Enfilade

Digital Project | Adam Grand Tour, Letters and Other Writings

Posted in resources by Editor on May 19, 2020

From the project website:

Robert & James Adams’ Grand Tour Letters and Writings, 1754–63
Organized by Adriano Aymonino and Colin Thom with Giles Bergel and Harriet Richardson

Charles-Louis Clerisseau (attributed), Capriccio, ca.1756–57 (London: Sir John Soane’s Museum, SM Adam volume 56/139, photograph by Hugh Kelly).

The digital project—Robert & James Adams’ Grand Tour Letters and Writings 1754–63—aims to present an online critical edition of all the known Adam brothers’ Grand Tour letters and writings as a freely available, open-access, fully searchable database. This will enable readers to view the letters in their original form alongside new and accurate transcriptions, with contextual scholarly annotations.

The website will be updated periodically as the project progresses through its various phases. The completed online edition of the letters will be hosted from 2022 by Sir John Soane’s Museum, custodians of most of the surviving Grand Tour and architectural drawings from the Adam brothers’ office, and will be licensed under a Creative Commons CC BY-NC-SA licence.

The project is supported by a Digital Project Grant from the Paul Mellon Centre for Studies in British Art and is a collaboration between UCL’s Bartlett School of Architecture and the University of Buckingham’s Department of History and History of Art. It also has the support of Sir John Soane’s Museum, the National Records of Scotland, the Victoria & Albert Museum, the Royal Institute of British Architects and London Metropolitan Archives/City of London. The editors and directors of the project are Dr Adriano Aymonino of the University of Buckingham and Colin Thom of the Survey of London at UCL’s Bartlett School of Architecture. The project’s technical manager is Dr Giles Bergel (UCL and Oxford). The project’s transcriber is Harriet Richardson.  Please send any comments or new information to us by email to: editors@adamgrandtour.online.

Call for Papers | Palaces in Eighteenth-Century Madrid

Posted in Calls for Papers by Editor on May 19, 2020

An earlier version of this announcement (from ArtHist.net) appeared yesterday; here’s a more complete version from the Call for Papers, which includes the Spanish. Also, please note the qualification of the date:

Palaces for Rent: Real Estate in Madrid in the Eighteenth Century / Palacios en alquiler: Patrimonio inmobiliario en el Madrid del siglo XVIII
Universidad Nacional de Educación a Distancia (UNED), Madrid, 12 November 2020*

Proposals due by 30 June 2020

This conference is the second in a series devoted to palaces in eighteenth-century European cities. The first conference, which focused on Rome, was hosted by the Art History Department at the UNED (Madrid) last year. In this second edition we seek to explore the case of Madrid during the eighteenth century. On the one hand, the majority of the nobility continued to live in rented palaces at the Court even though they owned properties within the city that they, in turn, rented out to other families. On the other, there was a discrepancy between the magnificence of the Spanish nobility and the quality and decoration of Madrid’s palaces. It was common for nobles to live in rundown old buildings, in most cases only slightly refurbished, which differed from other homes only in size. Over the course of the eighteenth century, and after the Alcázar was destroyed by fire, there was a noticeable change in the location of the city’s palaces. Firstly, the focus of the Court shifted towards the Buen Retiro, fostering the construction of new palaces on the eastern side of the Prado that conformed with both the canons of academic taste and the beautification and modernization of the capital promoted during the reigns of Ferdinand VI and, especially, Charles III. Secondly, during this period, domestic interiors underwent an important renewal as fashionable residences were adapted to new uses and social practices. This phenomenon, which reached its luxurious peak during the reign of Charles IV, provoked intense commercial activity as it spread to other social groups, such as the emerging bourgeoisie, the new administrative elite of the State, and the foreign diplomats who resided in the capital.

The purpose of this second conference is to gather specialists with different areas of expertise in order to delve into the uses and practices of housing in Madrid during the eighteenth century, taking into account the social and urban transformations of the city and the changes in the uses of domestic space in palaces, either coming whether by long-term residents (the nobility, the middle class, or public servants) or short-term ones (diplomats, travelers, businessmen, agents, etc.).

Potential topics for discussion could include but are not limited to:
• Palaces in Bourbon Madrid, architectural and artistic aspects.
• Internal organization of palaces, spaces and etiquette, from theory to practice.
• The palace as the place of courtly sociability and courtly society.
• Supply and demand in the housing market, sales or rentals.
• Decoration and interior design of the residences of the nobility.
• Structure of noble households in Madrid, servants, duties, etc.
• Ambassadors, legates, cardinals and other representatives and their Madrid residences.
• Topographies of noble and diplomatic power.

We invite scholars at all stages of their careers to propose 20-minute presentations, preferably focused on case studies. The official language for the conference is Spanish, but we accept English, Portuguese, Italian, and French. For the sake of clarity all communications with foreign colleagues, as well as their proposals, should be in English.

Candidates are invited to submit their proposals by 30 June 2020 to: palacesforrent@gmail.com. They should include an abstract (up to 500 words) and a brief CV with recent publications (max. 1 page). Unfortunately, it will not be possible to cover travel and accommodation costs for participants. Applicants will be notified of the final selection by 15 July 2020.

* The date could be subject to change in the following months due to COVID-19 crisis and the subsequent health regulations. In case there would be travel restrictions the organization of the congress would provide adequate solutions to allow e-participation for non local speakers.

Scientific Direction
Dra. Miriam Cera Brea, UNED
Dra. Pilar Diez del Corral Corredoira, UNED
Dr. Álvaro Molina Martín, UNED

Scientific Committee
Dra. Natalia González Heras, Universidad Complutense de Madrid
Dra. Giada Lepri, La Sapienza, Roma
Dr. Carlos Sambricio, Universidad Politécnica de Madrid
Dra. Mercedes Simal, Universidad de Jaén
Dr. José Antonio Vigara Zafra, UNED

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