Enfilade

Call for Papers | ISECS 2015 Panel—For the Greater Glory of Portugal

Posted in Calls for Papers by Editor on October 27, 2014

call for papers

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Now accepting proposals for this panel for next year’s ISECS Congress in Rotterdam:

For the Greater Glory of Portugal: Cultural Policy and Artistic Trade in the Age of João V
ISECS Congress, Rotterdam, 26–31 July 2015

Proposals due by 12 January 2015 (though earlier submissions are very much encouraged)

Organiser: Dr. Pilar Diez del Corral Corredoira, Art History Institute, New University of Lisbon: pilarddcc@gmail.com; pcorral@fcsh.unl.pt

João V (1689–1750) propelled Portugal into the arena of international politics and raised the country’s prestige to new and unprecedented levels. His imperial policies affected vast swathes of territory in Africa, Asia, and Latin America. With his huge spending on art, music, and luxury items—intended to strengthen his position within European—he can be seen as a second Sun King. It is surprising, therefore, that relatively little interest has been shown in his kingship by non-Portuguese historians.

This panel will be devoted to analyzing Joao’s V artistic policy in Europe after the Treaty of Utrecht. One example of this was his massive print collection, intended to cover all areas of knowledge in a kind of Encyclopédie avant la lettre. The king used diplomatic channels to gather this, putting some of his best ambassadors and diplomats in Rome, Paris, London, and The Hague in charge. He was also extremely interested in developing strong ties with the Church in Rome. He supported lavish ambassadorial entrées, made substantial donations to the Pope and became (in absentia) one of the most generous patrons of art in Rome. He commissioned hundreds of masterpieces, namely the magnificent sculptures for his palace in Mafra and the sumptuous chapel of San Rocco in Lisbon, and he and his courtiers became some of the most influential collectors in the new Grand Tour.

Topics might include (but are not restricted to):

• The cultural milieu and artistic trade involving the embassies
• The print collection and the Mariettes
• The Boendermaker Atlas
• The art markets in Rome, Paris, and The Hague
• Collectors and diplomats as trading agents for the king

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