Enfilade

This collection of essays from Oxford University Press was first published in 2019; it’s just out in paperback.

Dennis Duncan and Adam Smyth, eds., Book Parts (Oxford: Oxford University Press, 2023), 352 pages, ISBN: 978-0198885443 (paperback), $25.

What would an anatomy of the book look like? There is the main text, of course, the file that the author proudly submits to their publisher. But around this, hemming it in on the page or enclosing it at the front and back of the book, there are dozens of other texts—page numbers and running heads, copyright statements and errata lists—each possessed of particular conventions, each with their own lively histories. To consider these paratexts—recalling them from the margins, letting them take centre stage—is to be reminded that no book is the sole work of the author whose name appears on the cover; rather, every book is the sum of a series of collaborations. It is to be reminded, also, that not everything is intended for us, the readers. There are sections that are solely directed at others—binders, librarians, lawyers parts of the book that, if they are working well, are working discreetly, like a theatrical prompt, whispering out of the audience’s ear-shot

Book Parts is a bold and imaginative intervention in the fast growing field of book history: it pulls the book apart. Over twenty-two chapters, Book Parts tells the story of the components of the book: from title pages to endleaves; from dust jackets to indexes—and just about everything in between. Book Parts covers a broad historical range that runs from the pre-print era to the digital, bringing together the expertise of some of the most exciting scholars working on book history today in order to shine a new light on these elements hiding in plain sight in the books we all read.

Dennis Duncan is writer, translator, and lecturer in English at University College, London, and was formerly a British Academy Postdoctoral Fellow at the Bodleian Library, Oxford, then Munby Fellow in Bibliography at Cambridge. His research interests include book history, translation, and avant-garde literature, particularly French groups like the Oulipo and the Collège de ‘Pataphysique. His most recent books include Index, A History of the (Penguin, 2021) and The Oulipo and Modern Thought (Oxford University Press, 2019).

Adam Smyth is Professor of English Literature and the History of the Book at Balliol College, Oxford. His most recent books include Material Texts in Early Modern England (Cambridge University Press, 2018), Autobiography in Early Modern England (Cambridge University Press, 2010), A History of English Autobiography (edited, Cambridge University Press, 2016), and Book Destruction from the Medieval to the Contemporary (edited with Gill Partington, Palgrave, 2014). He is the co-editor of Routledge’s book series Material Readings in Early Modern Culture. He also enjoys discussing his work beyond the academy: he writes regularly for the London Review of Books and has appeared on TV and radio in the UK and abroad. Smyth is the co-host of the literary discussion podcast and radio show, Litbits.

c o n t e n t s

List of Figures
List of Plates
Contributors
A Note on the Type

1  Introductions — Adam Smyth and Dennis Duncan
2  Dust-jackets — Gill Partington
3  Frontispieces — Luisa Calè
4  Title Pages — Whitney Trettien
5  Imprints, Imprimaturs, and Copyright Pages — Shef Rogers
6  Tables of Contents — Joseph Howley
7  Addresses to the Reader — Meaghan J. Brown
8  Acknowledgements and Dedications — Helen Smith
9  Printer’s Ornaments and Flowers — Hazel Wilkinson
10  Character Lists — Tamara Atkin
11  Page Numbers, Signatures, and Catchwords — Daniel Sawyer
12  Chapter Heads — Nicholas Dames
13  Epigraphs — Rachel Sagner Buurma
14  Stage Directions — Tiffany Stern
15  Running Titles — Claire M. L. Bourne
16  Woodcuts — Alexandra Franklin
17  Engravings — Sean Roberts
18  Footnotes — Jenny Davidson
19  Errata Lists — Adam Smyth
20  Indexes — Dennis Duncan
21  Endleaves — Sidney Berger
22  Blurbs — Abigail Williams

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Index