Enfilade

Exhibition | Making East London Porcelain

Posted in exhibitions, lectures (to attend) by Editor on June 4, 2022

Now on view:

Making East London Porcelain
Stratford Library, London, 1–30 June 2022

It is now over 250 years since the earliest dated pieces of Bow porcelain were produced in London. The success of the Bow Porcelain Factory reminds us that Newham was a global centre for experimentation and creativity during the middle of the eighteenth century. As part of our Making London Porcelain Project funded by the Arts and Humanities Research Council (AHRC), scientists and curators at the Victoria and Albert Museum and the Ashmolean Museum have been researching 15 objects owned by Newham Borough of London. Using scientific analysis, we have been trying to better understand the materials and processes used to create such incredible works of art.

Making East London Porcelain is part of a collaborative science-led heritage project between the V&A Museum and Newham Borough of London, which has been made possible by the Arts and Humanities Research Council’s (AHRC) Capability for Collections Fund. Focusing on the celebrated Bow Porcelain Factory, this project brings communities together to explore Newham Borough as a place of creativity, experimentation, and entrepreneurship in the mid-eighteenth century. Co-curated with sixth-form students from Chobham Academy (Newham) and Cardinal Vaughan Memorial School (Chelsea), the exhibition explores how heritage science and re-making practices can help us better understand the places we live today and inspire us to innovate and experiment tomorrow.

◊    ◊    ◊    ◊    ◊

Exploring Bow Porcelain
Stratford Library, London, Wednesday, 15 June 2022, 6.00pm

Join us for an object-handling workshop with local artists as we celebrate the launch of the exhibition Making East London Porcelain.

Take part in a conversation with local ceramic artist Julia Ellen Lancaster, one of the Explorer Leach 100 Artists, whose work offers a modern twist on sculptural figures and historic clay recipes, such as those made by the Bow Porcelain Factory. You will have the opportunity to handle and examine historic pieces of eighteenth-century Bow porcelain from Newham’s special collections guided by V&A Ceramics Curator, Dr Caroline McCaffrey-Howarth, and learn about how historic making processes inspire and influence ceramic artists in Newham today.

Call for Articles | William Hogarth and Cinema

Posted in Calls for Papers, journal articles by Editor on June 4, 2022

Paul Sandby, Satire with Hogarth as a Magic Lantern Projecting a Parody of his ‘Paul before Felix’, 1753, etching
(London: British Museum, Cc,3.12)

◊   ◊   ◊   ◊   ◊

From the Call for Papers:

William Hogarth and Cinema
Special issue of Ecrans (Spring 2024), edited by Marie Gueden and Pierre Von-Ow

Abstracts due by 5 September 2022; drafts due by 30 March 2023

According to Sergei Eisenstein, “Diderot talked about cinema.” It could likewise be suggested that the eighteenth-century artist William Hogarth (1697–1764) inaugurated cinematic discourse. Through his visual and theoretical work, Hogarth offers a crucial contribution to the narrative and aesthetic reflections that predate—and somehow anticipate—the invention of cinema. Eisenstein did indeed comment upon and commend Hogarth’s visual productions (praising in particular his stage-like compositions and visual narratives articulated in sequences of images). The Russian filmmaker admired his English predecessor’s artistic theory, preoccupied with the movement of bodies and gazes: Eisenstein appropriated the idea of a “line of beauty” developed in Hogarth’s The Analysis of Beauty in his directing and editing. Yet, the filmic potentialities of Hogarth’s work and ideas still await extended critical and scholarly attention. The artist’s name appears sporadically in film studies that mention his influence for set designs—especially in Hollywood where Fritz Lang, Mark Robson, and Stanley Kubrick, among others, drew from Hogarth’s works to stage their historical films—and on the legacy of his artistic writings in film theory and criticism. The abundant art historical literature devoted to Hogarth, however, rarely evokes the artist’s cinematographic legacy. A special issue of the peer-reviewed journal Ecrans (No. 20, Spring 2024), to be published in French and English, seeks to explore the largely understudied connections between William Hogarth and global and expanded cinema.

We invite papers on topics that may include (but are not limited to):
• Pre-cinema, with particular emphasis on magic lanterns and early cinema, for example, filmed tableaux vivants
• William Hogarth in Hollywood, especially in the studios’ archives
• The temporality of images and sequencing of visual narratives
• Graphic novels, illustrated journals, and cartoons
• Adaptations of literary ‘Progresses’ between prints, paintings, theatre, performance, film, TV series, etc.
• Case studies from global cinema, including art documentaries
• Experimental cinema, particularly the challenging of narrative linearity
• The legacy of Hogarth’s satirical work in comedy, including productions featuring Hogarth as a character of fiction
• The legacy of Hogarth’s artistic theory and his “line of beauty” in film theory (for example through various visual shorthand systems) and criticism
• Marxist, feminist, and post-colonial currents in the reception of Hogarth’s work

Please submit a proposal by 5 September 2022 in English or French (up to 400 words), as well as a short bio, to the guest editors of this special issue: Marie Gueden (marie.gueden@univ-lyon2.fr) and Pierre Von-Ow (pierre.von-ow@yale.edu). Final papers should not exceed 8000 words. First drafts expected on 30 March 2023 for publication in April 2024. Feel free to contact us if any questions should arise before submitting your proposal. More information about Ecrans is available here.

%d bloggers like this: