Enfilade

The eighteenth century in The Burlington:

The Burlington Magazine 158 (November 2016)

A R T I C L E S

• Lucia Simonato, “A New Work by Domenico Guidi: The Bust of Cardinal Gianfrancesco Albani,” pp. 885–90.
• Bent Sørensen, “The Parisian Career of Jacques François Saly, 1749–53,” pp. 891–99.

L E T T E R

• Kim Legate, “More on Chippendale at Hestercombe House,” p. 904.

R E V I E W S

• Anthony Geraghty, Review of Owen Hopkins, From the Shadows: The Architecture and Afterlife of Nicholas Hawksmoor (Rekation Books, 2015), p. 907–08.
• Tessa Murdoch, Review of Malcolm Baker, The Marble Index: Roubiliac and Sculptural Portraiture in Eighteenth-Century Britain (Paul Mellon Centre for Studies in British Art, 2015), p. 908.
• Martin Postle, Review of James Ayres, Art, Artisans, and Apprentices: Apprentice Painters and Sculptors in the Early Modern British Tradition (Oxbow Books, 2014), p. 909.
• Loyd Grossman, Review of Susan Rather, The American School: Artists and Status in the Late-Colonial and Early National Era (Yale University Press, 2016), pp. 909–10.
• François Quiviger, Review of Andrea Daninos, Una Rivoluzione di Cera: Francesco Orso e e i «cabinets de figures» in Francia (Officina Libraria, 2016), pp. 911–12.
• Philip Ward-Jackson, Review of Vanessa Brett, Bertrand’s Toyshop in Bath: Luxury Retailing, 1685–1765 (Oblong Creative, 2014), p. 912.
• Jamie Mulherron, Review of the exhibition Marseille au XVIIIe siècle: Les années de l’Académie, 1753–1793 (Le Musée des Beaux-Arts, Marseille, 2016), pp. 921–23.
• Jeremy Warren, Review of the exhibition Splendida Minima (Tesoro dei Granduchi, Palazzo Pitti, Florence, 2016), pp. 923–24. [Includes the eighteenth-century reception of these small-scale sculptures.]

Save

Save

Save

Save