions, 1730–1787
1 The Emergence of Academies: The Great Awakening and Colonial Elite Formation
2 The Academy Effect: Civic Education and the American Revolution
3 Rebuilding Academies: Education and Politics in the Confederation Era
Part II. The Culture of Academies, 1780–1800
4 Defining Merit: Academies and Inequality
5 Diplomacy and Dance: The Geopolitics of Ornamental Education
Part III. From Aristocratic Education to Reform, 1787–1830
6 Creating Consensus: The Politics of State Support for Academies
7 The First Era of School Reform: War, Panic, and Popular Education
Epilogue: The Legacy of Aristocratic Education
Appendix
Notes
Bibliography
HECAA Emerging Scholars Showcase

George Lambert, Classical Landscape, 1745, oil on canvas, 41 × 46 inches
(London: Tate)
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HECAA Emerging Scholars Showcase
Online, Saturday, 7 November 2020, 2:00–3:30pm (EST)
Please mark your calendars for the first HECAA Emerging Scholars Showcase on Saturday, November 7, from 2:00 to 3:30pm EST. We will hear from our first seven emerging scholars present their research in 3– to 5–minute presentations, after which we will open up the floor to questions and comments. The intention of these showcases is to create networking opportunities, and we look forward to your audience participation in support of our emerging scholars.
We received an overwhelming number of applications, ranging geographically from China, India, and Australia, to Brazil, Europe, and across the USA. The topics likewise range in their geographical origin, theoretical approach, materials, techniques, and methods. We will also hold two additional showcases on 6 February 2021 and 17 April 2021.
Registration is not required. A Zoom link will be sent out to all HECAA members the week before November 7. If you have any questions or concerns, please contact Dani Ezor (dezor@smu.edu). Thank you!
Print Quarterly, September 2020

Johann Jakob Mettenleiter, Double Portrait of Johann Elias Haid and Johann Jakob Mettenleiter, ca. 1778–84, oil on copper, 31 × 38 cm (image courtesy Boris Wilnitsky Fine Arts, Vienna).
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The eighteenth-century in the latest issue of Print Quarterly (with apologies for being so slow! -Craig).
Print Quarterly 37.3 (September 2020)
A R T I C L E S
Julie Mellby, “Audubon’s Copperplates for Birds of America”, pp. 283–93.
After a brief introduction to John James Audubon’s (1785–1851) life and the publication history of his famous Birds of America, this article explores the afterlife of the copperplates. Partly damaged during a fire and later sold as used copper, some of these objects were eventually acquired and restored by William E. Dodge II (1832–1903). Their history interestingly overlaps with the history of important American institutions, such as the Metropolitan Museum of Art and the Princeton University Art Museum.
Marianne A. Yule, “A Friendship Portrait of J. J. Mettenleiter and J. E. Haid”, pp. 294–99.
This piece focuses on a newly discovered painting and its related mezzotint, the only known collaborative work between the printmaker John Elias Haid (1739–1809) and the painter Johann Jakob Mettenleiter (1750–1825). It explores the history of the image and identifies all the prints depicted therein.
N O T E S A N D R E V I E W S
Peter Van Der Coelen, Review of Henk van Nierop, The Life of Romeyn de Hooghe 1645–1708: Prints, Pamphlets, and Politics in the Dutch Golden Age (2018), pp. 314–16.
The note, as the book it reviews, sheds light on the lesser known, yet extremely prolific Romeyn de Hooghe (1645–1708), a printmaker operating between the Netherlands and Paris. His prints depict the political events of the day, such as the French invasion of Holland, as well as fashionable pastimes, as exemplified by his illustrations for a treatise on wrestling. De Hooghe’s life and work attest to the rising dominance of France all over Europe in the age of Louis XIV, both politically and artistically.
Domenico Pino, Review of Xavier F. Salomon, Andrea Tomezzoli and Denis Ton, Tiepolo in Milan: The Lost Frescoes of Palazzo Archinto (2019), pp. 319–21.
The catalogue under review reconstructs a cycle of frescoes commissioned for an aristocratic Milanese palace and destroyed during World War II. The note focuses on one chapter in particular, analysing Giambattista Tiepolo’s (1697–1770) early career as a book illustrator in Verona and Milan in the 1720s and ’30s, reading it in the context of the cultural fervour that spread all over Italy following the war of Spanish succession.
Domenico Pino, Review of Canaletto & Venezia (2019), pp. 321–22.
The note offers an overview of eighteenth-century Venice and the cultural fervour it hosted. The exhibition catalogue explores in detail the artistic career of Canaletto (1697–1768), Giambattista Tiepolo (1697–1770) and Giambattista Piazzetta (1682–1754), and discusses the developments of artistic trends in furniture, glass, porcelain and architecture in Venice throughout the century up to the fall of the Republic in 1797.
Elizabeth Rudy, Review of Aude Prigot, La Réception de Rembrandt à traversles estampes en France au XVIIIe siècle (2018), pp. 322–25.
The note explores the impact Rembrandt had on artists from the eighteenth through to the twenty-first century. In particular it focuses on the practice of collecting his prints in eighteenth-century France and that of copying his composition in the later part of the century. The main case studies are five French artists, among them Claude-Henri Watelet (1718–86) and Dominique Vivant-Denon (1747–1825).



















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