Enfilade

From the Bundeskunsthalle’s website:

Napoleon and Europe: Dream and Trauma (Traum und Trauma)
Art and Exhibition Hall of the Federal Republic of Germany, Bonn, 17 December 2010 — 25 April 2011
Musée de l’Armée, Paris, March — June 2012

The source of all great mistakes and thence of all the great suffering of our time was that Napoleon was
perceived either as a demigod or as a monster or, more often than not, as both at the same time.
Friedrich von Gentz, 1814

Exhibition catalogue, 368 pp, ISBN 9783791350882

During the nearly sixteen years of his reign, Napoleon Bonaparte (1769–1821), more than any other historical figure, redrew the very foundations of European history. and wrought changes that can be felt to this day – both positively and negatively. The exhibition, which has been panned and organised by the Art and Exhibition Hall of the Federal Republic of Germany, draws on a selection of high-calibre loans from all over Europe to present a comprehensive picture of Napoleon and his time. Painting and sculpture reached new heights of excellence in the Napoleonic era – both in the propaganda paintings by David, Gérard and Ingres and in the work of those who opposed the French emperor, among them Goya and the German Romanticists. Staying clear of well-worn clichés that paint Napoleon as a warmonger or a larger than life political genius, the exhibition aims to draw a more differentiated picture of the Napoleonic era between war, politics, administration, art theft and
cultural prosperity.

The exhibition is held under the patronage of Federal Chancellor Angela Merkel and the President of the French Republic, Nicolas Sarkozy. The exhibition was planned by the Art and Exhibition Hall of the Federal Republic of Germany, Bonn, in cooperation with the Musée de l’Armée in Paris and will be shown in Paris from March to June 2012.

The exhibition is subdivided into the following thematic chapters, which are explained in a microsite NAPOLEON: