Enfilade

From Princeton UP:

Markus Friedrich, The Jesuits: A History, translated by John Noël Dillon (Princeton: Princeton University Press, 2022), 872 pages, ISBN: 978-0691180120 (hardback), $40 / ISBN: 978-0691226200 (paperback), $28.

The most comprehensive and up-to-date exploration of one of the most important religious orders in the modern world.

Since its founding by Ignatius of Loyola in 1540, the Society of Jesus—more commonly known as the Jesuits—has played a critical role in the events of modern history. From the Counter-Reformation to the ascent of Francis I as the first Jesuit pope, The Jesuits presents an intimate look at one of the most important religious orders not only in the Catholic Church, but also the world. Markus Friedrich describes an organization that has deftly walked a tightrope between sacred and secular involvement and experienced difficulties during changing times, all while shaping cultural developments from pastoral care and spirituality to art, education, and science.

Examining the Jesuits in the context of social, cultural, and world history, Friedrich sheds light on how the order shaped the culture of the Counter-Reformation and participated in the establishment of European empires, including missionary activity throughout Asia and in many parts of Africa in the sixteenth and seventeenth centuries. He also explores the place of Jesuits in the New World and addresses the issue of Jesuit slaveholders. The Jesuits often tangled with the Roman Curia and the pope, resulting in their suppression in 1773, but the order returned in 1814 to rise again to a powerful position of influence. Friedrich demonstrates that the Jesuit fathers were not a monolithic group and he considers the distinctive spiritual legacy inherited by Pope Francis. With its global scope and meticulous attention to archival sources and previous scholarship, The Jesuits illustrates the heterogeneous, varied, and contradictory perspectives of this famed religious organization.

Markus Friedrich is professor of early modern history at the University of Hamburg. His books include The Birth of the Archive. He lives in Hamburg, Germany.

C O N T E N T S

List of Illustrations
List of Abbreviations

Prologue: Ignatius Loyola Founds an Order
1  The Inner Life and Structure of the Society
2  The Society, the Churches, and the Faithful
3  Saeculum and the Kingdom of God: The The Jesuits ‘in the World’
4  The Global Society
5  A World without the Society of Jesus: Hostility, Suppression, Revival
Epilogue: The Modern Society

Acknowledgments
Afterword to the English Edition
Translator’s Note
Notes
Works Cited
Names Index
Subject Index

From Harvard University Press:

David Bindman, Alejandro de la Fuente, and Henry Louis Gates, Jr., eds., The Image of the Black in Latin American and Caribbean Art, Book 1: From Colony to Nation (Cambridge, MA: Hutchins Center for African and African American Research, 2024), 400 pages, ISBN: 978-0674248861, £87 / €91 / $100.

The Image of the Black in Latin American and Caribbean Art is the first comprehensive survey of the visual representation of people of African descent in Latin America and the Caribbean, some twelve million of whom were forcibly imported into the Americas during the transatlantic slave trade. This first volume spans four centuries, from the first Spanish occupation of Latin America and the Caribbean in the fifteenth century; through the establishment of slave colonies on the mainland and islands by the British, French, and Danish; to the revolutionary emergence of independence, first in Haiti in 1804, and then across Latin America. Essays by leading scholars and superb illustrations bring to light a remarkable range of imagery that provides vivid insights into the complex racial history of the period.

The two volumes complement the vision of Dominique and Jean de Menil, art patrons who, during the 1960s, founded an archive to collect images depicting the myriad ways that people of African descent have been represented in Western art from the ancient world to modern times. The Image of the Black in Latin American and Caribbean Art continues the de Menil family’s original mission and brings to the fore a renewed focus on a rich and understudied area.

David Bindman is Professor of the History of Art, Emeritus, at University College London.
Alejandro de la Fuente is Robert Woods Bliss Professor of Latin American History and Economics, and Professor of African and African American Studies and History, at Harvard University.
Henry Louis Gates, Jr., is the author of numerous books and has written extensively on the history of race and anti-Black racism in the Enlightenment. His most recent works include Stony the Road and The Black Church. He is the Alphonse Fletcher University Professor and Director of the Hutchins Center for African and African American Research at Harvard University.

From The Getty:

Florina Capistrano-Baker and Meha Priyadarshini, eds., Transpacific Engagements: Trade, Translation, and Visual Culture of Entangled Empires, 1565–1898 (Los Angeles: Getty Publications, 2022), 320 pages, ISBN: 978-6218028258 (hardback), $55 / ISBN: 978-6218028227 (paperback), $45.

This wide-ranging collection of scholarly essays explores the hybrid cultures, intellectual clashes, and dynamic exchanges of the transpacific region in the age of imperialism.

Between the sixteenth and nineteenth centuries, competing European empires vied for commercial and political control of oceanic routes between Asia and the Americas. Transpacific Engagements addresses the resulting cultural and artistic exchanges with an emphasis on the Spanish and American enterprises in the Asia-Pacific region. This volume explores artistic expressions of imperial aspirations and imaginaries in the Philippines, Spain, Japan, and Hawaii; the transformations of texts, images, and culinary practices as they moved from one cultural context to another; and the movement of objects and people across the transpacific, with particular attention to the Manila Galleon trade that flourished from 1565 to 1815. Featuring contributions by art historians, anthropologists, historians, and cultural studies scholars, Transpacific Engagements gathers groundbreaking investigations of objects and histories to illustrate the role of East, South, and Southeast Asian polities and dynasties in these multilateral exchanges.

Published by the Ayala Foundation, Inc. in association with the Getty Research Institute and Kunsthistorisches Institut in Florenz (Max-Planck-Institut).

Florina H. Capistrano-Baker is the former director of the Ayala Museum and its current consulting curator and project consultant for international operations. Meha Priyadarshini is assistant professor in the Department of History at the University of Edinburgh.

From Reaktion Books and The University of Chicago Press:

Jane Hamlett and Julie-Marie Strange, Pet Revolution: Animals and the Making of Modern British Life (London: Reaktion Books, 2023), 256 pages, ISBN: 978-1789146868, £20 / $35.

Pet Revolution tracks the British love affair with pets over the last two centuries, showing how the kinds of pets we keep, as well as how we relate to and care for them, has changed radically. The book describes the growth of pet foods and medicines, the rise of pet shops, and the development of veterinary care, creating the pet economy. Most importantly, pets have played a powerful emotional role in families across all social classes, creating new kinds of relationships and home lives. For the first time, through a history of companion animals and the humans who lived with them, this book puts the story of the ‘pet revolution’ alongside other revolutions—industrial, agricultural, political—to highlight how animals contributed to modern British life.

Jane Hamlett is professor of modern British history at Royal Holloway, University of London. Her books include Material Relations: Middle-Class Families and Domestic Interiors in England, 1850–1910.
Julie-Marie Strange is professor of modern British History at Durham University. Her books include The Invention of the Modern Dog: Breed and Blood in Victorian Britain.

Coming this fall from Thames & Hudson:

Martin Gayford, Venice: City of Pictures (London: Thames & Hudson, 2023), 384 pages, ISBN: 978-0500022665, $40.

A visual journey through five centuries of the city known for centuries as, ‘La Serenissima’—a unique and compelling story for both lovers of Venice and lovers of its art.

Enchanting, captivating, precious—Venice is one of the most cherished cities in the world. For centuries it was the heart of a global maritime power and a crossroads for diverse cultures. Today the city attracts millions of visitors each year, enticed by its irresistible beauty. Art lovers are drawn here by the paintings, prints, drawings, and films made by generations of artists who have captured its magical allure. It is through images—both of the city and the art created there—that Venice’s identity has been forged and spread so powerfully. Venice was a major center of art in the Renaissance: the city where the medium of oil on canvas became the norm. The achievements of the Bellini brothers, Vittore Carpaccio, Giorgione, Titian, Tintoretto, and Paolo Veronese are a key part of this story. Nowhere else has been depicted by so many great painters in so many diverse styles and moods. Venetian views were a specialty of native artists such as Canaletto and Francesco Guardi, but the city has also been represented by outsiders: William Turner, Claude Monet, John Singer Sargent, Howard Hodgkin, and many more. Then there are those who came to look at and write about art. The reactions of Henry James, George Eliot, Richard Wagner, and others enrich this tale. Nor is the story over. Since the advent of the Venice Biennale in the 1890s, the city has become a shop window for the contemporary art of the whole world. In this elegant volume, Martin Gayford takes us on a visual journey through the past five centuries of the city known as “La Serenissima,” the ‘Most Serene’.

Martin Gayford is art critic for The Spectator. His books include Man with a Blue Scarf; Modernists and Mavericks; Spring Cannot Be Cancelled, with David Hockney; A History of Pictures, with David Hockney; Shaping the World, with Antony Gormley; and Love Lucian: The Letters of Lucian Freud, 1939–1954, with David Dawson.

From Strandberg Publishing:

Peter Thule Kristensen, ed., with contributions by Thomas Lyngby, Else Marie Bukdahl, Martin Søberg, Sanne Maekelberg, Natalie Körner, and Nina Ventzel Riis, Lauritz de Thurah: Architecture and Worldviews in 18th-Century Denmark (Copenhagen: Strandberg Publishing, 2023), 432 pages, ISBN: 978-8794102704, £70.

Lauritz de Thurah (1706–1759) was one of Denmark’s most significant architects of the Baroque period. He created several important buildings—including the Hermitage Hunting Lodge, the Royal Palace in Roskilde, Gammel Holtegaard, and the famous spire of the Church of Our Saviour in Copenhagen—and masterminded conversions and extensions of properties such as Ledreborg, Frederiksberg Castle, Børglum Kloster, and the now demolished summer residence Hirschholm Palace (widely known as the ‘Versailles of the North’). The mainstay of this monograph is Peter Thule Kristensen’s presentation of Thurah’s rich and complex architecture. The other chapters—written by experts Else Marie Bukdahl, Martin Søberg, Thomas Lyngby, Natalie Patricia Körner, Sanne Maekelberg, and Nina Ventzel Riis—describe Thurah’s roles as a leading architectural historian, topographer, grand tour traveller, civil servant, military man, and trailblazer within the new social structure in Denmark under absolute rule. The book also sheds light on the Baroque period in a broader sense, delving into the era’s court culture, garden design, and church architecture. Finally, the afterlife of Thurah’s works is addressed: how do his buildings function in our present day, having been adapted to the needs and users of a new era?

Peter Thule Kristensen is Professor, Head of the Master Programme Spatial Design at the Royal Danish Academy – Institute of Architecture and Design and a Core Scholar at the Centre for Privacy Studies at University of Copenhagen. He is M.Arch. from The Royal Danish Academy of Fine Arts, School of Architecture (1994), Ph.D. in architectural history from the same institution (2014), and dr.phil. in art history from Aarhus University (2014).

From McGill-Queen’s University Press:

Gauvin Alexander Bailey, The Architecture of Empire: France in India and Southeast Asia, 1664–1962 (McGill-Queen’s University Press, 2022), 488 pages, ISBN: ‎978-0228011422, $74.

Most monumental buildings of France’s global empire—such as the famous Saigon and Hanoi Opera Houses—were built in South and Southeast Asia. Much of this architecture, and the history of who built it and how, has been overlooked. The Architecture of Empire considers the large-scale public architecture associated with French imperialism in seventeenth- and eighteenth-century India, Siam, and Vietnam, and nineteenth- and twentieth-century Indochina, the largest colony France ever administered in Asia. Offering a sweeping panorama of the buildings of France’s colonial project, this is the first study to encompass the architecture of both the ancien régime and modern empires, from the founding of the French trading company in the seventeenth century to the independence and nationalist movements of the mid-twentieth century.

Gauvin Bailey places particular emphasis on the human factor: the people who commissioned, built, and lived in these buildings. Almost all of these architects, both Europeans and non-Europeans, have remained unknown beyond—at best—their surnames. Through extensive archival research, this book reconstructs their lives, providing vital background for the buildings themselves. Much more than in the French empire of the Western Hemisphere, the buildings in this book adapt to indigenous styles, regardless of whether they were designed and built by European or non-European architects. The Architecture of Empire provides a unique, comprehensive study of structures that rank among the most fascinating examples of intercultural exchange in the history of global empires.

Gauvin Alexander Bailey is professor and Alfred and Isabel Bader Chair in Southern Baroque Art at Queen’s University and the author of Architecture and Urbanism in the French Atlantic Empire.

c o n t e n t s

Acknowledgments

1  Introduction: Architecture, Empire, and Hubris
2  Origins: Fort Dauphin, Surat, Pondicherry, ca 1672
3  DipLomacy: Ayutthaya, ca 1688
4  Grandeur: Pondicherry, ca 1752
5  Interregnum: Diên Khánh, ca 1793
6  Semblance: Saigon and Hanoi, ca 1900
7  Appropriation: Phnom Penh, ca 1917
8  Association: Saigon and Hanoi, ca 1925
9  Hybridity: India and Southeast Asia, 1738–1962

Notes
Bibliography
Index