Enfilade

Conference | Becoming Roman: Artistic Immigration

Posted in conferences (to attend) by Editor on May 16, 2016

From H-ArtHist:

Becoming Roman: Artistic Immigration in the
Urbe from the Sixteenth to the Twentieth Centuries

The British School at Rome, 20 May 2016

Organized by Ariane Varela Braga and Thomas-Leo True

Questions of artistic travel and mobility have been the focus of recent scholarly attention. Rome’s special status as caput mundi and the opportunities it provided as a cultural centre have attracted migrant artists from the Renaissance to the present day.

This conference addresses the issue of mobility from a novel perspective, by concentrating on case-studies of artists—or groups of artists—that not only travelled to, but settled in, Rome and examines issues of mobility, artistic exchange and cultural transfer, patronage and professional networks, cultural identity, and strategies for integration or voluntary exclusion from the local artistic life. When (and how) do foreign artists become Roman artists? What is the role played by social and institutional networks for their integration? How does the process of integration evolve and modify over time? For what sort of clientele (particularly foreign or local) do foreign artists work? How do foreign artist interact with the local artistic environment? How does their activity shape questions of Romanitas or Roman cultural identity?

The conference is an initiative of the Rome Art History Network (RAHN), an independent and international network, based in Rome, which encourages the exchange of ideas between researchers from foreign academies and Italian universities, at an early stage of their career.

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P R O G R A M M E

9:30  Welcome by Thomas-Leo True (BSR)

9:40  Introduction by Ariane Varela Braga (RAHN/University of Zurich)

10:00  Session 1 | Dynamics of Settlement and Integration: Studying Foreign Artists in Rome
Chair: Francesca Cappelletti (Università degli studi di Ferrara)
• Patrizia Cavazzini (BSR), La popolazione dei pittori a Roma nel Cinquecento
• Laura Bartoni (Universita Telematica Internazionale Uninettuno), Artisti stranieri nella Roma del Seicento tra fortuna e fallimento
• Gilles Montègre (Université de Grenoble Alpes), Sono stranieri o diventati romani ? Indagare sugli artisti e residenti francesi nella Roma settecentesca

11:40  Break

12:00  Session 2 | Networks and Socio-institutional Connections
Chair: Raffaella Morselli (Università degli Studi di Teramo)
• Piers Baker-Bates (The Open University), Tierra Tan Extraña: Spanish artists in sixteenth-century Rome
• Elisabeth Kieven (Bibliotheca Hertziana-Istituto Max Planck per la Storia dell‘Arte), Becoming successfully Roman: the case of Gaspar van Wittel (1653–1736)

13:40  Lunch

15:00  Session 3 | Cosmopolitan Circles
Chair: Sarah Linford (Accademia di Belle Arti di Roma)
• Anna Frasca-Rath (Universität Wien), Antonio Canova ed i borsisti internazionali a Roma
• Sarah Kinzel (Humboldt-Universität zu Berlin), Patrons, parties, priceless portraits: Franz von Lenbach’s network in Rome

16:10 Break

16:30  Session 4 | Out of Time: The Choice of Rome
Chair: Laura Iamurri (Università degli Studi Roma Tre)
• Anna Vyazentseva (Università dell’Insubria), Alcuni artisti e architetti Russi a Roma nel Primo Novecento: le questioni dell’integrazione
• Peter Benson Miller (American Academy in Rome), Resident/Alien: American artists in postwar Rome

18:00  Evening Lecture
• Irene Fosi (Università degli Studi “G. d’Annunzio”, Chieti-Pescara), Roma in età moderna: un mosaico di ‘nationes’

Study Day | Kimbolton Castle, Huntingdonshire

Posted in on site, opportunities by Editor on May 16, 2016

From the Society of Architectural Historians of Great Britain:

SAHGB Study Day: Kimbolton Castle
Huntingdonshire (Cambridgeshire), 13 July 2016

4129733_origPete Smith and Nora Butler (Kimbolton School) will be leading a Study Day at Kimbolton Castle on Wednesday 13th July 2016. Kimbolton Castle was purchased by Sir Henry Montagu in around 1605. He was created Earl of Manchester by Charles I. It was his great-grandson Charles, the 4th Earl who inherited in 1683 and who, between 1690 and 1720, entirely rebuilt the original courtyard house. This rebuilding was carried out in three phases. The first possibly by Henry Bell of Kings Lynn between 1691 and 1696, the second by Sir John Vanbrugh between 1707 and 1710 and finally the east portico was added in 1719, this is usually assigned to Alessandro Galilei though recently discovered evidence suggests it may have been designed by Thomas Archer. Antonio Pellegrini decorated the staircase with paintings of The Triumph of Caesar in 1711–12. A new service range and gateway was added by Robert Adam for the 4th Duke of Manchester in around 1764. In the 1860s William Montagu, the 7th Duke, employed William Burn to modernize the house including new ceilings in the Dining Room and Saloon. He added an attic storey to the central section of north front and built a new stable block 1869–70. The 10th Duke of Manchester sold the castle to Kimbolton School in 1949. The school employed Marshall Sisson to restore the castle including the re-instatement of the glazing bars to all the sash windows. Cost: £35 (£25 students).