Enfilade

From LACMA:

Daily Pleasures: French Ceramics from the MaryLou Boone Collection
Los Angeles County Museum of Art, 6 October 2012 — 31 March 2013

Ewer, c. 1700, Rouen, France, Earthenware with tin glaze and enamel (grand feu faïence), 11 x 11 in. LACMA, Gift of MaryLou and George Boone in honor of the museum’s twenty-fifth anniversary, M.2010.51.1, Photo © Susan Einstein.

Long-time LACMA benefactor MaryLou Boone has amassed the West Coast’s finest collection of French faience and soft-paste porcelain, 25 pieces of which she gave to LACMA in 2010. (Although originally made to emulate hard-paste porcelain imported into Europe from Asia, faience and soft-paste porcelain ultimately became distinctive and sought-after ceramics in their own right.)

The exhibition comprises over 130 pieces from the foremost manufactories of the era, representing myriad aesthetic influences, as well as advances in technology and the rhythms of domestic life. The collection includes wares for dining and taking tea, for storing the many toiletries necessary for a stylish appearance, and for preparing mixtures that comforted in time of sickness. Inextricably intertwined with every day duties and diversions, these objects provide a unique view of French life and culture.

The accompanying exhibition catalogue, Daily Pleasures: French Ceramics from the MaryLou Boone Collection, includes more than 145 entries of French faience and porcelain from the collection, as well as essays about the collector and 17th and 18th-century French ceramics.

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From ACC Distribution:

Elizabeth Williams and Meredith Chilton, Daily Pleasures French Ceramics from the MaryLou Boone Collection (Los Angeles: Los Angeles County Museum of Art, 2012), 392 pages, ISBN: 9780875872155, $75.

MaryLou Boone’s collection of French ceramics spans the reigns of some of France’s most fascinating kings, from Louis XIII to Louis XVI, yet the collection is not one of royal vases and princely gifts but, rather, of wares for dining and taking tea, of porcelain frivolities, and of ceramics for the sickroom and the pharmacy. Mrs. Boone – a collector, scholar, and donor – has amassed the West Coast’s finest collection of 17th and 18th-century French faience and soft-paste porcelain, objects that provide a unique view of French life and culture. Emphasizing the aesthetics French ceramics and also its functionality, the catalogue comprises over 130 collection entries, as well as essays on the collector, ceramics in 17th-18th century France, French faience and its makers and French porcelain and its makers. Although originally created to emulate Asian porcelain, faïence and soft-paste porcelain ultimately became distinctive and sought-after ceramics in their own right.

C O N T E N T S

• Michael Govan and John Murdoch — Foreword
• Elizabeth Williams — Introduction
• Map of Manufactories
• Victoria Kastner — MaryLou Boone: The Accidental Collector
• Meredith Chilton — The Pleasures of Life: Ceramics in Seventeenth- and Eighteenth-Century France
• Antoinette Faÿ-Hallé — French Faience from Its Origins to the Nineteenth Century
• Antoinette Faÿ-Hallé — Faience Manufactory Histories
• Faience Catalogue
• Meredith Chilton — Porcelain Production in Seventeenth- and Eighteenth-Century France
• Meredith Chilton — Porcelain Manufactory Histories
• Porcelain Catalogue
• Marks Appendix
• Glossary
• Selected Bibliography
• Illustration Credits
• Index

Meredith Chilton is an independent art historian and was the founding curator of the Gardiner Museum of Ceramic Art in Toronto from 1983 to 2004. She has curated many exhibitions, published extensively and lectured internationally. Antoinette Faÿ-Hallé is Conservateur général honoraire du Patrimoine and Ancien directeur du musée national de Céramique, Sèvres where she worked as both a conservator and director. She has organized many ceramic and glass exhibitions and written extensively on the history of ceramics. Catherine Hess is Chief Curator of European Art at The Huntington Art Collections in San Marino, California. She is responsible for a collection particularly strong in Renaissance bronzes, 18th-Century French decorative arts, and 18th-Century British portraiture. Victoria Kastner, the Historian at Hearst Castle, has published several books and holds graduate degrees in architectural history and museum management. Elizabeth A. Williams is the Marilyn B. and Calvin B. Gross Assistant Curator of the Decorative Arts and Design department at the Los Angeles County Museum of Art.