Display | ‘The Inspection of the Curious’: The Country-House Guidebook
Garden Front of Blenheim Palace, from Colen Campbell, Vitruvius Britannicus or the British Architect, the Plans, Elevations, and Sections of the Regular Buildings, both Publick and Private, in Great Britain . . . , 3 vols. (London: 1715–25), volume 1. For the display at The Mellon Centre, Campbell’s work is represented by a 1967 edition of the book; the image included above comes from Wikimedia Commons.
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Now on view at the Paul Mellon Centre:
‘The Inspection of the Curious’: The Country-House Guidebook, c. 1750–1990
Paul Mellon Centre for Studies in British Art, London, 5 September 2016 – 6 January 2017
Curated by Jessica Feather and Collections Staff
The fourth Drawing Room Display, curated by Jessica Feather (Brian Allen Fellow at the Paul Mellon Centre) and Collections staff, takes material from the Centre’s considerable holdings of Country House guidebooks to focus on three early adopters of the guidebook: Knole (Kent), Blenheim Palace (Oxfordshire), and Burghley (Lincolnshire/Northamptonshire).
The British country-house guidebook is a very specific genre of travel guide, with particular characteristics which have, arguably, remained relatively unchanged from beginnings in the mid-eighteenth century until the present day. Generally small in size, lightweight and inexpensive, they were intended to be portable in order to be carried round the house whilst visiting. The history of the country-house guidebook relates closely to the practice of visiting country houses.
It is a genre which only developed seriously in the later eighteenth century, some years after houses such as Chatsworth, Blenheim, and Burghley opened their doors. A subsequent rise in mass tourism by the mid-nineteenth century, and the appropriation of country houses as part of the national heritage, led to the production of an increased number of guidebooks before the decline in interest in visiting country houses from the 1880s onwards due to economic pressures and anti-aristocratic feeling. This saw a decline in visitor numbers and significant reduction in the number of new guidebooks produced and new editions of older ones. A revival in visiting country houses after the Second World War has been paralleled by the frequent publication of guidebooks in new editions at least up until the 1990s.
Examining the guidebooks of three great houses—Knole, Blenheim, and Burghley—not only allows us to consider the history of this genre, but also brings the historical narratives of these houses into the foreground.
The Paul Mellon Centre has been collecting country-house material and publications over a number of years both by purchase and donations, including material from the collections of Sir Howard Colvin and John Cornforth. For more information on the Library and Collections please click here.
The ‘Inspection of the Curious’ display coincides with the Art in the British Country House: Collecting and Display research project and the Art in the British Country House: Collecting and Display conference which takes place October 7.
Jessica Feather’s 21-page accompanying booklet is available digitally here»
Note (added 20 September 2016) — The original version of this posting mistakenly listed the opening date as 8 February 2017.