Enfilade

Exhibition | Spirits of the Passage: The Transatlantic Slave Trade

Posted in books, catalogues, exhibitions by Editor on February 8, 2015

From the press release for the exhibition:

Spirits of the Passage: The Story of the Transatlantic Slave Trade
The Frazier History Museum, Louisville, Kentucky, February 2 through June 16, 2013
The DuSable Museum of African American History, Chicago, 19 September 2014 — 4 January 2015
Reading Public Museum, Reading, Pennsylvania, 24 January — 3 May 2015

Slave Shackles from the Henrietta Marie, c. 1700, Courtesy, Mel Fisher Maritime Museum, Key West, FL.

Slave Shackles from The Henrietta Marie, ca. 1700 (Key West: The Mel Fisher Maritime Museum)

The Reading Public Museum invites guests to the new exhibition, Spirits of the Passage: The Story of the Transatlantic Slave Trade, exploring the transatlantic slave trade through a display of nearly 150 historical objects, many salvaged from sunken ships. This exhibition, sponsored locally by The Historic Abraham Lincoln Hotel, was developed in conjunction with the 150th anniversary of Abraham Lincoln’s 1863 Emancipation Proclamation and the turning point it represented for thousands of enslaved people at a pivotal point in the American Civil War. It’s the first exhibit of its kind to examine the entire history of the Transatlantic Slave Trade from the 16th through 19th centuries, while also presenting the most up-to-date research and discoveries to the public. These include the latest marine archaeological discoveries from the Mel Fisher Maritime Museum, new research on key African societies, and an exploration of the slave trade’s modern day legacies.

Spirits of the Passage allows guests to see authentic artifacts from the wreck of an actual slave ship, such as restraints, tools, plates and trade goods, as well as dozens of other objects from West African societies that show the uniqueness of the individual cultures they represent. These include religious objects, bronze- and beadwork, pottery, and jewelry. These compelling artifacts create a provocative picture of this tragic era, while also engendering a sense of pride in the legacy of strength these enslaved people left behind.

Spirits of the Passage was produced in partnership by The Mel Fisher Maritime Museum in Key West, Florida and The Frazier History Museum in Louisville, Kentucky.

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The 1972 discovery of The Henrietta Marie occasioned this 1997 book:

Madeleine Burnside and Rosemarie Robotham, with a foreword by Cornell West, Spirits of the Passage: The Transatlantic Slave Trade in the Seventeenth Century (New York:  Simon & Schuster, 1997), 192 pages, ISBN: 978-0684818191.

Spirits-of-the-Passage-Burnside-Madeleine-9780684818191In a watery grave off the coast of Florida lies the earliest slave ship ever recovered. The English-owned Henrietta Marie plied the waters from Europe to Africa and the New World, sinking in the year 1700. She has waited three hundred years to reveal her story. Taking the wreck of the ship as its dramatic heart, Spirits of the Passage presents the first general-interest history of the early years of the slave trade. Told in part from the decks and the cargo hold of a single merchant slaver, this powerful and fascinating story covers a period that has heretofore been largely the territory of scholars—the late seventeenth century, when the slave trade began a period of explosive growth.

Spirits of the Passage describes the story of the largest forced migration in human history, with a powerful text that personalizes the experience of slavery in the most gripping way. Richly illustrated with artifacts found in the wreck along with etchings and paintings of the time, the book documents a tragic tale of human misery even as it reveals the strength of spirit that made survival possible for enslaved Africans. Included throughout are narratives of resistance and survival, many of them never before told. The mosaic of profiles breathes life into stories from all sides of the trade, stories that will contribute to a more complete understanding of the dilemmas of the time. As integral parts of this important volume, profiles, anecdotes, illustrations, and incisive narrative all combine to create a compelling account of one of history’s most important, and shattering, moments.

