Enfilade

The Landmark Trust Turns 50

Posted in on site by Editor on April 17, 2015

The Landmark Trust turns fifty in May:

The Landmark Trust’s Golden Weekend
50 Landmark Open Days in the UK, 16–17 May 2015

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The Dining Room at 13 Princelet Street, Spitalfields, London, built ca. 1718–19. The Landmark Trust is featured in House & Garden (May 2015), pp. 134–39. Photo by Ben Quinton.

The Landmark Trust is a charity that rescues important buildings that would otherwise be lost. We take on historic places in danger and carefully and sensitively restore them. By making them available for holidays, we make sure they can be enjoyed by all, both today and for future generations. We have in our care nearly 200 buildings in Britain and several in Italy and France. Though they range from the sober to the spectacular, all our buildings are rich in history and atmosphere. They include picturesque pavilions and medieval long-houses, artillery forts and Gothick follies, clan chiefs’ castles and cotton weavers’ cottages, the homes of great writers and the creations of great architects, from Browning to Boswell, from Pugin to Palladio.

In the month we were founded, we will open 25 Landmarks for a special, celebratory open weekend across England Scotland and Wales, many never before or only rarely open to the public. The buildings have been carefully picked so that 95% of the British population will be within 50 miles of an open Landmark.

At 3pm on 16 May 2015 local groups, community choirs, bands, bell ringers and musicians of all sorts will simultaneously perform a specially commissioned Anthem for Landmark by acclaimed young composer Kerry Andrew. We hope this will unite Landmarkers and local communities across the country in a wonderful shared celebration.

More information about the weekend is available here»

Belmont, Landmark Trust property, Lyme Regis, Dorset

Richard Samuel Coade, Belmont (Lyme Regis, Dorset), built before 1784, at which point it became the home of Eleanor Coade; appropriately the house showcases the eponymous artificial stone she pioneered.

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One of The Landmark Trust’s latest project, Belmont is scheduled to open later this year:

Belmont (Lyme Regis, Dorset) is a fine, early example of a maritime villa, a new building type that sprang up in the second half of the 18th century with the rising popularity of sea bathing and holidays by the seaside. Our research has shown that the house was built before 1784 by Samuel Coade. This is the date he transferred the house to his niece, Mistress Eleanor Coade (1733–1821), one of the most intriguing figures in 18th-century architecture.

Our project will rescue Belmont from decay and restore it to its late-Georgian glory, creating a Landmark which will sleep 8 people. As it was once Mrs Coade’s holiday villa, so it will be used for holidays again, with its original features repaired and reinstated.

Thanks to a hugely generous financial bequest to Landmark by the late Mrs Shelagh Preston, the fundraising appeal for Belmont has now reached its target. We are so grateful to everyone who supported Belmont, helping us to raise a total of £1.8m.

Romantic Illustration Network

Posted in resources by Editor on April 17, 2015

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From RIN:

The Romantic Illustration Network (RIN) restores to view the importance of book illustration and visual  culture in the Romantic period, but also across the eighteenth and nineteenth centuries. RIN brings together scholars working on poetry, prose, the printed book, visual culture, and painting from roughly 1750–1850 to share research and to develop new models for understanding the relationship between word and image in the period, between large and small scale work, and between painting, print and illustration.

We are collaborating with Tate Britain to enhance the Tate’s collection of literary prints and paintings. RIN will foreground artists who have been unduly ignored, and return attention to well-known artists in unfamiliar roles. We aim to recapture lost cultures of looking and of reading, restoring the link between word and image not only in book illustration but in the wider literary and visual culture. Our programme of events will take as starting point in turn the artist, the author, the gallery and the economics of print. We will produce an edited collection of essays and it is hoped that this network will form the basis for a longer research project.

The RIN blog is available here»

New Book | Romanticism and Caricature

Posted in books by Editor on April 17, 2015

From Cambridge UP:

Ian Haywood, Romanticism and Caricature (New York: Cambridge University Press, 2013), 242 pages, ISBN: 978-1107044210, £60.

coverIan Haywood explores the ‘Golden Age’ of caricature through the close reading of key, iconic prints by artists including James Gillray, George and Robert Cruikshank, and Thomas Rowlandson. This approach both illuminates the visual and ideological complexity of graphic satire and demonstrates how this art form transformed Romantic-era politics into a unique and compelling spectacle of corruption, monstrosity and resistance. New light is cast on major Romantic controversies including the ‘revolution debate’ of the 1790s, the impact of Thomas Paine’s ‘infidel’ Age of Reason, the introduction of paper money and the resulting explosion of executions for forgery, the propaganda campaign against Napoleon, the revolution in Spain, the Peterloo massacre, the Queen Caroline scandal, and the Reform Bill crisis. Overall, the volume offers important new insights into the relationship between art, satire and politics in a key period of history.

Ian Haywood is Professor of English and Co-Director of the Centre for Research in Romanticism at the University of Roehampton. He co-edited, with John Seed, The Gordon Riots: Politics, Culture and
Insurrection in Late Eighteenth-Century Britain
(Cambridge University
Press, 2012).

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C O N T E N T S

Introduction: The Recording Angel
1  Milton’s monsters | James Gillray, Sin, Death and the Devil (1792)
2  Lethal money: forgery and the Romantic credit crisis | James Gillray, Midas (1797), George Cruikshank and William Hone, Bank Restriction Note (1819)
3  The aesthetics of conspiracy | James Gillray, Exhibition of a Democratic Transparency (1799)
4  The spectral tyrant: Napoleon and the English dance of death | Thomas Rowlandson, The Two Kings of Terror (1813)
5  The spectropolitics of Romantic infidelism | George Cruikshank, The Age of Reason (1819)
6  The British inquisition | George Cruikshank and William Hone, Damnable Association (1821)
7  The return of the repressed: Henry Hunt and the Reform Bill crisis | William Heath/Charles Jameson Grant, Matchless Eloquence (1831).

Notes
Select Bibliography
Index