Enfilade

Call for Papers | The Prospect of Improvement

Posted in Calls for Papers by Editor on January 24, 2020

From ArtHist.net:

The Prospect of Improvement: A Bluestocking Landscape
Hagley Hall, Worcester, 8–9 September 2020

Proposals due by 14 February 2020

A two-day conference at Hagley Hall, Worcestershire including a tour of the house and grounds supported by Elizabeth Montagu Correspondence Online [EMCO] and Paul Mellon Centre for Studies in British Art.

The Prospect of Improvement: A Bluestocking Landscape puts centre stage the patriotism and patronage of George Lyttelton first baron Lyttelton (1709–1773), a strangely shadowy figure yet a fascinating eminence grise behind the art and politics of his age. We will discuss the motivation behind his extensive remodelling of his grounds and the commissioning of local architect Sanderson Miller (1716–1780) in designing a new Hagley Hall. How can the ideas of other architects and landscape reformers from the midlands such as Sir Roger Newdigate (1719–1806), Sir Uvedale Price (1747-1829), and William Shenstone (1714-1763) be brought into dialogue with Miller’s project?

As EMCO is editing the correspondence of Lord Lyttelton’s friend and literary collaborator, critic Elizabeth Montagu (1718–1800), we will equally focus on eighteenth-century women’s management of estates, commissioning of art and architecture and writing associating rural retirement with moral improvement.

Plenary speakers
• Stephen Bending (University of Southampton), author of Green Retreats: Women, Gardens, and Eighteenth-Century Culture (2013)
• Markman Ellis (Queen Mary, University of London), author of The Coffee House: A Cultural History (2005)
• Joe Hawkins (Head of Landscape at Hagley)
• Steve Hindle (Huntington Library, California), W. M. Keck Foundation Director of Research

We invite delegates to participate in three panels on the following themes:
• Concepts of reform and improvement in architecture and rural life
• Female management of the country estate
• The symbolism of the garden in eighteenth-century art and literature

We also welcome papers on:
• Whig perceptions of the country and the city
• Portraiture, representations of the country house, and landscape painting
• Domesticating the picturesque: creating the grotto, the wilderness, and the waterfall
• Bluestocking crafts and collecting
• Botany, gardening, and girls’ education
• Agricultural reform and the rural poor
• The Lunar Society, provincial salons, and correspondence networks
• The politics of patronage
• Philanthropy and the religious revival

A selection of delegates will be invited to extend their papers into scholarly articles for a book-length special issue of the journal Eighteenth-Century Life, to be edited by Professor Markman Ellis.

Please send proposals for papers (no longer than 350 words) and requests for bursary application forms by 14th February 2020 to Jack Orchard by email: j.t.g.orchard@swansea.ac.uk or by post to: Dr. Jack Orchard, Department of English Literature and Creative Writing, Swansea University, Singleton Park, Swansea, SA2 8PP.

Registration

Conference Registration with Accommodation: £130
Conference Registration: £70
Accommodation will be arranged by EMCO at a local hotel, and both registration fees include two lunches at the conference and the conference banquet.

We reach out especially to early career researchers by offering six bursaries funded by the Paul Mellon Centre for British Art to doctoral students and unwaged ECRs with promising proposals for papers relevant to the conference theme. Each bursary holder is invited to review two panel sessions for a report on the conference to be published online at Elizabeth Montagu Letters and the Bluestocking Circle. Bursaries covering the conference fee and accommodation are available to six postgraduate students and unwaged early career researchers, who have papers accepted for presentation at the conference. ‘Unwaged’ scholars may be retired, unemployed, or unable to access institutional support for conference attendance. They are invited to make a personal statement in support of their application. Students’ bursary application forms must be accompanied by a statement from a supervisor which is signed on university headed paper and accompanied by the university stamp. The bursary award will be paid as a refund following attendance at the conference.

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