Enfilade

From Penn State University Press:

Jeffrey Merrick, ed., Policing Same-Sex Relations in Eighteenth-Century Paris: Archival Voices from 1785 (University Park: Penn State University Press, 2024), 264 pages, ISBN: 978-0271097114, $125.

Police in Paris arrested thousands of men for sodomy or similar acts in the eighteenth century. In the mid-1780s, they recorded depositions in which prisoners recounted their own sexual histories. These remarkable documents, curated and translated into English by Jeffrey Merrick, allow us to hear the voices of men who desired men and to explore complex questions about sources, patterns, and meanings in the history of sexuality. This volume centers on two cartons of paperwork from commissaire Charles Convers Desormeaux. Dated from 1785, the cartons contain 221 dossiers of men arrested for sodomy or similar acts in Paris. Merrick translates and annotates the police interviews from these dossiers, revealing how the police and those they arrested understood sex between men at the time. Merrick discusses the implications of what the men said (and what they did not say), how they said it, and in what contexts it was said.

The best-known works of clergy and jurists, of enemies and advocates of Enlightenment, and of novelists and satirists from the eighteenth century tell us nothing at all about the lived experience of men who desired men. In these police dossiers, Merrick allows them to speak in their own words. This primary text brings together a wealth of important information that will appeal to scholars, students, and general readers interested in the history of sexuality, sodomy, and sexual policing.

Jeffrey Merrick is Professor Emeritus of History at the University of Wisconsin–Milwaukee. His books include Sodomy in Eighteenth-Century France and Sodomites, Pederasts, and Tribades in Eighteenth-Century France, the latter also published by Penn State University Press.

From Oxford UP:

Noel Malcolm, Forbidden Desire in Early Modern Europe: Male-Male Sexual Relations, 1400–1750 (Oxford: Oxford University Press, 2024), 608 pages, ISBN: ‎978-0198886334, $33.

A landmark study of the history of male-male sex in early modern Europe, including the European colonies and the Ottoman world.

Until quite recently, the history of male-male sexual relations was a taboo topic. But when historians eventually explored the archives of Florence, Venice, and elsewhere, they brought to light an extraordinary world of early modern sexual activity, extending from city streets and gardens to taverns, monasteries, and Mediterranean galleys. Typically, the sodomites (as they were called) were adult men seeking sex with teenage boys. This was something intriguingly different from modern homosexuality: the boys ceased to be desired when they became fully masculine. And the desire for them was seen as natural; no special sexual orientation was assumed.

The rich evidence from Southern Europe in the Renaissance period was not matched in the Northern lands; historians struggled to apply this new knowledge to countries such as England or its North American colonies. And when good Northern evidence did appear, from after 1700, it presented a very different picture. So the theory was formed—and it has dominated most standard accounts until now—that the ’emergence of modern homosexuality’ happened suddenly, but inexplicably, at the beginning of the eighteenth century.

Noel Malcolm’s masterly study solves this and many other problems, by doing something which no previous scholar has attempted: giving a truly pan-European account of the whole phenomenon of male-male sexual relations in the early modern period. It includes the Ottoman Empire, as well as the European colonies in the Americas and Asia; it describes the religious and legal norms, both Christian and Muslim; it discusses the literary representations in both Western Europe and the Ottoman world; and it presents a mass of individual human stories, from New England to North Africa, from Scandinavia to Peru. Original, critical, lucidly written and deeply researched, this work will change the way we think about the history of homosexuality in early modern Europe.

Sir Noel Malcolm gained his doctorate at Cambridge, where he began his career as a Fellow of Gonville and Caius College, teaching history and English literature; he was later foreign editor of The Spectator. In 1999 he was a lecturer at Harvard; he gave the Carlyle Lectures at Oxford in 2001. Since 2002 he has been a Senior Research Fellow at All Souls College, Oxford. A Fellow of the British Academy, he has published numerous books and articles on early modern intellectual history, and Balkan history and culture. He was knighted in 2014 for services to scholarship, journalism, and European history.

From Penguin Random House:

Garrard Conley, All the World Beside: A Novel (New York: Riverhead Books, 2024), 352 pages, ISBN: 978-0525537335, $28.

From the New York Times bestselling author of Boy Erased, an electrifying, deeply moving novel about the love story between two men in Puritan New England

Cana, Massachusetts: a utopian vision of 18th-century Puritan New England. To the outside world, Reverend Nathaniel Whitfield and his family stand as godly pillars of their small-town community, drawing Christians from across the New World into their fold. One such Christian, physician Arthur Lyman, discovers in the minister’s words a love so captivating it transcends language. As the bond between these two men grows more and more passionate, their families must contend with a tangled web of secrets, lies, and judgments which threaten to destroy them in this world and the next. And when the religious ecstasies of the Great Awakening begin to take hold, igniting a new era of zealotry, Nathaniel and Arthur search for a path out of an impossible situation, imagining a future for themselves which has no name. Their wives and children must do the same, looking beyond the known world for a new kind of wilderness, both physical and spiritual.

Set during the turbulent historical upheavals which shaped America’s destiny and following in the tradition of Nathaniel Hawthorne’s The Scarlet Letter, All the World Beside reveals the very human lives just beneath the surface of dogmatic belief. Bestselling author Garrard Conley has created a page-turning, vividly imagined historical tale that is both a love story and a crucible.

Garrard Conley is the New York Times bestselling author of the memoir Boy Erased, as well as the creator and co-producer of the podcast UnErased: The History of Conversion Therapy in America. His work has been published by The New York Times, Oxford American, Time, and Virginia Quarterly Review, among others. Conley is a graduate of Brooklyn College’s MFA program, where he was a Truman Capote Fellow specializing in fiction. He is an assistant professor of creative writing at Kennesaw State University.

From Hurst, with chapters on cross dressing in 18th-century Britain and Anne Lister. . .

Eleanor Medhurst, Unsuitable: A History of Lesbian Fashion (London: Hurst & Company, 2024), 344 pages, ISBN: ‎978-1805260967, £25 / $35.

The way we dress can show or hide who we are; make us fit in, make us stand out, or make our own community. Yet ‘lesbian fashion’ has been strangely overlooked. What secrets can it reveal about the lives and status of queer women through the ages?

The lesbian past is slippery: often deliberately hidden, edited, or left unrecorded. Unsuitable restores to history the dazzlingly varied clothes worn by women who love women, from top hats to violet tiaras. This story spans centuries and countries, from ‘Gentleman Jack’ in nineteenth-century Yorkshire and Queen Christina of seventeenth-century Sweden, to Paris modernism, genderqueer Berlin, butch/femme bar culture and gay rights activists—via drag kings, Vogue editors, and the Harlem Renaissance. This book is a kaleidoscope of the margins and the mainstream, celebrating trans lesbian style, Black lesbian style, and gender nonconformity. You don’t have to be queer or fashionable to be enthralled by this hidden history. Unsuitable lights it up for the world to see, in all its finery.

Eleanor Medhurst is a historian of lesbian fashion and author of the blog Dressing Dykes. She has worked on Brighton Museum’s exhibitions Queer Looks and Queer the Pier and been interviewed by Grazia, Cosmopolitan, Cameron Esposito’s Queery, and Gillian Anderson’s What Do I Know?! This is her first book.

From Yale UP:

Rory Muir, Love and Marriage in the Age of Jane Austen (New Haven: Yale University Press, 2024), 432 pages, ISBN: 978-0300269604, $35.

Marriage is at the centre of Jane Austen’s novels. The pursuit of husbands and wives, advantageous matches, and, of course, love itself, motivate her characters and continue to fascinate readers today. But what were love and marriage like in reality for ladies and gentlemen in Regency England? Rory Muir uncovers the excitements and disappointments of courtship and the pains and pleasures of marriage, drawing on fascinating first-hand accounts as well as novels of the period. From the glamour of the ballroom to the pressures of careers, children, managing money, and difficult in-laws, love and marriage came in many guises: some wed happily, some dared to elope, and other relationships ended with acrimony, adultery, domestic abuse, or divorce. Muir illuminates the position of both men and women in marriage, as well as those spinsters and bachelors who chose not to marry at all. This is a richly textured account of how love and marriage felt for people at the time—revealing their unspoken assumptions, fears, pleasures, and delights.

Rory Muir is a visiting research fellow at the University of Adelaide and a renowned expert on British history. His books include Gentlemen of Uncertain Fortune and his two-part biography of Wellington, which won the SAHR Templer Medal.

The Château d’Ormesson is about 15 miles southeast of Paris. From Lienart:

Xavier Salmon, Le Château d’Ormesson: Tribulations d’un flacon dans un seau à glace (Paris: Lienart éditions, 2024), 160 pages, ISBN: 978-2359064230, €30.

C’est à une saga que nous invite le château d’Ormesson, celle de ses constructeurs et de la famille qui lui a donné son nom, mais aussi celle de l’évolution du goût.

Dissimulée au bout de son allée de grands arbres, la demeure ne se révèle pas facilement. Il faut l’approcher pour découvrir qu’il s’agit d’une « maison narcisse » qui aime à refléter ses façades sur son miroir d’eau. Il faut la contourner pour comprendre qu’elle fut élevée en deux temps. De brique et pierre, le corps de logis principal et ses deux pavillons posés sur trompe fut peut-être construit à la demande du cardinal René de Birague qui posséda la seigneurie entre 1578 et 1583 et sollicita probablement à cette occasion Baptiste Androuet du Cerceau, le fils du célèbre architecte Jacques Androuet du Cerceau. Avec ses lignes classiques, son toit à la Mansart et son fronton triangulaire, le bâtiment adossé au sud en 1759–1760 pour le premier marquis d’Ormesson, Marie François de Paule, est l’œuvre d’Antoine Matthieu Le Carpentier, l’un des architectes les plus en vogue de son temps. À l’intérieur, l’homme remodela les appartements qui avaient été déjà mis au goût du jour au début du XVIIIe siècle. Tout y est demeuré tel que la famille d’Ormesson, grands serviteurs de l’état, l’avait désiré, entre le caractère enjoué des créations de la Régence et la noble élégance du premier néo-classicisme, mais sans désir d’ostentation afin de répondre parfaitement au caractère des générations qui se sont succédées au sein de la demeure. Denis Diderot voyait en d’Ormesson un « flacon dans un seau à glace ». Il faut aujourd’hui y reconnaître, posé au milieu de son parc à vertugadin et dominant son canal, l’une des plus belles maisons privées préservées aux abords de Paris et qui pour la première fois se livre.

Xavier Salmon est conservateur général du patrimoine. Après avoir été responsable des collections de peintures du XVIIIe siècle et d’arts graphiques au château de Versailles, chef de l’inspection générale des musées de France, directeur du patrimoine et des collections du château de Fontainebleau, il est aujourd’hui chargé du département des Arts graphiques du musée du Louvre.