Exhibition | Arte Sacra: Roman Catholic Art from Portuguese India
Now on view at NOMA:
Arte Sacra: Roman Catholic Art from Portuguese India
New Orleans Museum of Art, 13 March 2020 — 15 May 2022
Curated by Robert J. Del Bontà

Our Lady of the Rosary, 18th century, wood, with polychrome and gilt, 36 inches high (Collection Dr. Siddharth K. Bhansali).
In the centuries following the arrival of Francis Xavier, a Catholic missionary, in 1542, the state of Goa in western India became the administrative and economic center of a Portuguese empire that extended west to Africa and east to Malaysia, China, and Japan. The vast trade networks established by the Portuguese and Spanish allowed not only for the spread of Christianity, but also an unprecedented artistic exchange within these colonial empires. Works of art and valuable materials traveled between Spain, Portugal, and their colonies, leading to the development of new visual traditions informed by European imagery and local idioms.
European missionaries brought with them paintings, sculpture, and devotional objects for use in their evangelization efforts. Sculptures of saints and apostles, the Virgin Mary, Christ, and angels, made of wood and ivory, such as those seen in Arte Sacra, were created by Goan artists from Hindu and convert families. Initially based upon European prototypes, over time many works came to marry Christian imagery and symbols with local traditions. These works not only graced the interiors of European-style churches in Goa, but were also exported to Europe for use in religious establishments and for private devotion.
This exhibition, from the collection of Dr. Siddharth Bhansali, a New Orleans-based physician, reveals both the global influence of European seventeenth- and eighteenth-century styles, as well as the transformation of these styles in the hands of local artists creating a new visual tradition.
Robert J. Del Bontà, guest curator of Arte Sacra: Roman Catholic Art from Portuguese India, is an independent scholar of Indian art, who received his PhD from the University of Michigan in 1978. He has published numerous articles, contributed to scholarly publications, and curated exhibitions for the Berkeley Art Museum, the Portland Art Museum, and the University of Michigan Museum of Art. He provides a video tour of the exhibition here.
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