New Book | Fleshing out Surfaces

Posted in books by Caitlin Smits on August 5, 2016

From Manchester University Press:

Mechthild Fend, Fleshing out Surfaces: Skin in French Art and Medicine, 1650–1850 (Manchester: Manchester University Press, 2016), 376 pages, ISBN: 978-1526104670, £75 / $105.

9780719087967Fleshing out Surfaces is the first English-language book on skin and flesh tones in art. It considers flesh and skin in art theory, image making, and medical discourse in seventeenth- to nineteenth-century France. Describing a gradual shift between the early modern and the modern period, it argues that what artists made when imitating human nakedness was not always the same. Initially understood in terms of the body’s substance—of flesh tones and body colour—it became increasingly a matter of skin, skin colour, and surfaces. Each chapter is dedicated to a different notion of skin and its colour, from flesh tones via a membrane imbued with nervous energy to hermetic borderline. Looking in particular at works by Fragonard, David, Girodet, Benoist, and Ingres, the focus is on portraits, as facial skin is a special arena for testing painterly skills and a site where the body and the image become equally expressive.

Mechthild Fend is Reader in History of Art at University College London.


1  Introduction
2  The Surface’s Substance
3  Nervous Canvas
4  Limite Sensitive
5  Skin Colour
6  Seeing through the Skin
7  Hermetic Borderline
8  Epilogue: Segregation

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

%d bloggers like this: