New Book | Women Artists & Designers at the National Trust
From the National Trust:
Rachel Conroy, with an introduction by Sandi Toksvig, Women Artists & Designers at the National Trust (National Trust, 2025), 272 pages, ISBN: 978-0707804699, £15.
From the magnificent gardens created by Vita Sackville-West at Sissinghurst to a striking self-portrait by Angelica Kauffman, the elegant, mass-produced ceramics of Susie Cooper and a model of a Palmyran temple by lady’s maid Elizabeth Ratcliffe, this beautifully illustrated book explores the lives and work of women whose creativity has shaped the National Trust’s collections and, often, the experience of visitors to its places. Spanning six centuries, this book takes a closer look at some of the many women artists and designers whose lives are connected to National Trust places or whose work is represented in its vast collections. The selection features both talented amateur artists and professionals who have shaped the art-historical canon—such as Eileen Agar, Elisabeth Vigee Le Brun, Rosalba Carriera, and Barbara Hepworth—focusing on their unique contributions and achievements across a range of disciplines, including garden and interior design, photography, illustration, enamelling, fine art, studio pottery, and textiles.
Rachel Conroy is a Senior National Curator at the National Trust and loves telling stories through objects. She has worked as a curator specialising in British decorative arts since 2004, curating many exhibitions and displays. Having contributed articles to numerous specialist journals, Rachel recently co-authored a book on historic Welsh ceramics.
Sandi Toksvig OBE is a comedian, broadcaster, campaigner, and author. Her broadcasting career has included QI, The Great British Bake Off, The News Quiz, and Call My Bluff. An activist for gender equality, Sandi co-founded the Women’s Equality Party in 2015. She is a Bye-Fellow of Christ’s College, Cambridge, where she has delivered lectures on women in art.
Call for Papers | The Ancient Mediterranean and the British Museum
Charles Roberts, At the British Museum — A Peripatetic Art Lecturer, wood-engraving, from the periodical The Graphic (5 November 1881), p. 476 (London: The British Museum, EPH-ME.705). Features a group of women listening to a female guide at the south end of the main sculpture gallery of the British Museum.
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From ArtHist.net:
The Ancient Mediterranean and the British Museum: Pasts and Futures
Senate House, Malet Street, London, 25–27 February 2026
Proposals due by 16 June 2025
The Department of Greece and Rome at the British Museum and the Institute of Classical Studies are inviting proposals for contributions to a conference exploring the past impact and future potential of the Museum’s collections from the ancient Mediterranean world. The conference is being organised in the context of the British Museum’s ‘Masterplan’, a once-in-a-century opportunity to redisplay and re-interpret the collections from the ancient Mediterranean, Egypt, Assyria, and the Middle East for twenty-first century publics. The Department of Greece and Rome is one of the Museum’s curatorial departments leading this work.
To avoid the repetition of old narratives and to ensure that the redisplay of the galleries is based on a comprehensive reimagining of the Museum’s collections, the Department considers it vital to explore the ways in which the Museum’s collections and displays have influenced (for better or worse) modern constructions of Mediterranean antiquity. We wish to invite the widest possible range of contributions and perspectives to inform this reflection. A dialogue has already begun, in a public seminar series co-organised with our neighbour, the Institute of Classical Studies (Revisiting the Ancient Mediterranean World at the British Museum). This conference, also in partnership with the ICS, aims to extend the conversation. Whether you engage with the Museum and its ancient Mediterranean collection academically, creatively, professionally, or in other ways, we invite you to help us investigate its history and plan for the future.
We will consider proposals for single or paired papers of 20–30 minutes each in length that reflect any line of research relevant to the ways in which the Museum’s ancient Mediterranean collections have shaped and been shaped by culture, politics and society, from the Museum’s foundation in 1753 to the present day. We particularly welcome papers on topics related to the three strands described below, which we have identified as particularly promising areas for exploration. While the focus of the conference will be on the British Museum and on the ancient Mediterranean, we also welcome proposals which introduce cross-institutional, comparative, or international perspectives. Proposals for alternative formats, such as panel discussions or creative workshops, are also encouraged.
Artistic Engagement
How have artists and other makers (including for example filmmakers and craftspeople) engaged with the British Museum’s collections from the ancient Mediterranean? What was the impact of the collection and its display on artistic practice, and vice-versa? The role of the Parthenon Sculptures in inspiring artists of the early nineteenth century is well-known, as is the extensive use of the Townley and later Graeco-Roman sculpture galleries for the training of artists (Jenkins 1992). There has been vibrant engagement with the classical world, in general, by modern and contemporary artists (Holmes 2017; Squire et al 2018). But there is much more to uncover about artistic engagement with the British Museum’s collection.
Literary Engagement
From Lord Byron to HD and beyond, the British Museum is well-known as a site of poetic inspiration and provides a setting and reference-point in numerous works of literature (Ellis 1981; Stallings 2023). What do literary receptions make of the British Museum’s ancient Mediterranean collection? Has attention been concentrated on certain objects or tropes, and which figures and receptions have been overlooked to date? In what ways do the Museum’s collections from the ancient Mediterranean continue to inspire and provoke contemporary literature?
Scholarship and Intellectual History
The role of museums in the evolution of academic disciplines is an established topic of study (Marchand 1996; Dyson 2006). We welcome papers that examine how the British Museum’s collections and galleries have been instrumental in shaping approaches to the material culture of the ancient Mediterranean, or to understandings of ancient societies more widely. How has their interrelation with academic disciplines such as Archaeology, Classics, and Art History changed over time? What have been the impacts of the British Museum’s approach to chronological, regional, and thematic display to the representation of different ethnicities or the division of material into different curatorial departments? Have the particular strengths and omissions of the British Museum collection directed or limited the field of study of the ancient Mediterranean world?
Through all these themes and throughout the conference will be threaded questions of the Museum’s relationship with social, political, and historical contexts, including colonialism, imperialism, nationalism, gender, race, and class. How and why did collections from the ancient Mediterranean take on such prominence in the British Museum? To what extent has the British Museum reinforced messages of power and control? What histories have been neglected and elided? Are there also narratives of subversion and resistance to be found?
The conference will be held in-person only at Senate House (Malet St, London WC1E 7HU) from Wednesday 25th to Friday 27th February 2026. Abstracts of maximum 300 words should be submitted by Monday 16th June 2025, together with a short (100 words) speaker biography. A limited number of travel bursaries will be available to help support attendance for speakers who cannot access alternative sources of funding. Please indicate in your submission if you would need to apply for a bursary and we will be in touch with details of the separate application process. Please send paper proposals to Dr Isobel MacDonald, IMacdonald@britishmuseum.org.
This conference is co-sponsored by the British Museum and the Institute of Classical Studies, University of London School of Advanced Study.
Conference | Matters of Knowledge: Conservation through the Centuries
From the conference programme:
Matters of Knowledge:
Paradigms and Practices of Conservation through the Centuries
Université de Neuchâtel, June 5–6 June 2025
Preservation and conservation, along with collecting and valuation, are pillars of any institution that holds a collection of cultural heritage. However, conservation is rarely the subject of analytical and reflexive discourse, researched in a historical perspective. Studies in museology, the history of collections, and even the history of science and technology, have offered their perspectives on why and how all kinds of material collections are preserved in institutions dedicated to conservation. Further, the professionals of these institutions are faced with their own questions about the state of their collections and the origins of the practices they execute in their daily work.
As part of the SNSF project Libraries and Museums in Switzerland (https://www.biblios-musees.ch/), a two-day conference will be held on June 5th and 6th, 2025, focusing on all these dimensions of the conservation of important collections since their founding. This event will bring together academic, scientific and professional circles, while providing an opportunity for theoretical reflection and case studies.
More information and abstracts of the papers can be found here»
t h u r s d a y , 5 j u n e
9.45 Welcome and Introduction
10.00 Documentation and Exhibition of Museum Work
Moderator: Séverine Cattin
• Isabelle Le Pape — Exposer les coulisses du musée: Dévoilements et mises en abyme
• Julie Hochenedel — Transforming the Museum into Heritage: Photographs of Exhibition Spaces in the Louvre Museum
11.30 Coffee Break
12.00 Keynote Lecture
Moderator: Valérie Kobi
• Lauren R. Cannady — Paper Gardens: Cataloguing Change in Early Modern Botanical Thinking
13.00 Lunch Break
15.00 Practices of Conservation in a Global Perspective
Moderator: Natania Girardin
• Marie-Charlotte Lamy — The Race for the Mounted Specimen: The Art of Taxidermy in the Museum Context of the 19th Century
• Karolyna de Paula Koppke — Two Conservator-Restorers in 19th-Century Americas: Carlos Luiz Do Nascimento (1812–1876) and Vicente Huitrado (?–1890)
17.00 Exhibition Visit
Nommer les Natures: Histoire naturelle et héritage colonial at the Muséum d’Histoire Naturelle de Neuchâtel, Rue des Terreaux 14
f r i d a y , 6 j u n e
9.15 Genius loci and Classifications
Moderator: Remo Stämpfli
• Alexandre Claude — Unchanging Materials? Preserving Stones in Early Modern European Collections
• Felicity Myrone and Ce Stevenson — Library or Print Room? New Insights into the Collecting and Care of Graphic Materials at the British Museum
• Federica Mancini — Des paradigmes et des pratiques à faire évoluer : Le cas du fonds graphique Picot-Brocard conservé au musée du Louvre
12:00 Lunch Break
13.45 Nationalism, Transculturation, and Identity Politics
Moderator: Chonja Lee
• Yuka Kadoi — From Shrine to Museum: Demonumentalising Persian Architectural Heritage
• Charlotte Rottier — The Making of a ‘Musée Belge’ Abroad? Private and State Art Collections on Display in Diplomatic Interiors, 1900–1940
15.15 Closing Remarks
Decorative Arts Trust Prize for Excellence and Innovation
From The Decorative Arts Trust:
Decorative Arts Trust Prize for Excellence and Innovation, $100,000
Application due by 30 June 2025
The nomination deadline for this year’s $100,000 Decorative Arts Trust Prize or Excellence and Innovation is Monday, 30 June 2025. The Prize funds outstanding projects that advance the public’s appreciation of decorative art, fine art, architecture, or landscape. Awarded to nonprofit organizations in the United States, the Prize recognizes exceptional scholarly endeavors such as museum exhibitions, print and digital publications, conservation and preservation projects, and online databases. The Trust’s selection committee aims to recognize impactful and original projects that advance scholarship in the field while reaching a broad audience. Recent recipients include the Drayton Hall Preservation Trust; the Concord Museum; Cooper Hewitt, Smithsonian Design Museum; the Black Craftspeople Digital Archive; and Craft in America.
Cultural institutions are encouraged to learn more about the nomination process here»
Conference | History of Map Collecting
From ArtHist.net:
History of Map Collecting: Vienna, Central Europe, and Beyond
University of Vienna, 12 June 2025
Organized by Silvia Tammaro and Eva Chodějovská
Organised jointly by the Vienna Center for the History of Collecting (University of Vienna, Austria) and the Moravian Library in Brno (Czech Republic), the conference will be accompanied by an exhibition on Bernard Paul Moll (1697–1780) and his map collection, formed in 18th-century Vienna and now preserved at the Moravian Library. To register, please send an email to silvia.tammaro@univie.ac.at.
p r o g r a m
9.00 Welcome and Opening
• Markus Ritter (Head of Department of Art History, University of Vienna)
• Tomáš Kubíček (Director of the Moravian Library Brno)
• Eva Chodějovská and Silvia Tammaro (Conference Organizers)
9.30 Composite Atlases
• Markus Heinz (Berlin State Library) — Collectors’ Practices: A Composite Atlas Built on an Editor’s Atlas
• Elisabeth Zeilinger (Austrian National Library, Vienna) — Aspects of Collecting in the Mirror of the Atlas Blaeu-Van der Hem
• Maretta Johnson (Atlas Van Stolk, Rotterdam/Amsterdam University) and Anne-Rieke van Schaik (Amsterdam University) — Maps as Memory Mirrors: The Construction of a Historical Narrative in the Album of Willem Luytzs van Kittensteyn (1613)
11.00 Coffee Break
11.30 A Passion for Maps: Bernard Paul Moll’s Eighteenth-Century Composite Atlas
• Eva Chodějovská and Jiří Dufka — Exhibition launch and discussion
12.00 Lunch
13.15 Collectors
• Jan Mokre (Austrian National Library, Vienna) — Map Collectors and Collections in Vienna, 17th to 19th Centuries
• Silvia Tammaro (University of Vienna) — Artaria & Co. and the Market of Maps and Art Objects
• Šárka Steinová and Filip Paulus (National Archives of the Czech Republic, Prague) — Franz Leonard Herget: Creator of the Collections of the Czech Estates Engineering School
14.45 Coffee Break
15.00 Map Collections: Between State and Private
• Martijn Storms (Leiden University Library) — The 19th-Century Private Map Collectors in the Netherlands
• Zsolt Török (ELTE Eötvös Loránd University, Budapest) — Concealed Composite Atlases: Maps in a 19th-Century Hungarian Petty Noble Art Collection
• Katie Parker (Royal Geographic Society, London) — The Map Office of the Nation: Collecting Maps at the Royal Geographical Society
16.30 Closing Discussion
17.30 Guided Tour to the Woldan Map Collection
• Petra Svatek (Austrian Academy of Sciences) — Meet at Dr.-Ignaz-Seipel-Platz, 1010 Vienna (in front of the Jesuit Church).
New Book | Neighbours and Rivals
Published by Pallas Athene and distributed by Simon & Schuster:
Louis-Sébastian Mercier, Neighbours and Rivals: An Eighteenth-Century Journey between Paris and London, translated by Laurent Turcot and Jonathan Conlin (London: Pallas Athene, 2025), 284 pages, ISBN: 978-1843682707, £25 / $33.
The great French journalist Louis-Sébastien Mercier’s descriptions of an optimistic, utopian 18th-century London, translated by Laurent Turcot and Jonathan Conlin.
Louis-Sébastien Mercier (1740–1814) first traveled to London and began recording his impressions in 1780. An exemplar of a new form of journalistic, reflective literature, his account presents emotive representations of the city as collections of experiences, habits, and personalities. And differently from Dickens’s London or Baudelaire’s Paris, with their contrasts of opulence and misery, Mercier describes a less familiar urban environment—more optimistic, perhaps even utopian. His version of London is, in fact, a projection of his philosophical imagination—not simply a rounded portrait but also a reflection of what he hoped Paris could become. For this first publication in English, Laurent Turcot and Jonathan Conlin’s translation preserves the life and humor of Mercier’s text. It is illustrated with contemporary images, with an emphasis on Thomas Rowlandson and Gabriel-Jacques de Saint-Aubin, the first Parisian flâneur-artist.
Jonathan Conlin, a senior lecturer at the University of Southampton, specializes in modern British cultural history from the 18th century to the present, with a focus on urban history. His previous books include The Nation’s Mantelpiece, Evolution and the Victorians, and Civilisation. Laurent Turcot is a professor of history at l’Université du Québec à Trois-Rivières, specializing in the 16th to the 19th century, particularly urban culture and leisure.
Study Day | C. F. R. Lisiewsky on His 300th Birthday
Located near Dessau, Schloss Mosigkau, was built by Princess Anna Wilhelmine of Anhalt-Dessau in the 1750s.
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From ArtHist.net:
Auf einen Blick mit … C. F. R. Lisiewsky. Matinée zum 300. Geburtstag
Schloss Mosigkau, Dessau-Rosslau, 15 June 2025
Registration due by 13 June 2025
2025 jährt sich der Geburtstag des Malers Christoph Friedrich Reinhold Lisiewsky (1725–1794) zum 300. Mal—Anlass, um diesen (nicht nur) für Anhalt-Dessau bedeutsamen Künstler mit einer Veranstaltung zu würdigen. Lisiewsky, der meist im Schatten von Künstlerkollegen wie Anton Graff oder Antoine Pesne steht, hat zwanzig Jahre als Hofmaler in Anhalt-Dessau gewirkt und hier zahlreiche Spuren hinter lassen. Im Schloss Mosigkau, wo im Jahr 2010 die erste Retrospektive zu Lisiewsky unter dem Titel „Teure Köpfe“ gezeigt wurde und wo sich heute eine umfangreiche Sammlung von Gemälden des Malers befindet, will die Matinee mit Fachvorträgen und einer Führung neue Blicke auf Lisiewsky und dessen Umfeld eröffnen.
Bitte melden Sie sich bis zum 13.6.2025 bei Jana Kittelmann an: jana.kittelmann@gartenreich.de. Aktuelle Informationen zur Veranstaltung finden sich unter: https://www.gartenreich.de/de/aktuelles/veranstaltungen?y=2025&m=6
p r o g r a m m
13.00 Begrüßung — Jana Kittelmann und Maria Zielke (Kulturstiftung Dessau-Wörlitz)
13.05 Grußwort — Wolfgang Savelsberg (Dessau)
13.15 Zur Einführung oder Blicken, Sichten, Sehen im Zeitalter Lisiewskys — Jana Kittelmann (KsDW)
13.30 Falten, Warzen und Triefnasen. Hässlichkeit als Programm bei den Herrenbildnissen von C.F.R. Lisiewsky — Kilian Heck (Universität Greifswald)
14.00 Pause
14.15 Lisiewsky und das ‚veristische‘ Porträt — Reimar F. Lacher (Gleimhaus Halberstadt)
14.45 Beobachtungen zur Maltechnik C.F.R. Lisiewskys als Hofmaler, Alchemist und Restaurator — Maria Zielke (KsDW)
15.00 Führung zu Gemälden Lisiewskys — Andreas Mehnert (KsDW)
ab 15.30 Ausklang auf der Schlossterrasse
Call for Papers | England in Thuringia: Art, Sports, Gardens, Architecture
From ArtHist.net:
England in Thüringen: Kunst, Sport, Gärten, Architektur
Friedenstein Stiftung Gotha, 7–9 May 2026
Proposals due by 6 June 2025
Die historischen Verbindungen Englands nach Thüringen sind vielfältig und reichen weit in die Geschichte zurück. Ein Fundament dieser Beziehungen liegt in den dynastischen Allianzen des Thüringer Adels zum englischen Königshaus: 1736 heiratete Augusta von Sachsen-Gotha-Altenburg den englischen Prinzen Friedrich Ludwig von Wales. Ihr gemeinsamer Sohn bestieg als König George III. den englischen Thron. Adelheid von Sachsen-Meiningen wurde 1818 durch ihre Heirat mit Prinz William, Herzog von Clarence, dem späteren König William IV., Königin von Großbritannien und Irland. Weil das Paar keine überlebenden Kinder hatte, fiel die britische Krone 1837 an Adelheids Nichte Victoria, die 1840 ihren Cousin Albert von Sachsen-Coburg und Gotha heiratete. Mit deren Sohn Alfred und dem Neffen Carl Eduard regierten später ‘Engländer’ das Herzogtum Sachsen-Coburg und Gotha.
All diese dynastischen Verbindungen stärkten die politischen und kulturellen Beziehungen zwischen Großbritannien und Thüringen. Bislang kaum betrachtet wurde jedoch, wie weitreichend die damit einhergehenden kulturellen Impulse nach Thüringen waren, insbesondere im Bereich der Gärten, der Kunst, des Sports, und der Architektur. So inspirierten im 18. und 19. Jahrhundert englische Gärten maßgeblich die Gestaltung von Parks und Landschaften in Thüringen, zudem brachte die Industrialisierung englische Technologien und Geschäftsmodelle nach Thüringen, wodurch sich die Region wirtschaftlich weiterentwickelte. Literarisch und kulturell wirkten die Werke von William Shakespeare, sowie die Ideen der Aufklärung aus England auf deutsche Schriftsteller und Denker, insbesondere in Weimar.
Mit Schwerpunkt auf der Zeit zwischen der Mitte des 18. Jahrhunderts bis zum Ausgang des viktorianischen Zeitalters Anfang des 20. Jahrhunderts sollen in der Tagung die kulturellen Einflüsse Englands auf Thüringen wissenschaftlich beleuchtet werden. Inwiefern beförderten die dynastischen Beziehungen zwischen den beiden Ländern den kulturellen Transfer? Welche Persönlichkeiten traten besonders als Vermittler:innen der englischen Kultur hervor? Welche Objekte, Phänomene und Ideen wurden übernommen oder als nachahmenswert erachtet? Wie nahmen englische Gäste die Region und ihre Bevölkerung wahr? An welchen Orten in Thüringen lassen sich noch heute die Verbindungen der beiden Länder nachvollziehen?
Diesen und weiteren Fragen will die interdisziplinär angelegte Tagung nachgehen, um neue Erkenntnisse über die Spuren Englands in Thüringen zu gewinnen. Für die Tagung werden Beiträge der Fachrichtungen Geschichte, Kunstgeschichte, Sportgeschichte, Kultur- und Literaturwissenschaft sowie verwandter Fächer erbeten, die sich mit dem Thema befassen, wobei der Fokus der Tagung auf Thüringen, und nicht allgemein auf englisch-deutschen Kulturbeziehungen, liegt.
Die Ausschreibung richtet sich an etablierte Wissenschaftler:innen ebenso wie an Nachwuchswissenschaftler:innen. Die Vortragsdauer beträgt 30 Minuten (plus anschließende Diskussion von zirka 10 Minuten). Eine Publikation der Tagungsergebnisse wird angestrebt. Die Konferenzsprachen sind Deutsch und Englisch. Die Tagungsgebühr beträgt 50 Euro, für Nachwuchswissenschaftler:innen 25 Euro.
Die Tagung wird am Abend des 7. Mai 2026 mit einem Eröffnungsvortrag beginnen, die weiteren Vorträge sind für den 8. und 9. Mai vorgesehen. Geplant ist zudem ein vielseitiges Begleitprogramm mit Besichtigungen bedeutender Thüringer Kulturstätten, das optional wahrgenommen werden kann. Bitte senden Sie Ihren Beitragsvorschlag (1.500 – 2000 Zeichen inkl. Leerzeichen) sowie ihre Kurzbiografie (max. 500 Zeichen) an die Programmkoordinatorin, Frau Angelika Eder, unter: angelika.eder@friedenstein-stiftung.de. Bewerbungsschluss ist der 6. Juni 2025. Fragen richten Sie bitte an angelika.eder@friedenstein-stiftung.de.
Kontakt
Friedenstein Stiftung Gotha
Schlossplatz 1
D-99867 Gotha
angelika.eder@friedenstein-stiftung.de
Conference | The Global Baroque, 1600–1750
Japanese, Arrival of the Europeans, first quarter of the 17th century, one of a pair of folding screens, 105 × 261 cm
(New York: The Metropolitan Museum of Art, 2015.300.109.1, .2).
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From ArtHist.net and the University of York:
The Global Baroque
European Material Culture between Conquest, Trade, and Mission, 1600–1750
King’s Manor, University of York, 10–11 July 2025
Organized by Adam Sammut and Tomasz Grusiecki
Registration due by 1 July 2025
The period of Western art history known as ‘the Baroque’ has traditionally been interpreted as a stylistic phenomenon. However, artistic production in Europe from around 1600 to 1750 was enabled by a proto-industrial world system dominated by Spain and Portugal, the Netherlands, and later Britain. As a result, material culture became entangled in networks of trade, colonial rule, and Catholic global mission stretching from Naples to Nagasaki. This conference will broaden perspectives on the Baroque, embracing its transcontinental and multi-media character. By culturally decentring Europe and with materiality a special focus, the programme will recast the continent as a constituent part of an expanding artistic world driven by war, the exploitation of ecosystems, and the first information technology revolution. Bringing together scholars and museum curators from the UK and internationally, the conference will demonstrate how objects can offer intimate insights into global histories often characterised by vast, impersonal economic forces.
Part of The British Academy Conferences 2025/26
t h u r s d a y , 1 0 j u l y
9.00 Registration with coffee, tea, and pastries
9.40 Opening Remarks — Adam Sammut (University of York) and Tomasz Grusiecki (Boise State University)
10.00 Session 1 | Baroque Aesthetics
Chair: Adam Sammut (University of York)
• Black Beauty and the Canon: Nicolas Cordier’s Borghese Moor — Lorenzo Pericolo (Florida State University)
• Ancient Greece and the English Baroque — Matthew Walker (Queen Mary University of London)
11.20 Coffee and tea
11.50 Session 2 | New Geographies of the Low Countries
Chair: Cordula van Wyhe (University of York)
• Global Conversions: Peter Paul Rubens, King Philip IV of Spain, and the Coiners of Antwerp — Christine Göttler (University of Bern)
• Biting lines: Baroque Violence in Rembrandt’s Small Lion Hunt (1629) — Thomas Balfe (The Warburg Institute)
• A Taste for Blackness: Ebony in the Dutch Republic — Claudia Swan (Washington University in St. Louis)
13.20 Lunch break
14.20 Session 3 | Ottoman Worlds
Chair: Richard McClary (University of York)
• Style, Society, and the State: Ottoman Baroque Identities in 18th-Century Istanbul — Ünver Rüstem (Johns Hopkins University)
• Object Circulation and Networks on the Periphery of Eastern Central Europe: The Case Studies of the Ottoman Tributary States of Transylvania and Moldavia — Robert Born (Bundesinstitut für Kultur und Geschichte des östlichen Europa)
15.30 Coffee and tea
16.00 Keynote Address
• Necropastoral Worldscapes in Dutch-occupied Brazil — Angela Vanhaelen (McGill University)
18.00 Dinner at Ambiente Fossgate, by invitation
f r i d a y , 1 1 j u l y
9.30 Coffee, tea, and pastries
10.00 Session 4 | Where is Central and Eastern Europe?
Chair: Tomasz Grusiecki (Boise State University)
• Corpisanti between Rome and the Fringes of Catholicism: A Case Study in a Centripetal Approach to Material Culture of the Late Global Baroque — Ruth Sargent Noyes (Estonian Academy of Arts)
• Black Bodies as Baroque Decorations: Objectification of Africans in the Self-Representation of Polish-Lithuanian Elites — Vital Byl (University of Bonn)
11.00 Coffee and tea
11.30 Session 5 | The Asia-Pacific and the Indian Ocean
Chair: Tara Alberts (University of York)
• Objects and Empire on the Portuguese India Run — Elsje van Kessel (University of St Andrews)
• Indian Oceanic Travels of Coco-de-mer: Mythology and Materiality — Peyvand Firouzeh (University of Sydney)
• The Transcultural Body of the Mermaid — Anna Grasskamp (University of Oslo)
13.00 Lunch break
14.00 Session 6 | Atlantic Crossings
Chair: Simon Ditchfield (University of York)
• What’s in a Name? The Low Countries and the Global Turn — Stephanie Porras (Tulane University)
• A Counter-Baroque? Iroquois Town Planning and the Early Modern Imagination — Lorenzo Gatta (University College London)
• Emptied Orbs, or, A Case Against the Global — Aaron Hyman (University of Basel)
15.30 Coffee and tea
16.00 Roundtable discussion
17.30 Wine reception
Conference | Gardens and Empires
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Next month at the British Library:
Gardens and Empires
British Library, London, 27–28 June 2025
The histories of plants and gardens are deeply entangled with the histories of empires. This two-day conference investigates the impacts of these global connections on gardens around the world. It investigates the influence of global networks of science, commerce, and horticulture on the plants, designs, and practices found in the gardens of European and non-European empires, at home and abroad. The conference includes talks about the impact and influence of empires in gardens all over the world including East Asia, India, North America, South America, Australia, the Caribbean, and Europe. The speakers share the stories of the plants, people, and powers that shaped the gardens of empires. A keynote lecture will be delivered by Advolly Richmond (BBC Gardener’s World), and a roundtable discussion on the legacies of empire will be chaired by Sathnam Sanghera (author of Empireland and Empireworld).
Tickets include an exclusive visit to the British Library exhibition Unearthed: The Power of Gardening. Also included are refreshments each day and an evening reception on Friday, 27 June in the wonderful surroundings of The Story Garden, a dynamic community garden created by Global Generation, hidden behind the British Library.
