Exhibition | Printed Fashions: Textiles for Clothing and the Home

Posted in exhibitions by Editor on March 27, 2017

Scene of textile printing, adapted from a French copperplate-printed textile of the 1780s
(The Art Museums of Colonial Williamsburg)

◊  ◊  ◊  ◊  ◊

Press release (6 February 2017) from Colonial Williamsburg:

Printed Fashions: Textiles for Clothing and the Home, 1700–1820
DeWitt Wallace Decorative Arts Museum, Colonial Williamsburg, 25 March 2017 — March 2019

Curated by Linda Baumgarten

In the eighteenth and early nineteenth centuries, early printed textiles with their luminous colors and attractive designs were widely sought for fashionable clothing and home furnishings. Eighty examples of these stunning printed cottons and linens, many of which have never been exhibited before, will go on view in Printed Fashions: Textiles for Clothing and Home at the DeWitt Wallace Decorative Arts Museum, one of the Art Museums of Colonial Williamsburg, opening March 25, 2017. The exhibition will illustrate the design, history, and techniques of printed textiles during this formative era; these objects played their own important role in history, not just for their obvious aesthetic qualities, but also for their economic importance as trade goods and as examples of technological advances. Printed Fashions will remain on view through March 2019.

“Textiles are among the most fragile objects that survive from the past. They also afford us particularly detailed views into the lives of our forbearers,” said Ronald L. Hurst, Colonial Williamsburg’s Carlisle H. Humelsine chief curator and vice president for collections, conservation, and museums. “Thanks to decades of effort and scholarship on the part of our textile curator Linda Baumgarten and her predecessors, the Foundation is home to a remarkably large and complete collection of printed textiles. This exhibition provides an opportunity to employ many of those beautiful objects to tell these very human stories.”

“The history of printed textiles may sound modern to today’s consumers,” says Linda Baumgarten, Colonial Williamsburg’s senior curator of textiles and costumes who organized the exhibition. “Traders shipping goods from the other side of the world in ships, domestic workers trying their best to respond to foreign competition, people making the effort to dress in up-to-date styles despite their limited means and the importance of chemistry and mechanical expertise in the production of consumer goods: All of these concepts could easily represent textile production today as well as it did centuries ago.”

Although fashionable Indian chintzes had inspired European printers to begin developing competing technologies as early as the seventeenth century, it was during the eighteenth century that most of the technical advances were realized. Rather than using the Indian method of painstakingly hand-painting chemical fixatives known as mordants and then dyeing the textiles, Europeans developed laborsaving techniques to expedite the process. Blocks, copperplates, and rollers allowed printers to apply pattern at a faster rate, often with delicate and intricate linear effects rivaling prints on paper. Experiments with chemicals yielded pencil blue and china blue techniques to solve the difficult challenges of pattering textiles with indigo blue.

Printed Fashions will include a variety of objects dating between 1700 and 1820 from India, England, France, and colonial America. Among them will be men’s and women’s garments, women’s accessories, a doll dressed in original clothing from the 1770s, quilts and an Indian ‘palampore’ bedcover in brilliant colors, a trunk linked with rare, early printed cotton, case covers for chairs, curtains and valances for tall-post beds, plus study documents that show printing techniques, advances in printing chemistry, and trends in design. Among the exhibition’s highlights is a stunning bed quilt, never previously exhibited, incorporated into which is a printed panel from India as the center focus. This panel, or ‘palampore’, was too small for the finished quilt, so the unknown quilt maker enlarged the bedcover with fine silk borders and then quilted the whole with closely spaced running stitches. The flowering tree at the center of the palampore is patterned with a large tree bursting with floral blooms, growing from the hilly ground. Later known as a ‘tree of life’, this design influenced English and American appliquéd quilts for a century after the first palampores entered the West.

Another featured object in Printed Fashions is a gentleman’s banyan made of stylish and expensive cotton from India. The delicate floral design was mordant-painted-and-resist-dyed, creating a colorful yet comfortable garment suitable for relaxing at home. By donning his imported chintz banyan, the man at leisure signaled his wealth and fashion sense. A textile swatch or sample book from 1783 is yet another must-see object in the exhibition; it unrolls to reveal more than seven feet of swatches with 430 samples in all. The colorful printed cottons were available for sale in a single year by a Manchester, England printing establishment. In less than a century, British manufacturers went from rudimentary early attempts at copying Indian imports to becoming a major printing industry.

This exhibition was made possible through the generosity of Mary and Clinton Gilliland and the Turner-Gilliland Family Fund of the Silicon Valley Community Foundation; the DeWitt Wallace Fund for Colonial Williamsburg; and Mr. and Mrs. Jay E. Frick. Ellan and Charles Spring funded the purchase of mannequins.

To celebrate the opening of Printed Fashions, the Colonial Williamsburg Foundation will host a symposium of internationally known scholars, March 26–28, 2017. Guest speakers will include Rosemary Crill, honorary research associate, Victoria and Albert Museum; Linda Eaton, John L. & Marjorie P. McGraw director of collections & senior curator of textiles, Winterthur Museum; Susan Greene, author and independent researcher whose lecture is generously sponsored by Windham Fabrics, Inc.; Philip Sykas, research associate, Manchester School of Art, United Kingdom; and Barbara Brackman, independent scholar and researcher. In addition, twenty scholars from the United States and England will present juried papers on all aspects of textile printing and usage. The program will take place in the Hennage Auditorium at the Art Museums of Colonial Williamsburg. More information is available here.

An exhibition in formation for more than a decade, Printed Fashions: Textiles for Clothing and Home is certain to fascinate and delight decorative arts aficionados, fashion historians, and design enthusiasts who will appreciate the many patterns that could easily have modern interpretations.

Conference | Printed Fashions: Textiles for Clothing and the Home

Posted in conferences (to attend) by Editor on March 27, 2017

From the conference schedule:

Printed Fashions: Textiles for Clothing and the Home
Colonial Williamsburg, 26–28 March 2017

With their brilliant colors and engaging designs, early painted and printed textiles were eagerly sought for fashionable clothing, quilts, and other home furnishings. But textiles also tell human stories that sound modern: traders transporting goods from the other side of the world in ships powered by wind and sails; domestic workers trying their best to respond to foreign competition; people making the effort to dress in up-to-date styles despite their limited means; and the importance of chemistry and mechanical expertise in the production of consumer goods. The Colonial Williamsburg Foundation in Williamsburg, Virginia, hosts this symposium about painted and printed textiles with invited speakers and juried papers. The symposium coincides with the exhibition Printed Fashions: Textiles for Clothing and the Home, 1700–1820 mounted in the Gilliland Textile Gallery.

◊  ◊  ◊  ◊  ◊

S U N D A Y ,  2 6  M A R C H  2 0 1 7

1:00  Conference registration

3:30  Welcome, Linda Baumgarten (senior curator of textiles and costumes, Colonial Williamsburg)

3:40  Juried Papers
• Philippe Halbert (Ph.D. candidate, Yale University, Department of the History of Art), ‘You know that my dear Mother loves Indienne’: Printed and Painted Textiles in the French Atlantic World, 1675–1800
• Ned Lazaro (associate curator of textiles and collections manager,  Historic Deerfield, Massachusetts), On Risk and Account: The Fashion for Eighteenth-Century Indian Cottons in New England
• John Styles (research professor in History, University of Herfordshire and honorary senior research fellow, Victoria and Albert Museum), How Colonial America’s Taste for Printed Calicoes Drove the British Industrial Revolution

4:50  Break

5:00  Rosemary Crill (honorary research associate, Victoria and Albert Museum), When Print Meets Pen: Block-Printing and Hand-Drawing in Indian Cotton Textiles

6:00  Reception

M O N D A Y ,  2 7   M A R C H  2 0 1 7

8:30  Art Museums of Colonial Williamsburg open for conference registrants

9:00  Announcements and introduction to the Printed Fashions exhibition

9:30  Linda Eaton (John L. and Marjorie P. McGraw Director of Collections and Senior Curator of Textiles, Winterthur Museum), Printed Furnitures: The Women’s Side of the Upholstery Trade

10:30  Break

11:00  Susan Greene (author and independent researcher, Alfred Station, New York), From Kalam to Cylinder

12:00  Lunch break with museum exhibitions open

2:00  Juried Papers
• Rebecca Fifield (Head of Collection Management, Special Collections, New York Public Library), Of the Lowest Prices: Printed Textile Use in the Dress of Unfree American Women, 1750–90
•  Jennifer Swope (assistant curator, David and Robert Logie, Department of Textiles and Fashion Arts, Museum of Fine Arts, Boston), The Diversity of Printed Textile in Early America: The Robbins Family Collection at the Museum of Fine Arts, Boston
• Mary D. Doering (independent scholar, collector and guest curator), Case Study of a Printed Cotton Gown, Possibly Worn in Massachusetts, ca. 1780–85
• Alexandra Barlow (assistant conservator, Textile Conservation, The Metropolitan Museum of Art, New York) and Sara Reiter (The Penny and Bob Fox Senior Conservator of Costumes and Textiles, Philadelphia Museums of Art), Printed Gown Patterns: The Conservation of an Early Nineteenth-Century Block-Printed Dress: Techniques and Historical Importance

3:30  Break

4:00  Juried Papers
• Edward Heimiller (curator, The Stephen J. Ponzillo, Jr. Memorial Library & Museum of the Grand Lodge of A.F. & A.M. of Maryland), Revealing Fraternal Secrets: Establishing a Masonic Treatise for Fraternal Design
• Matthew Skic (assistant curator, Museum of the American Revolution, Clifton Heights, Pennsylvania), Stand Fast in the Liberty: A Rare Waistcoat Belt
• Angela Burnley (independent scholar, Williamsburg), 1 Gown Flowered All Over with Cards: Fashion’s Fancy through the Eyes of the Eighteenth-Century Textile Consumer
• Christina Westenberger (assistant manager for museum education, Colonial Williamsburg), Hunting, Murder and Bacon: Backstories of Three Printed Handkerchiefs in the Colonial Williamsburg Collection

T U E S D A Y ,  2 8  M A R C H  2 0 1 7

8:30  Art Museums of Colonial Williamsburg open for conference registrants

9:00  Kimberly Ivey (senior curator of textiles and historic interiors, Colonial Williamsburg), Annie L. Hayslip’s Printed Textile Album

9:20  Philip Sykas (research associate, Manchester School of Art, Manchester), Pattern Books within ‘a Seasonal and Fancy Trade’: English Calico Printers, 1780–1830

10:10  Break

10:40  Barbara Brackman (independent scholar and researcher, Lawrence, Kansas), Printed Textiles in Quilts, 1775–1830

11:35  Bridget Long (visiting research fellow in history, University of Hertfordshire), ‘Have You Remembered To Collect Pieces for the Patchwork?’ The Impact of Printed Cloth on Eighteenth-Century Patchwork Practice (juried paper)

12:00  Lunch break with museum exhibitions open

2:00  Juried Papers
• Julia Brennan, Kaitlyn Munro, and Lauren Klamm (conservators, Caring for Textiles, Washington, D.C.), Burn Out: Case Studies in Conserving Printed Textiles
• Anita Loscalzo (independent textile historian, Dover, Massachusetts), Prussian Blue Textiles Found in American Quilts and Dress
• Linda Welters (professor, Textiles, Fashion Merchandising and Design, University of Rhode Island), In Small Things Forgotten: Three Eighteenth-Century Rhode Island Prints

3:10  Break

3:30  Juried Papers
• Margaret T. Ordoñez (Professor Emertia and Adjunct, Textiles, Fashion Merchandising and Design, University of Rhode Island), Printed Delaines with a French Label from East Greenwich, Rhode Island, ca. 1843
• Deborah E. Kraak (independent museum professional, Wilmington, Delaware) and Terry Tickhill Terrell (independent quilt history researcher, Masonville, Colorado), What’s in a Name? A New Database of Early Floral Chintz Motifs
• Sheryl DeJong (independent researcher, Reston, Virginia), Printed Fabrics in the Copp Quilt at the Smithsonian
• Lori Lee and Kay Triplett (authors and independent researchers, Overland Park, Kansas), Unexplored Printing Techniques in Textiles

5:00  Closing reception

%d bloggers like this: