Enfilade

Exhibition | Emperors, Scholars, and Temples

Posted in exhibitions by Editor on October 27, 2016

From

Emperors, Scholars, and Temples: Tastemakers of China’s Ming and Qing Dynasties
The Nelson-Atkins Museum of Art, Kansas City, 12 August 2016 — 9 July 2017

Coat, early 18th century, Chinese. Brocade, 54 x 81 inches (Kansas City: The Nelson-Atkins Museum of Art)

Coat, early 18th century, Chinese. Brocade, 54 x 81 inches (Kansas City: The Nelson-Atkins Museum of Art; William Rockhill Nelson Trust, 35-184/1)

During the Ming (1368–1644) and Qing (1644–1911) dynasties, the arts of China reached full maturity. Painting, calligraphy, porcelain and textiles flourished, and new styles and techniques emerged. The imperial court, scholars, and temples supported this profusion of creativity, each establishing distinctive, yet overlapping artistic styles. Emperors held court in the Forbidden City in Beijing in unparalleled splendor. Courtiers, empresses, and concubines wore extravagant garb and beautiful jewelry. Across the empire, an educated class of scholars pursued elegant and cultured lifestyles. Buddhism was also an inspiration for the arts. Thousands of ornate temples stored precious relics and images of Buddhist deities. Presenting rarely seen objects from the Nelson-Atkins Chinese collection, the exhibition explores currents of taste during this five hundred-year period.

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Aimee Marcereau DeGalan Appointed Curator at The Nelson-Atkins

Posted in museums by Editor on October 27, 2016

Press release (25 October 2016) from The Nelson-Atkins:

The Nelson-Atkins Museum of Art in Kansas City has hired Dr. Aimee Marcereau DeGalan as the Louis L. and Adelaide C. Ward Senior Curator of European Art. Marcereau DeGalan comes to the Nelson-Atkins from The Dayton Art Institute (DAI), where she was Chief Curator and Curator of European Art.

Aimee Marcereau DeGalan, photo by Chris Dissinger.

Aimee Marcereau DeGalan, photo by Chris Dissinger.

“The timing of this important addition to our staff could not be better,” said Julián Zugazagoitia, Menefee D. and Mary Louise Blackwell CEO & Director of the Nelson-Atkins. “Aimee’s scholarship will be immediately called upon as we prepare to open the Bloch Galleries in the spring, and she will continue the important work that has begun on our catalogue of French paintings.”

A specialist in British and French 18th- and 19th-century art, Marcereau DeGalan will lead the European Arts division, which includes the departments of Ancient Art, European Paintings & Sculpture and Architecture, Design and Decorative Arts. She will pursue senior-level research exhibition and catalogue projects, and be responsible for acquisitions, interpretation and presentation of the European collections.

“Aimee’s experience at institutions of varying scale and type has been excellent training for the job at the Nelson-Atkins,” said Catherine Futter, Director of Curatorial Affairs. “A 2014 Center for Curatorial Leadership Fellow, she has worked across many disciplines to engage a wide range of audiences and is also an amazing leader.”

Marcereau DeGalan was hired at the DAI in 2012 as Curator of Collections and Exhibitions. Previously, she held curatorial posts at the Fleming Museum of Art at the University of Vermont, The Cleveland Museum of Art, and The Detroit Institute of Arts. While in Dayton, Marcereau DeGalan raised major funds for conservation treatments to seven significant European paintings, accessioned more than 400 objects, regularly brought scholars into the museum to advise on its different collections, and presented 24 exhibitions during her tenure. Importantly, she worked to broaden the DAI’s engagement with the Dayton community.

“The DAI will forever be grateful for Aimee’s meaningful contributions to the museum and the community,” says Dayton Art Institute Director and CEO Michael R. Roediger. “During her time at the museum, she has led the Curatorial Department and the Collections Committee, been a valued member of the museum’s leadership team, and been an integral part of the development of the museum’s Centennial Plan. The Dayton Art Institute can be proud that one of our own is moving on to such a prestigious organization.”

“I am thrilled to be joining the curatorial team at the Nelson-Atkins,” said Marcereau DeGalan. “It has long been an institution I have admired not only for the scope and depth of its collections, but also for its commitment to research, scholarship, and to broadening its reach within the regional community and on the national and international stage.”

Marcereau DeGalan will begin her position on November 1st.

Aimee Marcereau Degalan completed her PhD in 2007 with Anne Helmreich at Case Western Reserve University with a dissertation entitled “Dangerous Beauty: Painted Canvases and Painted Faces in Eighteenth-Century Britain.”

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HGSCEA Essay Prize for Emerging Scholars

Posted in graduate students, opportunities by Editor on October 27, 2016

From H-ArtHist:

Historians of German, Scandinavian, and Central European Art
Fifth Annual Essay Prize for Emerging Scholars

Nominations due by 19 December 2016

Submissions are now being accepted for the fifth annual HGSCEA Emerging Scholars Publication Prize, an award of $500 given to the author of a distinguished essay published the preceding year on any topic in the history of German, Central European, or Scandinavian art, architecture, design, or visual culture. Submissions, which must be in English and may be from electronic or print publications, must have a publication date of 2016; authors must be either current PhD students or have earned a PhD in or after 2012 and must be members of HGSCEA at the time of submission. The recipient of the Prize and one honorable mention will be chosen by the members of the HGSCEA Board and announced at the HGSCEA dinner reception during the College Art Association annual conference. Nominations and self-nominations are welcome; submissions should include a copy of the publication and a CV and should be sent by electronic attachment to the HGSCEA president Marsha Morton (mortonmarsha10@gmail.com) before December 19, 2016.