NEH Summer Institute | 3D Modeling of Cultural Heritage Sites

Posted in opportunities by Editor on February 8, 2015

SummerInstituteMontage_Jan16
From H-ArtHist:

Advanced Challenges in Theory and Practice in 3D Modeling of Cultural Heritage Sites
UMass Amherst, 22–28 June 2015, and UCLA, 20–23 June 2016

Applications due by 30 March 2015

Directors: Alyson A. Gill (UMass Amherst) and Lisa M. Snyder (UCLA)

Applications are currently being accepted for Advanced Challenges in Theory and Practice in 3D Modeling of Cultural Heritage Sites. This NEH Summer Institute for Advanced Topics in the Digital Humanities will take place over two consecutive summers. In 2015, participants will gather at UMass Amherst from June 22–28 to discuss key issues and challenges facing scholars working with 3D content with an emphasis on the end user experience, and define research questions that they will explore in the subsequent academic year. In 2016, participants will present their findings at a three-day symposium to be held at UCLA from June 20–23.

Submissions are encouraged from scholars with research or teaching projects that would benefit from advanced discussion of theoretical issues related to 3D content; in-service educators interested in pedagogical applications for 3D content across humanities disciplines and grade levels; library, museum, and publishing professionals investigating or using 3D content in installations or born-digital publications; and technologists involved with interactive 3D computer graphics, educational games, or dissemination platforms.

Applications due by March 30, 2015; applicants notified by April 13, 2015. Successful applicants receive a $1,375 stipend to defray expenses related to the 2015 Summer Institute at UMass Amherst and an additional $1,000 to defray expenses related to the 2016 Symposium at UCLA. Please visit advancedchallenges.com for details about the schedule, institute faculty, and the application process.

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And the website really is worth visiting even if you have no intentions of applying; the reading list alone is pretty exciting. CH

New Book | Antiquity, Theatre, and the Painting of Henry Fuseli

Posted in books by Editor on February 8, 2015

From Oxford UP:

Andrei Pop, Antiquity, Theatre, and the Painting of Henry Fuseli (Oxford: Oxford University Press, 2015), 288 pages, ISBN: 978-0198709275, £70 / $115.

9780198709275_450The rediscovery of Pompeii and Herculaneum in the eighteenth century challenged European assumptions about ancient life; just as influential, if quieter, was the revolution caused by translations of Greek tragedy. Art of the mid-eighteenth to early nineteenth centuries dealt with the violence and seeming irrationality of tragic action as an account of the rituals and beliefs of a foreign culture, worshipping strange gods and enacting unfamiliar customs. The result was a focus on the radical difference of the past which, however, was thought to still have something to teach us: not how to live better, but that we live differently and should allow others to do so as well. In recognizing tragedy as an alien cultural form, modern Europe recognized its own historical status as one culture among many.

Naturally, this insight was resisted. Greek tragedy was seldom performed. In painting, it lived a shadow existence alongside more didactic subject matter, emerging explicitly only in a corpus of wash drawings by Anglo-Swiss artist Henry Fuseli (1741-1825) and an international circle of artists active in Rome in the 1770s. In this volume, Pop examines Fuseli as exemplary of a pluralist classicism, paying especial attention to his experiments with moral and aesthetic conventions in the more private medium of drawing. He analyses this broad view of culture through the lens of Fuseli’s life and work. His remarkable acquaintances Emma Hamilton, Erasmus Darwin, and Mary Wollstonecraft, and the great theorists of art and morals to whom he responded, Jean-Jacques Rousseau, Johann Joachim Winckelmann, and David Hume, play prominent roles in this investigation of how antiquity became modern.

Andrei Pop is Associate Professor in the John U. Nef Committee on Social Thought at the University of Chicago.

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C O N T E N T S

Introduction: Classicism and its Discontents
1 Tragedy, the Cultural Relativism of Henry Fuseli
2 Grave Monuments, Writing, and the Antique Present
3 Comedy, Dreaming, and the Sympathetic Spectator
4 Winckelmann’s Fake and Activist Neoclassicism
5 The Satyr Play, or Naturalizing Human Nature
6 Ordinary Antiquity
Conclusion
Appendix I: Fuseli and Herder
Appendix II: Fuseli and Homer
Bibliography
Index