Enfilade

Arch Section and Pedestal Design on a Pine Board, Belle Farm, Gloucester County, Virginia. ca. 1775–80
(The Colonial Williamsburg Foundation, AF-VA22560.1.1)

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Opening in April at Colonial Williamsburg:

Restoring Williamsburg
DeWitt Wallace Decorative Arts Museum, Colonial Williamsburg, 20 April 2022 — December 2024

Since the 1930s, Colonial Williamsburg has been building its architectural collection. Now comprised of over 15,000 architectural fragments, it is an important and irreplaceable source of information on colonial American structures. The collection comes from existing structures and buildings lost to time. It includes everything from nails, bricks, framing and doors to wallpaper, plaster, and paint samples. These fragments play an important role in our understanding of 18th-century building materials and construction, and guide our everyday preservation of Colonial Williamsburg’s Historic Area. Highlights of the exhibition include the contents of a rat’s nest found during restoration of Wetherburn’s Tavern, the original weathervane from the Magazine, and a split-screen video showing the town as it appeared in 1930 and in 2014.

From the press release (14 March) . . . .

Southwest dining room of the reconstructed King’s Arms Tavern, Colonial Williamsburg.

Decades ago a simple wooden board in use as a shelf was discovered in Belle Farm, an 18th-century house in Gloucester County, Virginia. It turned out to be much more than an untrained eye would notice at first glance: etched into the surface was the original design for two arches that are still to be seen in the house today. This extraordinary artifact provided Colonial Williamsburg’s architectural historians with valuable information on design development and layout in the last half of the 1700s. The design was later used as the model for the arches in the southwest dining room of the reconstructed King’s Arms Tavern on Colonial Williamsburg’s Duke of Gloucester Street. This etched board is one of approximately 80 objects that will be on view in Restoring Williamsburg, a new exhibition in the James Boswell and Christopher Caracci Gallery at the DeWitt Wallace Decorative Arts Museum, one of the recently expanded Art Museums of Colonial Williamsburg. Opening on 30 April 2022, the exhibition will reveal how architectural historians and preservationists know what they know and do what they do. Through extremely rare objects and artifacts from the Colonial Williamsburg architectural collection, visitors will gain insights into the restoration and preservation work undertaken since the 1920s at the largest living history museum in the world and offer valuable clues to enhance their exploration of the Historic Area. Restoring Williamsburg will remain on view through December 2024.

Belle Farm with interior arches, ca. 1775–80.

“The art and science of accurately restoring original 18th-century buildings and meticulously recreating lost structures had their geneses at Colonial Williamsburg in the 1920s,” said Ronald L. Hurst, the Foundation’s vice president for museums, preservation, and historic resources. “As we enter the institutions 96th year, this is an exciting opportunity to reflect on the astonishing accomplishments of generations of Foundation scholars and tradespeople.”

Among the earliest and rarest surviving architectural elements from Williamsburg to be seen in Restoring Williamsburg is a ca.1695 scuttle door from the Nelson-Galt House on Francis Street (shown at left top), which served as an access hatch for the attic space. Its detailing includes foliated hinges and molded battens, typical of Williamsburg-area buildings in the 17th and early 18th centuries. Another extremely rare object appearing in the exhibition is a well-preserved 17th-century leaded casement window from Massachusetts (shown at bottom left). Such early windows were still to be found in Williamsburg as late as the 1760s. Archaeological excavations are the source of most information about the use of casement windows in Williamsburg. For example, the turned leads excavated at the site of Charlton’s Coffeehouse were used to guide the design of the casement windows now seen in the building’s cellar. The discovery of an iron staple in the foundations proved the location of what was by then a very old-fashioned window form.

“The architectural elements in the exhibition offer a snapshot of our collection, which forms the basis for the restoration and preservation work undertaken here at Colonial Williamsburg. They not only provide us actual 18th-century profiles, colors, and materials, but help further our understanding of Williamsburg’s 18th-century built environment,” said Dani Jaworski, Colonial Williamsburg’s manager of architectural collections.

Colonial Williamsburg’s ongoing restoration process frequently causes the architectural preservation team to reevaluate their understanding of individual buildings. One of the best examples of this process is illustrated by an overmantel painting of a landscape scene, originally installed in the 18th-century George Reid House. In order to try to date the painting, the team decided to restudy the building itself. Surprisingly, they discovered that the earliest section likely dates to the 1710s, making it the oldest surviving domestic structure on Duke of Gloucester Street. The new exhibition will show not only a rare paint-decorated panel, but explain how paint analysis, conservation, documentary research and architectural investigation combined to update both the historical record and the physical appearance of an original Historic Area building.

Restoring Williamsburg is generously funded by Thomas L. and Nancy S. Baker.