Enfilade

Call for Papers | Human Kind: British and Australian Portraits

Posted in Calls for Papers by Editor on January 16, 2016

From The University of Melbourne:

Human Kind: Transforming Identity in British and Australian Portraits, 1700–1914
The University of Melbourne & National Gallery of Victoria, Melbourne, 8–11 September 2016

Proposals due by 12 February 2016

Joseph Wright of Derby, Self-portrait, 1765–68, oil on canvas (Melbourne: National Gallery of Victoria)

Joseph Wright of Derby, Self-portrait, 1765–68, oil on canvas (Melbourne: National Gallery of Victoria)

Inspired by the outstanding collection of the National Gallery of Victoria, this interdisciplinary conference will be the largest gathering of international and Australian scholars to focus on portraits. It will provide a unique opportunity to explore both British and Australian portraits through a dynamic interchange between academics and curators.

Papers are invited that focus on British or Australian portraits between 1700 and 1914, which can be interpreted as separate fields or as overlapping or comparative studies. The portraits may be in any public or private collection worldwide, but in particular in the National Gallery of Victoria. They may be in any medium, including painting, print, drawing, sculpture and photography.

The conference aims to be both informed and provocative and to provide a robust forum for new and contemporary perspectives. These will include:
• How portraits shape social values and invent new possibilities for defining ‘human kind’
• The importance of place and provenance in the interpretation of portraits
• How portraits form a bridge of self-interpretation between Britain and colonial society
• The bonding role of portraits, their exchange as gifts, as agents in friendship and social cohesion, as testament to empathy and kinship
• The interaction of portraits with other art forms and cultural media, including theatre, literature and music, photography and film
• The role of portraits as records of social exclusion, isolation and displacement
• Issues of authorship, attribution, restoration and the multiplication and copying of portraits.

Please email abstracts of no more than 250 words and a short CV to portrait-conference@unimelb.edu.au. Deadline for proposals is Friday, 12 February 2016.

Keynote Speakers
• Mark Hallett, Director of Studies, Paul Mellon Centre for Studies in British Art
• Martin Myrone, Lead Curator Pre-1800, Tate Gallery
• Kate Retford, Senior Lecturer, Department of History of Art, Birkbeck University of London

The Paul Mellon Centre for Studies in British Art has provided funding for graduate bursaries. Please direct your enquiries to portrait-conference@unimelb.edu.au.