Enfilade

Exhibition | Dutch Flowers

Posted in exhibitions by Caitlin Smits on March 8, 2016

dutch-flowers_event-final

From The National Gallery:

Dutch Flowers
The National Gallery, London, 6 April — 29 August 2016

Curated by Betsy Wieseman

The first display of its kind in 20 years, this exhibition will explore the development of Dutch flower painting from its beginnings in the early 17th century to its blossoming in the late 18th century. Coinciding with the flower shows at Chelsea and Hampton Court, Dutch Flowers will draw connections between the development of flower painting in the Netherlands to increased interest in botany, horticulture, and the phenomenon of ‘tulip mania’. The exhibition will present an overview of the key artists active within the field and highlight the connections between them. Viewers will be invited to examine each work closely and in detail to appreciate the stylistic and technical characteristics of each artist. Works from the National Gallery Collection will be displayed alongside long-term loans from private collectors. The exhibition will include a major recent acquisition, Ambrosius Bosschaert the Elder’s A Still Life of Flowers in a Wan-Li Vase, acquired in 2010.

Note (added 5 April 2016) — The press release is available here

 

Call for Articles | British Art Studies, Issue 4 (November 2016)

Posted in Calls for Papers by Editor on March 8, 2016

British Art Studies Issue 4 (November 2016)
Articles due by 1 June 2016

British Art Studies is a new online journal published by the Paul Mellon Centre for Studies in British Art, London, and the Yale Center for British Art, New Haven. The journal provides an innovative space for the best new research on British art. We encourage submissions on all aspects of British art, architecture, and visual culture, ranging across periods and geographies and are now soliciting content for our fourth issue, due to be published in November 2016, marking our first anniversary.

The digital platform of British Art Studies offers new opportunities for displaying images alongside text and multimedia content. The editors are open to proposals and ideas from authors to develop innovative and visually stimulating ways to publish art-historical scholarship online.

We invite submissions of scholarly articles (which are subject to a rigorous peer review process), as well as proposals for innovative special features for issue 4. Texts may range from 5000 to 8000 words, although the editors will also consider shorter pieces. It is recommended that articles are illustrated with between 5 to 10 images, but the editors will consider image requirements on a case-by-case basis. Articles should be submitted by email in Word format, together with a Word document containing low resolution accompanying images (where possible), as well as a list of proposed images and sources, as outlined in our style guide, available at britishartstudies.ac.uk. For special feature proposals, an abstract of no more than 500 words, together with images should be submitted for initial consideration by the editors. Final numbers of images, and the sourcing and commissioning media for articles accepted for publication, will be decided in consultation with authors on an individual basis. British Art Studies will endeavour to meet reasonable costs and copyright issues for illustrative materials essential to the argument of published texts. Please note we are not currently accepting proposals for special issues of collected essays.

Please forward submissions to Hana Leaper (journal@paul-mellon-centre.ac.uk) by 1 June 2016.

Lectures | Benjamin West at Spencer House

Posted in lectures (to attend) by Editor on March 8, 2016

I noted this small exhibition a week ago but failed to include the programming details. The first lecture takes place on Monday. CH

Benjamin West at Spencer House
Spencer House, London, 31 January 2016 — 29 January 2017

In celebration of the 25th anniversary of the restoration of the State Rooms at Spencer House, James ‘Athenian’ Stuart’s early neo-classical interiors will showcase work of Benjamin West, a central figure in the development of neo-classical painting. Central to the exhibition is West’s Milkmaids in St. James’s Park, Westminster Abbey Beyond (ca. 1801, oil on panel, Paul Mellon Fund), which is on special loan to the Rothschild Foundation from the Yale Center for British Art. . . .

To complement the exhibition, a series of three lectures about Benjamin West will take place at Spencer House, followed by drinks:

• Loyd Grossman, How to Paint History: Benjamin West and the Death of General Wolfe, 14 March at 6.30pm
• Desmond Shawe-Taylor (The Surveyor of The Queen’s Pictures), Benjamin West and George III, 18 July at 6.30pm
• Lars Kokkonen (Assistant Curator of Paintings and Sculpture, Yale Center for British Art), Evaporations: Milkmaids in St. James’s Park No More, 14 November at 6.30pm

Booking information is available here»