Enfilade

As the June 2018 issue of The Burlington launches a new design (the work of Studio Frank), editor Michael Hall provides a brief overview of the history of the journal’s design in his editorial comments, noting that “many readers now access the magazine in its digital edition and for most people the first sight of the cover is likely to be on the screen of a tablet or smartphone, meaning that it has to work on a small scale” (453).

The eighteenth century in The Burlington:

The Burlington Magazine 160 (June 2018)

A R T I C L E S

• Tessa Murdoch, “A Set of Silver-Gilt Waiters by Benjamin Pyne for the Courtenay Family of Powderham Castle, Devon,” pp. 478–89.

R E V I E W S

• Xavier F. Salomon, Review of the exhibition Tiepolo Segreto (Vicenza: Palladio Museum, 2017–18), pp. 495–97.
• Sanda Miller, Review of the exhibition Fashioned from Nature (London: V&A, 2018), 497–99.
• Steven Jaron, Review of John Onians, European Art: A Neuroarthistory (Yale UP, 2016), 516–17.
• Antoine Maës, Review of Alexandre Maral, François Girardon (1628–1715): Le Sculpteur de Louis XIV (Arthena, 2015), p. 519.
• Clare Hornsby, Review of Paola Bianchi and Karin Wolfe, eds., Turin and the British in the Age of the Grand Tour (Cambridge UP, 2017), pp. 520–21.
• Jonathan Brown, Review of Elena Santiago Páez, ed., Ceán Bermúdez: Historiador del arte y coleccionista ilustrado (Centro de Estudios Europa Hispánica, 2016), p. 521.
• Timothy Wilcox, Review of Ann Gunn, The Prints of Paul Sandby (1731–1809): A Catalogue Raisonné (Brepols, 2016), pp. 521–23.
• Caroline Finkel, Review of Francis Russell, 123 Places in Turkey: A Private Grand Tour (Bitter Lemon Press, 2017), p. 527.