Enfilade

Clock in the Royal Observatory, Greenwich (Photo by Alves Gaspar, Wikimedia Commons)

To recap some previous posts as due dates approach:

• August 28 – Proposals for an edited collection of essays, Women of Fashion: Popular Culture in the Eighteenth Century and the Eighteenth Century in Popular Culture, edited by Tiffany Potter (University of British Columbia).
• September 1 – Submissions for the Catharine Macaulay Prize, awarded annually for the best graduate student paper on a feminist or Women’s Studies subject presented at the ASECS Annual Meeting or at any of the regional meetings during the academic year.
• September 1 – Paper proposals for a conference to be held in London at the National Gallery, in March 2010 on Correspondences: Exchanges and Tensions between Art, Theatre and Opera in France, c.1750-1850.
• September 1 – Session proposals for the annual CAA meeting in New York in February 2011.
• September 1 – Paper proposals for the annual CAA meeting in Chicago in February 2010, specifically for the panel hosted by the Historians of British Art, “Young Scholars’ Works in Progress.”
• September 10 – Paper proposals for a conference to be held in Salem, Massachusetts in March 2010 on Visual Arts and Global Trade in the Early American Republic.
• September 15 – Paper proposals for the 2010 ASECS conference in Albuquerque, March 18-21.
• September 18 – Proposals for an edited collection of essays on Sociability and Cosmopolitanism: Social Bonds on the Fringes of the Enlightenment.
• September 30 – Proposals for the 2010 ISECS interdisciplinary seminar for junior scholars, to be held in Belfast in August 2010 on the theme of Cultural Intermediaries.