Enfilade

This book was published in the UK in the fall by Penguin, with a US release scheduled for March from Rizzoli. (I’m always interested in the decision to use different covers for British and American audiences. -CH)

John-Paul Stonard, foreword by The Duke and Duchess of Devonshire, with photographs by Victoria Hely-Hutchinson, Chatsworth, Arcadia, Now: Seven Scenes from the Life of an English Country House (New York: Rizzoli Electa, 2022), 420 pages, ISBN: 978-0847871414, $65.

No place embodies the spirit of the English country house better than Chatsworth. From best-selling books such as Georgiana: Duchess of Devonshire and Chatsworth: The House by Deborah Mitford, the late Dowager Duchess of Devonshire, American audiences have long been transfixed by this remarkable place and its extraordinary collection of art and decorative objects.

Today, Chatsworth’s facade is newly cleaned and its windows freshly gilded. The forward-looking current Duke of Devonshire, who likes to say that “everything was new once,” has redone the public and private rooms. This tour-de-force volume is his telling of the story of Chatsworth through seven historical periods accompanied by stunning photo-graphic portraits of the house, its collections, and the grounds.

Chatsworth contains countless treasures from Nicolas Poussin’s Et in Arcadia Ego and Antonio Canova’s Endymion to seminal modern works by Lucian Freud and David Hockney. Though filled with works from different time periods, the collection represents the very best of the “new” from each artistic era.

John-Paul Stonard is an art historian educated at the Courtauld Institute of Art and contributes to the London Review of Books and Times Literary Supplement. The Duke and Duchess of Devonshire reside at Chatsworth, home to the family since 1549. Victoria Hely-Hutchinson is a photographer whose work has appeared in Dazed & Confused, The New Yorker, Vanity Fair, Vogue, and The Wall Street Journal Magazine.

Distributed by The University of Chicago Press and Paul Holberton:

A History of Arcadia in Art and Literature: Volume I, Earlier Renaissance (London: Ad Illisum, 2021), 500 pages, ISBN: ‎ 978-1912168255, $60 / Volume II, Later Renaissance, Baroque, and Neoclassicism (London: Ad Illisvm, 2021), 500 pages, ISBN: 978-1912168262, $60.

A History of Arcadia in Art and Literature is an unprecedented exploration of the pastoral through the close examination of original texts of classical and early and later modern pastoral poetry, literature, and drama in ancient Greek, Latin, Italian, French, Spanish, Portuguese, Dutch, German, and English, as well as of a wide range of visual imagery. The book is an iconographic study of Renaissance and Baroque pastoral and related subject matter, with an important chapter on the eighteenth century, both in the visual arts, where pastoral is poorly understood, and in words and performance, about which many false preconceptions prevail.

The book begins with Virgil’s use of Theocritus and an analysis of what basis Virgil provided for Renaissance pastoral and what, by contrast, stemmed from the medieval pastourelle. Paul Holberton then moves through a remarkable range of works, addressing authors such as Petrarch, Tasso, Guarino, Lope de Vega, Cervantes, and Shakespeare, and artists such as Giorgione, Claude, Poussin, Watteau, Gainsborough, and many more. The book serves simultaneously as a careful study, an art book full of beautiful reproductions, and an anthology, presenting all texts both in the original language and in English translation.