Performance | Mary Berry’s Fashionable Friends
From The Walpole Library:
Mary Berry’s Fashionable Friends
The Lewis Walpole Library, Farmington, Connecticut, 12–13 May 2023
An entirely new version of the comedy directed and abridged by Laura Engel, Duquesne University
In 1801 Anne Damer, Mary Berry, and Agnes Berry embarked on a remarkable collaboration staging a performance of Berry’s comedy Fashionable Friends as an amateur theatrical production at Horace Walpole’s Strawberry Hill. Damer and Berry starred in the play as the titular fashionable friends; Damer played the seductive and sly Lady Selina and Berry the sentimental and clever Mrs. Lovell.
Featuring
• Christopher Collier
• Sadie Crow
• Amy Dick
• Eric Leslie
Seating is limited and advance registration is required.
Friday, May 12, 2.30pm
Friday, May 12, 4.30pm
Saturday, May 13, 2.00pm
Walpole Library Fellowships and Travel Grants for 2023–24
From The Walpole Library:
The Lewis Walpole Library is delighted to announce the recipients of Fellowships and Travel Grants for the upcoming year 2023–24. This year we awarded twelve four-week Fellowships and nine two-week Travel Grants. The Fellowship year runs from 1 June 2023 until 31 May 2024. We look forward to welcoming these twenty-one researchers to Farmington and the Lewis Walpole Library community of scholars.
Fellowships
• Zoe Beenstock (University of Haifa), Palestine as America and Ireland: Horace Walpole’s Levant Antiquarianism, Joseph Peter Spang III Fellowship
• Tanya Caldwell (Georgia State University), Fashion, Friendship, and the First Lady of Sculpture: Anne Damer and the Imperial Mission
• Jennifer Factor (Brandeis University), Intimate Play: Phillis Wheatley Peters and the Art of the Poem Game, ASECS-LWL Fellowship
• Stephanie Howard-Smith (King’s College London), Collecting Dogs and Constructing ‘Dogmanity’: Horace Walpole, Wilmarth and Annie Lewis, and the Making of the More-than-Human Family
• Nicole Emser Marcel (Temple University), Ordering, Reordering, and Disordering the Land: Visual and Material Strategies of Resistance and Repossession in Contemporary Caribbean Art, George B. Cooper Fellowship
• Joanna Marschner (Historic Royal Palaces), Princess Augusta Saxe Gotha: Negotiating Monarchical Ambition and Celebrity in 18th-Century Britain
• Allison Muri (University of Saskatchewan), Eliza Haywood’s Covent Garden
• Eric Parisot (Flinders University), Inventing Suicide: Representation and Emotion in the Age of Sensibility
• Nicola Parsons (University of Sydney), ‘This Heap of Tautology’: Iterative Character and Descriptive Erotics in Harris’s List of Covent Garden Ladies, 1760–1794, Charles. J. Cole Fellowship
• Anna Roberts (Johns Hopkins University), Snuff and Snuffboxes in Britain, Ireland, and British North America, c. 1640–1830
• Hillary Taylor (University of Cambridge), British Trade, Work, and Travel in Eastern Europe during the Long 18th Century, Roger W. Eddy Fellowship
• Lilith Todd (Columbia University), Tending Another: The Rhetoric and Labor of Nursing in the Long 18th Century
Travel Grants
• Richard Ansell (University of Leicester), Ann Scafe and Other British Servants in Late 18th-Century Continental Europe
• Dominic Bate (Brown University), Pythagorean Visions: Picturing Harmony in British Art, 1719–1753
• Gregory Brown (University of Nevada, Las Vegas), Inventing Enlightenment: The Social and Professional History of ´18th-Century Studies’ in the United States and Europe, 1930–1970
• Alexander Clayton (University of Michigan), The Living Animal: Animating Nature in the Colonial Menagerie, 1750–1890
• David Cowan (University of Cambridge), Horace Walpole, Thomas Gray, and William Mason: Whiggery and the Gothic at Cambridge University
• Marie Ferron-Desautels (Concordia University), Women Amateurs Designing Caricatures in 18th-Century Britain
• Marlis Schweitzer (York University), Decoding the Lecture on Heads: Performing Objects and Satire on the 18th-Century Stage
• Jane Wessel (United States Naval Academy), Theatre and the Extra-Illustrated Book: Participatory Reading and Fandoms in 18th- and 19th-Century England
• Jarred Wiehe (Texas A&M University, Corpus Christi), ‘Deformed the Belle and Beau’: Disability Aesthetics, William Hogarth, and the Optics of Deformity



















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