New Book | Artefacts of Encounter: Cook’s Voyages
From the University of Hawaii Press:
Thomas, Nicholas Thomas, Julie Adams, Billie Lythberg, Maia Nuku, and Amiria Salmond, Artefacts of Encounter: Cook’s Voyages, Colonial Collecting and Museum Histories (Honolulu: University of Hawai’i Press, 2016), 364 pages, ISBN: 978 0824 859350, $68.
The Pacific artefacts and works of art collected during the three voyages of Captain James Cook and the navigators, traders, and missionaries who followed him are of foundational importance for the study of art and culture in Oceania. These collections are representative not only of technologies or belief systems but of indigenous cultures at the formative stages of their modern histories, and exemplify Islanders’ institutions, cosmologies, and social relationships.
Recently, scholars from the Pacific and further afield, working with Pacific artefacts at the Museum of Archaeology and Anthropology in Cambridge (MAA), have set out to challenge and rethink some longstanding assumptions on their significance. The Cook voyage collection at the MAA is among the four or five most important in the world, containing over 200 of the 2000-odd objects with Cook voyage provenance that are dispersed throughout the world. The collection includes some 100 artefacts dating from Cook’s first voyage. This stunning book catalogues this collection, and its cutting-edge scholarship sheds new light on the significance of many artefacts of encounter. Published in association with Otago University Press.
The William Blake Archive Launches Updated Website

William Blake, The First Book of Urizen, Plate 14, Object 7 (Bentley 85.7, Butlin 262.7), from A Large Book of Designs, ca. 1796 (London: British Museum).
In collaboration with UNC Libraries and ITS Research Computing, The William Blake Archive launched on 12 December 2016 a complete and transformative redesign of its website. This new site, www.blakearchive.org, retains all of the features of the previous site, which had become so indispensable to Blake scholars, and offers vast improvements, making it easier than ever for educators and scholars to access and study Blake’s inimitable works.
The Blake Archive, one of the preeminent digital humanities sites in the world, is a hypermedia archive of Blake’s poetry and art that is sponsored by the Library of Congress and supported by the University of North Carolina at Chapel Hill and the University of Rochester. Past support came from the Getty Grant Program, the Paul Mellon Centre for Studies in British Art, and the National Endowment for the Humanities. The Archive integrates, for the first time, all of Blake’s visual and literary work. It comprises almost 7000 high-resolution digital images of Blake’s illuminated books, paintings, drawings, manuscripts, and engravings drawn from over 45 of the world’s great research libraries and museums.
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