London Art Week, Summer 2018 / Painting by Joseph Wright

Posted in Art Market by Editor on July 5, 2018

Joseph Wright of Derby, Portrait of a Young Boy with a Drum, inscribed with the letter ‘R’, ca. 1780, oil on canvas, 28 × 36 inches / 70 × 91 cm
(Courtesy Ben Elwes Fine Art)

◊  ◊  ◊  ◊  ◊

Press release for London Art Week, via Art Daily:

London Art Week, Summer 2018
28 June — 6 July 2018

A major rediscovery from the mature period of Joseph Wright of Derby is among many important paintings being unveiled at London Art Week Summer 2018, open now through Friday 6 July at forty galleries across Mayfair and St. James’s. Presented by Ben Elwes Fine Art, the painting by Joseph Wright of Derby (1734–1797) depicts a young boy with a drum and a landscape beyond. It shows the artist’s virtuosity as a masterful and empathetic portrait painter—he excelled at children—and a superb landscape artist. It dates from around 1780, a period, following Wright’s return from an Italian soujourn in 1775, when his art, across genres, brimmed with confidence.

Antonacci Lapiccirella Fine Art (new LAW participants from Rome) is exhibiting a sensational rediscovery of a work famed in art history circles; a painting by Antonio Canova thought to have been lost for two centuries. In a daring trick played by Canova on the greatest artists in Rome, he presented Self-Portrait of Giorgione to his peers as an original by the revered Venetian 16th-century painter. Whist all acclaimed it as a truth, a year later Canova announced that he himself had painted the portrait as a practical joke.

Maurizio Nobile, from Bologna, presents an extraordinary discovery, a large altar-piece by Gaetano Gandolfi (1734–1802) of The Holy Family and Saint Augustine dated 1761. Scholars were only aware of the existence of the work thanks to a photo published in the monograph dedicated to the painter by D. Biagi Maino (Turin, 1995). For the first time, this painting can be viewed by the public at large.

Further highlights among paintings offered at London Art Week include:

• At Colnaghi: A rarely-seen depiction of Saint Francis by Doménikos Theotokópoulos, known as El Greco (1541–1614). The Stigmatisation of Saint Francis is a powerful and dramatic composition which was first published in 1908, and last seen in public in 1999 at the major show on the artist held at Thyssen-Bornemisza Museum in Madrid.

• At Martyn Gregory: A rare view of China by William Daniell RA (1769–1837), the most important rediscovery in Daniell’s oeuvre for fifty years.

• At Robilant+Voena: A rare, signed, full-length male portrait of Antoine de Ville, a military engineer, by Artemisia Gentileschi (1593–c1654) one of the most highly regarded female artists of the Baroque. This work is a very important addition to the few portraits known in the oeuvre of this 17th-century artist who is famed mainly for her powerful depictions of Old Testament heroines, though contemporary sources testify that she was also celebrated for her portraits.

• At The Weiss Gallery: A rare Friesland School early Dutch portrait of a young boy aged three, painted 1603, is one of the earliest examples of a portrait incorporating a kolf club, used to hit a stuffed leather ball in the Dutch game of het kolven, an early form of golf.

Exhibition | Blast from the Past: Artillery in the War of Independence

Posted in exhibitions by Editor on July 5, 2018

Along with artillery objects, the exhibition includes British paintings of arms manufacturing on loan from the National Maritime Museum in Greenwich and the Musée de l’Armée at Les Invalides in Paris.

Blast from the Past: Artillery in the War of Independence
American Revolution Museum, Yorktown, 10 June 2018 — 5 January 2019

Curated by Sarah Meschutt

As the last great victory of the American Revolution, the 1781 Siege at Yorktown is known for the use of artillery by General George Washington’s Continental Army. Through interactive elements and artifact displays, Blast from the Past: Artillery in the War of Independence features artillery used on all fronts of the American Revolution by the American, French, and British forces. This special exhibition explores a range of topics from innovations in artillery design and technology to the individual roles of an artillery crew. Topics examine artillery deployment and transport, as well as the range of fire and science behind these powerful weapons.

Blast from the Past highlights the chronology of the weapons and reveal the technology and innovation that delivered the last great victory of the Revolution—a victory that forever made Yorktown, Virginia, the place where the subjects of a king became the citizens of a nation.

American, French and British artillery pieces include:
• British Light 3-pounder bronze field cannon, cast by Jan and Pieter Verbruggen, ca. 1776, on loan from the U.S. Army Center of Military History
• ‘La Perileuse’ French 4-pounder bronze field cannon, cast by Jean Bérenger at Strasbourg, ca 1758, on loan from the National Park Service Springfield Armory National Historic Site
• British 12-pounder bronze ‘Lafayette’ cannon, cast by William Bowen, ca. 1759, on loan from the National Park Service, Colonial National Historical Park, Yorktown Collection
• American 6-pounder iron cannon, cast by Samuel and Daniel Hughes, ca. 1775–83, on loan from the Mayor and Council of Boonsboro, Maryland
• ‘La Bellone’ French 4-pounder bronze battalion cannon, cast by D.E. Dupont at Rochefort, ca. 1773, on loan from the National Park Service, Home of Franklin D. Roosevelt National Historical Site

Visitors can take in the size and scope of American, French, and British artillery and then explore the museum for a range of hands-on experiences.
• Discover types of artillery—cannons, mortars and howitzers—and types of ammunition, from shot and shell to canister and grape.
• Figure out the right artillery tool for the job—types of shot and essential implements of rammer, sponge and linstock—in a hands-on display.
• How does one move a gun? Lift a door to determine the strength by men and horses to advance a light or heavy gun.
• Examine an artilleryman’s pocket guide; see interactive 18th-century artillery field manuals that served as reference to determine tasks such as how to draw a 6-pounder up a steep cliff or bluff.


%d bloggers like this: