Summer 2014 Issue of the CODART eZine

Posted in journal articles, reviews by Editor on June 15, 2014

The 4th issue of the CODART eZine focuses on the eighteenth-century:

CODART eZine 4 (Summer 2014)

Jan Ekels (1759-1793), A writer sharpening his pen, 1784 (Amsterdam: Rijksmuseum)

Jan Ekels, A Writer Sharpening His Pen, 1784
(Amsterdam: Rijksmuseum)

• Tom van der Molen, “Editor’s Note: Eighteenth-Century Art”
• Gerdien Verschoor, “Welcome: CODART Director Dies under Avalanche of Books”
• Virginie D’haene, “Bruges Artists Abroad: Neoclassicist Drawings in the Printroom of the Groeningemuseum”
• Stefaan Hautekeete, “A Cabinet of the Most Delightful Drawings: Eighteenth-Century Netherlandish Drawings from the Collection of Jean de Grez, To Be Exhibited at the Koninklijke Musea voor Schone Kunsten van België (Royal Museums of Fine Arts in Belgium) in 2016”
• René Dessing, “Historic Country Houses in the Netherlands”
• Silke Gatenbröcker, “Duke Anton Ulrich of Braunschweig-Wolfenbüttel: One of the First Collectors of Dutch Paintings outside the Netherlands”
• Jacek Tylicki, “Collecting at the Court of Poland-Lithuania and the Activities of King Stanislaus II August”
• Curator’s Interview: Paul Knolle interviewed by Andrea Rousová
• Friends: Brian Capstick interviewed by Gerdien Verschoor
• Rebecca Long, “CODART ZEVENTIEN Congress Review”


CODART—the international council for curators of Dutch and Flemish art—aims to further the study, care, accessibility and display of art from the Low Countries in museums around the globe. It serves as a platform for exchange and cooperation between curators from different parts of the world, with different levels of experience, and from different types and sizes of institutions. Our organization stimulates international inter-museum cooperation through a variety of activities, including congresses, focus meetings, publications and our website. By these means CODART strives to solidify the cultural ties between the Netherlands and Flanders, and to make the artistic heritage of these countries accessible to the international art-loving public.

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