Enfilade

Distributed by The University of Chicago Press for Reaktion Books:

G. R. Berridge, Outposts of Diplomacy: A History of the Embassy (London: Reaktion Books, 2024), 256 pages, ISBN: 978-1789148497, £25 / $35.

A profusely illustrated history of the diplomatic embassy, from antiquity to today.

This compelling history traces the evolution of the embassy, from its ancient origins to its enduring presence in the modern world. Beginning with its precursors in antiquity, the book explores the embassy’s emergence on the cusp of the Italian Renaissance, its pinnacle during the nineteenth century, and its navigation through the challenges of twentieth-century conference diplomacy. G. R. Berridge investigates how this European institution adapted its staffing, architecture, and communication methods to changing international landscapes, including the tumultuous wars of religion and encounters in the Far East. He also describes the expansion of the embassy’s responsibilities, such as providing diplomatic cover for intelligence operations. Infused with vibrant anecdotes of remarkable individuals and the creation of influential family dynasties, and illustrated throughout, this book offers a fascinating exploration of the embassy’s rich history.

G. R. Berridge is professor emeritus of international politics at the University of Leicester and a senior fellow of the Geneva-based DiploFoundation. He was associate editor of the Oxford Dictionary of National Biography, to which he still contributes, and his most recent book is the sixth edition of Diplomacy: Theory and Practice.

c o n t e n t s

Preface

Introduction
1  Fifteenth-Century Beginnings
2  Expanding Duties
3  Household and Buildings
4  Pre-Telegraphic Communications
5  Nineteenth-Century Highpoint
6  Enter the Americas
7  The Middle East and Africa
8  Far Eastern Compounds
9  Backseat after the First World War
10  Stubborn Institution
Epilogue

Bibliography
Acknowledgements
Photo Acknowledgements
Index

From Princeton UP:

Francisco Bethencourt, Strangers Within: The Rise and Fall of the New Christian Trading Elite (Princeton: Princeton University Press, 2024), 624 pages, ISBN: 978-0691209913, $45 / £38.

A comprehensive study of the New Christian elite of Jewish origin—prominent traders, merchants, bankers, and men of letters—between the fifteenth and eighteenth centuries

In Strangers Within, Francisco Bethencourt provides the first comprehensive history of New Christians, the descendants of Jews forced to convert to Catholicism in late medieval Spain and Portugal. Bethencourt estimates that there were around 260,000 New Christians by 1500—more than half of Iberia’s urban population. The majority stayed in Iberia but a significant number moved throughout Europe, Africa, the Middle East, coastal Asia, and the New World. They established Sephardic communities in North Africa, the Ottoman Empire, Italy, Amsterdam, Hamburg, and London. Bethencourt focuses on the elite of bankers, financiers, and merchants from the fifteenth to the eighteenth centuries and the crucial role of this group in global trade and financial services. He analyses their impact on religion (for example, Teresa de Ávila), legal and political thought (Las Casas), science (Amatus Lusitanus), philosophy (Spinoza), and literature (Enríquez Gomez).

Drawing on groundbreaking research in eighteen archives and library manuscript departments in six different countries, Bethencourt argues that the liminal position in which the New Christians found themselves explains their rise, economic prowess, and cultural innovation. The New Christians created the first coherent legal case against the discrimination of a minority singled out for systematic judicial inquiry. Cumulative inquisitorial prosecution, coupled with structural changes in international trade, led to their decline and disappearance as a recognizable ethnicity by the mid-eighteenth century. Strangers Within tells an epic story of persecution, resistance, and the making of Iberia through the oppression of one of the most powerful minorities in world history. Packed with genealogical information about families, their intercontinental networks, their power, and their suffering, it is a landmark study.

Francisco Bethencourt is the Charles Boxer Professor of History at King’s College London. He is the author of Racisms: From the Crusades to the Twentieth Century (Princeton) and The Inquisition: A Global History, 1478–1834.

From Penn Press:

Avinoam Yuval-Naeh, An Economy of Strangers: Jews and Finance in England, 1650–1830 (Philadelphia: University of Pennsylvania Press, 2024), 264 pages, ISBN: 978-1512825053, $65.

One of the most persistent, powerful, and dangerous notions in the history of the Jews in the diaspora is the prodigious talent attributed to them in all things economic. From the medieval Jewish usurer through the early-modern port-Jew and court-Jew to the grand financier of the nineteenth and twentieth centuries and contemporary investors, Jews loom large in the economic imagination. For capitalists and Marxists, libertarians and radical reformers, Jews are intertwined with the economy. This association has become so natural that we often overlook the history behind the making and remaking of the complex cluster of perceptions about Jews and economy, which emerged within different historical contexts to meet a variety of personal and societal anxieties and needs.

In An Economy of Strangers, Avinoam Yuval-Naeh historicizes this association by focusing on one specific time and place—the financial revolution that England underwent from the late seventeenth century that coincided with the reestablishment of the Jewish population there for the first time in almost four hundred years. European Christian societies had to that point shunned finance and constructed a normative system to avoid it, relying on the figure of the Jew as a foil. But as the economy modernized in the seventeenth century, finance became the hinge of national power. Finance’s rise in England provoked intense national debates. Could financial economy, based on lending money on interest, be accommodated within Christian state and society when it had previously been understood as a Jewish practice?

By projecting the modern economy and the Jewish community onto each other, the Christian majority imbued them with interrelated meanings. This braiding together of parallel developments, Yuval-Naeh argues, reveals in a meaningful way how the contemporary and wide-ranging association of Jews with the modern economy could be created.

Avinoam Yuval-Naeh is a post-doctoral fellow at the University of Haifa. He is the author of articles in The Journal of Early Modern History and Historia. This is his first book.

From Royal Museums Greenwich:

Katherine Gazzard, The Art of Naval Portraiture (Greenwich: National Maritime Museum, 2024), 224 pages, ISBN: 978-1739154202, £30 / $45.

From elite officers to ordinary sailors, the portrayal of naval personnel has been a significant branch of British art for over 500 years. The National Maritime Museum, Greenwich holds the largest collection of naval portraits in the world, including over 600 paintings and many more prints and drawings, spanning from the sixteenth century to the present day. These portraits reveal how the Royal Navy was viewed at different moments in history and grant us access to individual stories, revealing the concerns and aspirations of people and families caught up in naval affairs. Many are also innovative and important works of art. For centuries, naval portraits have forged, reinforced, and challenged ideas of gender, heroism, and loyalty. They have functioned as icons of empire, demonstrations of professionalism, and personal mementos for loved ones. While charting the historical evolution of the Royal Navy’s image and explaining the meaning of common naval symbols—from anchors, cannons, and swords to uniforms, medals, and badges—this book also tells the stories of specific artists, sitters, and collectors, and of the places where portraits were made and displayed, from private homes to public exhibitions, and ultimately the museum itself.

Katherine Gazzard is the Curator of Art (post-1800) at Royal Museums Greenwich. She has taught courses on art history and museum studies for the University of East Anglia and Yale University. Her research focuses on eighteenth-century British art, especially portraiture and the cultural history of the Royal Navy.

Coming this fall, from The University of Chicago Press:

Sara Caputo, Tracks on the Ocean: A History of Trailblazing, Maps, and Maritime Travel (Chicago: The University of Chicago Press, 2024), 352 pages, ISBN: 978-0226837925, $38.

An engaging look at ocean routes’ complicated beginnings and elusive impact.

Sara Caputo’s Tracks on the Ocean is a sweeping history of how we have understood routes of travel over the ocean and how we came to represent that movement as a cartographical line. Focusing on the representation of sea journeys in the Western world from the early sixteenth century to the present, Caputo deftly argues that the depiction of these lines is inextricable from European imperialism, the rise of modernity, and attempts at mastery over nature. Caputo recounts the history of ocean tracks through an array of lively stories and characters, from the expeditions of Captain James Cook in the eighteenth century to tracks depicted in Moby Dick and popular culture of the nineteenth century to the use of navigational techniques by the British navy. She discusses how tracks evolved from tools of surveying into tools of surveillance and, eventually, into paths of environmental calamity. The impulse to record tracks on the ocean is, Caputo argues, reflective of an ongoing desire for order, schematization, and personal visibility, as well as occupation and permanent ownership—in this case over something that is unoccupiable and impossible to truly possess. Both beautifully written and deeply researched, Tracks on the Ocean shares how the lines drawn on maps tell the audacious and often tragic and violent stories of ocean voyages.

Sara Caputo is a senior research fellow and director of studies in history at Magdalene College, University of Cambridge. She is the author of Foreign Jack Tars: The British Navy and Transnational Seafarers during the Revolutionary and Napoleonic Wars.

Having first appeared from Princeton UP in 2022, the book was released in paperback this spring (the hardcover edition is included in the press’s 50% off sale, which ends May 31).

Jeremy Schipper, Denmark Vesey’s Bible: The Thwarted Revolt That Put Slavery and Scripture on Trial (Princeton: Princeton University Press, 2022), 216 pages, ISBN: 978-0691192864 (hardcover), $27 / ISBN: 978-0691259314 (paperback), $19.

On July 2, 1822, Denmark Vesey, a formerly enslaved man, was hanged in Charleston, South Carolina. He was convicted of plotting what might have been the largest insurrection against slaveholders in US history. Witnesses claimed that Vesey appealed to numerous biblical texts to promote and justify the revolt. While sentencing Vesey to death, Lionel Henry Kennedy, a magistrate at the trial, accused Vesey not only of treason but also of “attempting to pervert the sacred words of God into a sanction for crimes of the blackest hue.” Denmark Vesey’s Bible tells the story of this momentous trial, examining the role of scriptural interpretation in the deadly struggle against American white supremacy and its brutal enforcement.

Jeremy Schipper brings the trial and its aftermath vividly to life, drawing on court documents, personal letters, sermons, speeches, and editorials. He shows how Vesey compared people of African descent with enslaved Israelites in the Bible, while his accusers portrayed plantation owners as benevolent biblical patriarchs responsible for providing religious instruction to the enslaved. What emerges is an explosive portrait of an antebellum city in the grips of racial terror, violence, and contending visions of biblical truth. Shedding light on the uses of scripture in America’s troubled racial history, Denmark Vesey’s Bible draws vital lessons from a terrible moment in the nation’s past, enabling us to confront racism and religious discord today with renewed urgency and understanding.

Jeremy Schipper is professor in the Departments for the Study of Religion and Near and Middle Eastern Civilizations at the University of Toronto. Recipient of a Guggenheim Fellowship, he is the coauthor, with Nyasha Junior, of Black Samson: The Untold Story of an American Icon and the author of Disability and Isaiah’s Suffering Servant and Parables and Conflict in the Hebrew Bible. He lives in Toronto.

As noted at Art History News, the following essays are all available for free through the RKD’s website:

Karen Hearn, Angela Jager, Sander Karst, Rieke van Leeuwen, David Taylor, and Joanna Woodall, eds., Close Encounters: Cross-Cultural Exchange between the Low Countries and Britain, 1600–1830 (The Hague, Gerson Digital X, 2024, produced by Rieke van Leeuwen). Proceedings of the International Conference Held at the RKD, The Hague, 22–23 September 2022

Samuel van Hoogstraten, Perspective Portrait of a Young Man Reading in the Courtyard of an Imaginary Building, 1662–67 (Dordrecht: Dordrechts Museum, inv./cat.nr. DM/023/1525).

1  Refugees and Fortune Seekers: Artists from the Low Countries in Britain, An Overview in Numbers — Rieke van Leeuwen
2  Nicholas Stone the Elder (c. 1587–1647) and his Circle — Adam White
3  Between Two Courts: Gerard van Honthorst and Stuart Patrons in London and The Hague — Michele Frederick
4  Fire and Plague: Samuel van Hoogstraten’s Career in England — John Loughman
5  The Van de Velde Studio at the Queen’s House — Allison Goudie and Imogen Tedbury
6  Dutch Terminology in Artists’ Workshops in London — Ulrike Kern
7  Leatherwork and Kwab Frames: 17th-Century Auricular Picture Frames and their Anglo-Dutch Context — Gerry Alabone
8  Copying the Cartouche: Anglo-Dutch Encounters in Cartography and Slavery — Eleanor Stephenson
9  John van Collema: A Dutch India Goods Merchant in London — Amy Lim
10  The Print Collection of William Cartwright (1606–1686): A Reconstruction — Ellinoor Bergvelt
11  Thomas Worlidge’s Claim to Fame: An Approach to Rembrandt’s Printed Tronies in 18th-Century England — Rebecca Welkens
12  The Griffier Family of Painters and the Young Thomas Gainsborough — Rica Jones
13  Willem van de Velde’s Fame in 18th-Century England — Remmelt Daalder
14  In the Wake of the Old Masters: Dutch Modern Artists in Britain, 1780–1830 — Quirine van der Meer Mohr