Enfilade

Seminar Series | Art and the Senses

Posted in lectures (to attend) by Editor on December 6, 2017

 

From the University of Cambridge:

Art and the Senses
Department of History of Art Graduate Research Seminar Series, University of Cambridge, Lent 2018

The work of art is more than a visual object. It has surface, texture that can be touched, and emits or evokes sounds, smells, and tastes. Recently, academic studies on the senses have flourished, especially in the context of the material approach to visual studies; meanwhile, museums and art institutions have been considering new ways to augment visitor experience through the senses, and better engage with visitors who have sensory impairments; and in contemporary art, performance, video, and sound can incorporate more than one sense at a time, and calls into question the primacy of the visual. This Graduate Seminar Series, Art and the Senses, seeks to appreciate the roles of the senses in visual culture, explore the senses’ problematic and pleasurable qualities, and ultimately offer participants the opportunity to engage with their own senses.

Wednesdays at 5pm
History of Art Graduate Centre
4a Trumpington Street, CB2 1QA
Refreshments provided, all welcome

Making
Wednesday 17 January
Nose-First: Rendering Visible the Humanist Smellscape
Kate McLean – Programme Director, Graphic Design Canterbury Christ Church University and Information Experience Design PhD Candidate RCA

Seeing
Wednesday 24 January
Investigating the Invisible: Optiques and Visual Culture in the French Merveilleux-Scientifique Genre (1880–1930)
Fleur Hopkins – History of Art PhD Candidate, Université Paris 1 Panthéon-Sorbonne and Assistant Researcher at the Bibliothèque Nationale de France, département des Sciences et Techniques

Tasting
Wednesday 31 January
Tasting Impressionism
Dr Allison Deutsch – Junior Research Fellow, Institute of Advanced Studies, University College London

Smelling
Wednesday 7 February
In Search of Lost Scents: (Re-)constructing the Aromatic Heritage of History of Art and How to Use the Nose as a Methodological Tool
Caro Verbeek – Curator and PhD Candidate, Vrije Universiteit, Amsterdam, Embedded Researcher Rijksmuseum and International Flavors & Fragrances

Hearing
Wednesday 14 February
Emergency Noises: Sound Art and Gender
Dr Irene Noy – Independent scholar

Touching
Wednesday 21 February
Touching the Renaissance: The Material Culture of Skin in Europe, 1450–1700
Professor Evelyn Welch FKC – Provost/Senior Vice President (Arts & Sciences) and Professor of Renaissance Studies in the Department of History, School of Arts & Humanities

Displaying
Wednesday 28 February
Sensory Experiences in the National Gallery
In Conversation with Dr Caroline Campbell – The Jacob Rothschild Head of the Curatorial Department, The National Gallery, London

Love Making
Wednesday 7 March
Illustration and the Erotics of Re-Use in Victorian Print Culture
Dr Sarah Bull – Wellcome Trust Research Fellow, History and Philosophy of Science, Cambridge

Convenors: Lizzie Marx and Lorraine de la Verpillière
Twitter: @ArtSensesCam | Facebook: ArtSenseCambridge

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s