f r i d a y , 2 7 j u n e
10.00 Opening Remarks
10.05 Welcome — Gerard Lemos (Chair of Trustees, English Heritage)
10.15 Keynote Lecture
• Guns and Roses: Humphry Repton at the Warley Estate — Advolly Richmond (Independent Researcher)
10.45 Coffee/Tea Break
11.10 Session 1 | The Circulation of Ideas around and between Empires
Chair: Mark Nesbitt (Royal Botanic Gardens, Kew)
• Where Empires Meet: Power, Identity, and Cultural Negotiation in Huế (Vietnam) Gardens — Tami Banh (University of Pennsylvania)
• Traveling Plants: Taiwanese Garden Spaces under Japanese Rule — Jing-Wen Chien (National Taiwan University)
• Transnational Influences on Urban Greenspace Development: The Role of Kew Gardens in Shaping Modern Greenspace Systems in Shanghai, Hong Kong, and Singapore — Minqian Zheng (Academic Researcher), Fei Mo* (Shanghai Jiao Tong University), and Xinyuan Yu (Academic Researcher)
12.30 Lunch Break
13.30 Session 2 | The Circulation of Ideas around and between Empires
Chair: Gerard Lemos (English Heritage)
• Mughal Garden or English Park? The Genesis of the Victoria Memorial Gardens, Kolkata — Caroline Cornish (Royal Botanic Gardens, Kew)
• From the Shores of Empire: Shells and Coral in the Grottos of 18th-Century Gardens — Emily Parker (English Heritage)
• Forced Plants and Displaced People: The British Empire’s Impact on North American Botany — Kimberly Glassman (Queen Mary University of London and Royal Botanic Gardens, Kew)
14:50 Coffee/Tea Break
15.15 Session 3 | The Circulation of Ideas around and between Empires
Chair: Romita Ray (Syracuse University)
• Paleis Het Loo: From Royal Showcase towards a Decolonized Botanical Garden — Renske Ek (Paleis Het Loo)
• The Race for American Trees and the Prince’s Garden at Aranjuez, 1797–1809: A Story of Rivalry, Emulation, and Oblivion among the Gardens of the Atlantic Colonial Powers — Francisco Javier Giron Sierra (Universidad Politécnica de Madrid, Escuela Técnica Superior de Arquitetura)
• Augusta of Saxe-Gotha’s ‘World in Microcosm’: Political Gardening at Kew, 1750–1770 — Joanna Marschner (Historic Royal Palaces)
16.35 Introduction to Unearthed: The Power of Gardening — British Library Curators
16:50 Exhibition View — Unearthed: The Power of Gardening
18:00 Evening Reception at The Story Garden (pizza and canapés provided)
s a t u r d a y , 2 8 j u n e
9.30 Session 4 | People and Economics
Chair: Advolly Richmond (Independent Researcher)
• Horticulture, Empire, and Race: Thomas Dawodu and Ferdinand Leigh in Lagos, Jamaica, and Kew — Kate Teltscher (University of Roehampton and Royal Botanic Gardens, Kew)
• Pineapples, Prestige, and Imperial Politics: The 3rd Duke of Portland’s Gardening Practice at Welbeck Abbey, Nottinghamshire, Britain — Susanne Seymour (University of Nottingham)
• The Links between Scottish Country Estates and the Profits of Transatlantic Slavery, 1707–1850 — Catherine Middleton (Historic Environment Scotland)
11.00 Coffee/Tea Break
11.30 Session 5 | Plant Mobilities
Chair: Felix Driver (Royal Holloway, University of London)
• On ‘Exotics’ and ‘Civilisation’: The 19th-Century Transatlantic Exchange of Ornamental Plants — Diego Molina (Royal Holloway, University of London)
• Palms, Rubber, and Orchids: Introduced and Created Plants in the Singapore Botanic Gardens — Timothy Barnard (National University of Singapore)
12.30 Lunch Break
13.30 Session 6 | Legacies of Empire and Colonialism
Chair: Judy Ling Wong (Black Environment Network)
• Creole Gardens as Decolonial Practice, Regrowth, Resistance, Recycling, and Repair — Ananya Jahanara Kabir (King’s College London) and Rosa Beunel-Fogarty (King’s College London)
• A Private Empire: Interpreting European Gardens Funded by Leopold II’s Personal Ownership of the ‘Congo Free State’ — Jill Sinclair (Independent Researcher)
• Converting the ‘Wilderness’ in Colonial Western Australia — Lisa Williams (Independent Researcher) and Emma-Clare Bussell (Independent Researcher)
15.00 Coffee/Tea Break
15:30 Session 7 | Roundtable: Legacies of Empire and Colonialism
Chair: Sathnam Sanghera (Journalist and Writer)
• Fiona Davidson (Royal Horticultural Society)
• Corinne Fowler (University of Leicester)
• Akiko Tashiro (Hokkaido University)
• Juliet Sargeant (Garden Designer)
Enfilade 
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