Enfilade

From ArtHist.net:

Textual Embodiments: Remediating Meaning across the Disciplines

Link Campus University, Rome, 11–12 September 2026

Proposals due by 1 June 2026

Eighteenth-century philology, as the science of editing and interpreting texts, while evolving in compartmentalised disciplines within the modern university curricula, formalised the analysis of written and visual works according to a shared methodology. Throughout its long history, philology has gone through important changes in the understanding of each component of the hermeneutic circle: author, text and reader. All periods in which philology was formalised as a discipline—i.e. the Hellenistic period, the Renaissance, and the second half of the eighteenth-century in Göttingen—have elaborated a methodology in response to important changes in the material production and dissemination of texts. A focus on the technology of writing, the critical evaluation of the manuscript tradition, and the manufacturing of printed books and critical editions have all accompanied its evolution in response to the ground-breaking technological innovations of the time mediating culture transfer.

As we are undergoing a new technological revolution with the production and dissemination of digital texts, this conference shall focus on the question of mediality in the production and circulation of texts, artistic works, and performances from all periods. What is the role of each medium (writing, printing, digital textuality, artistic practice, embodied performance) in shaping communication strategies, literary and journalistic genres, as well as interactions and synergies with other media accompanying the written text? Which communities are involved in these exchanges? The topics proposed shall ideally contribute to a transhistorical, intermedial and interdisciplinary reflection.

Possible topics include
• the circulation of manuscript texts (including collections of poems, libri amicorum, albums, diaries, etc)
• text/image dynamics from the medieval period to the contemporary era
• genres of periodical fiction and non-fiction
• digital editions of manuscript texts
• the evolving structures of the English language in relation to specific media
• the history of reading, writing and publishing
• the mediators of culture-transfer (printers, booksellers, illustrators, colonial agents)
• serialization (of printed texts and visual narratives)
• the evolving media landscape through the lens of aesthetics—performativity in conceptual art, experimental theatre, modern dance
• literary narratives foregrounding specific media
• self-reflexive transmedial adaptation studies

Please send a 250-word abstract to Alberto Gabriele a.gabriele@unilink.it and Carlo M. Bajetta at c.bajetta@univda.it by 1 June 2026.

From ArtHist.net:

New Research on Venetian Art

A Study Day for Doctoral and Post-Doctoral Researchers

Online, 24 October 2026

Proposals due by 30 June 2026

The Venetian Art History Research Group (VAHRG) invites submissions for its second virtual conference, open to current PhD students and postdoctoral researchers working on any aspect of Venetian art history. The conference will take place online via Zoom on Saturday, 24 October 2026, and will be hosted by members of the VAHRG committee. We welcome proposals for short papers presenting current research on Venetian art. Presentations may be given in either English or Italian, be accompanied by a PowerPoint, and not exceed 20 minutes. Those interested in participating are invited to submit a proposal title and an abstract (maximum 200 words) to venetianahg@gmail.com by Tuesday, 30 June 2026. Please also include your current university affiliation and the contact details of your supervisor(s).